Body Language Basics - Syncrat Publishing Throughout history it has been an advantage if an individual can read body language. Body language helps in everyday life from closing a business deal or trusting someone with your life, to recognising when someone is upset. Body language is the art of making an educated guess at a person’s feelings or intentions based on their posture, movement and positioning. Each action or stance in the following list means very little, unless there is more than one indicating the same thing. Arms Feet Head Chest Other
Character Trait Chart Character Trait Chart and Personality Components It can sometimes be helpful to make a Trait Chart for each character. This is especially helpful during the early stages of character development, before the character becomes as real to you as your mother. There are several charts of this sort available, some extremely detailed and some containing only facts and figures. To use this chart, print it out and make a copy for each of your characters. Full name - a character's name is very important. Besides the character's official name, we also need to know what he is called (and, perhaps, what he prefers to be called). Date of Birth/Age - we should carefully consider assigning our character a birthday. Address - this can be as detailed or as vague as you wish, but it should answer a few questions: does the character live in a large city, the suburbs, a small town or deep in the country? Height - this doesn't need to be specific. Smell - everyone has a smell. Questions? Custom Graphics by:
Mary Sue Test Background A Mary Sue is an unrealistic type of literary character commonly created by inexperienced authors. Although they vary, a typical Mary Sue has an unreasonable number of cool or special traits, especially ones the author wishes he or she had, and they tend to accomplish things too easily, solve problems too neatly, and become the center of attention whether they deserve it or not. This test aims to help authors evaluate whether their characters are in danger of becoming Mary Sues by drawing attention to potentially problematic traits. However, authors should remember that a Mary Sue is a subjective classification. There is no such thing as a "Mary Sue trait"; any trait can be part of an interesting, well-balanced character. When taking this test, be honest, but keep it in perspective and remember context. The test has seven sections: This test comes from this thread in the Writer's Block subforum on TV Tropes. Section 1: Author Avatars Scoring 1-10: Your character is understated.
How to Create Good Personalities for Your Characters Edit Article Sample Character DescriptionsCreating Personalities for Your Own Characters Edited by Secretive, Julia Maureen, Flickety, Ben Rubenstein and 19 others You're on a plane to a distant country to visit some weird old relatives you are somehow related to. Ad Steps Sample Character Descriptions Creating Personalities for Your Own Characters 1Start with a simple profile including these categories: Name, Age, Gender, and Occupation. 6Continue developing characters until your story is finished. Tips Keep the characters true to themselves. Warnings Don't copy off other characters in different, already well known books, such as Harry Potter.
Ash’s Guide to RPG Personality & Background :: The Guide Character Profile Templates Enter your e-mail to get the e-book for FREE. We'll also keep you informed about interesting website news. "I have searched the web and used different worksheets, but none have come close to your worksheets and descriptions of (what to do and what not to do). Both courses I have taken have with Creative Writing Now have been amazing. Each time I have learned something new. "As usual - I already love the course on Irresistible Fiction, rewriting a lot and improving greatly even after the first lesson. “Essentials of Fiction proved that I could indeed write and I wrote every day, much to my boyfriend's dismay (waa sniff).” - Jill Gardner "I am loving the course and the peer interaction on the blog is fantastic!!!" "I'm enjoying the weekly email course, Essentials of Poetry Writing. "Thank you for all the material in this course. "I was pleasantly surprised at the quality of the lessons and feel they were very helpful in introducing new ideas and perspectives to my writing.
Basic Tips To Create Better Characters With Tragic & Traumatic Backstories First, ask yourself why you're giving your character a tragic or traumatic backstory. Are you giving your character this backstory to build up/explain what kind of person your character is now? Or are you doing it mainly to make readers or other characters feel sorry for your character, or to make your character seem more badass/tough for having survived the ordeal? Or are you doing it mainly to give your character a reason to run away from home and/or have nobody to be attached to so xe can go hang out with the cool characters with nothing to pull xir away? Even worse, trauma/tragedy often is used as little more than a device to give an intended love interest a reason to want to lavish care and affection on xir. Benjamin Linus from Lost is a good example of a tragic/traumatic backstory used to good effect. Ask yourself how much trauma/tragedy your character actually needs. Remember, not everything your character does should be explicitly or overtly tied to the trauma/tragedy.
How to Write a Novel in Six Months, Week 6: Outlining Now's the time in the novel writing journey where I start to get really nervous. I stare at my stack of index cards terrified that what I've written are nothing more than a collection of stupid ideas that will never come together into a coherent outline. Okay - now that that's out... The way I approached my outline was to transfer my index cards onto a spreadsheet. I know, but I really love spreadsheets. The Marshall Plan I have mentioned The Marshall Plan for Novel Writing before, and it was actually one of the first books I ever read on writing. Once I started poking around, I decided to go ahead and attempt four viewpoint characters as Marshall suggests for my word count (100,000 words/mainstream fiction). Marshall goes into a lot of detail with his outlining technique (using section sheets) and I'll get into that in the next article, Week 7: Detail Scene Beats. Spreadsheet Outline In case you wonder how I set up my spreadsheet, it's pretty simple. Week 1, Mapping Out the Six Month Plan
Writers' Workshop | Characterisation How to write convincing characters Characterisation - the task of building characters - isn't easy. But if you're struggling to build characters with real life and vigour, just follow these rules. If you do follow them correctly, we can pretty much guarantee that your characterisation will be just fine! Know what kind of character you are writing There are roughly two types of protagonist in fiction. The second type of character (rather less common, in fact) is the genuinely extraordinary character who would make things happen in an empty room. Either type of character is fine - don't struggle to equip your ordinary character with a whole lot of amazing skills, or try to 'humanise' your James Bond character by making him nice to old ladies and interested in baking. Empathy is about story and good writing Likewise, don't worry too much if your character is likeable. A) you write well enough that your reader is drawn in to your protagonist's world, whether they like it or not; and
Common, Yet Terrible Character Descriptors - And How To Fix Them When asked to describe their characters, many people tend to use the same over-generalized descriptors over and over. The result tends to be what I call a "Forer profile" - it's so vague that it can fit any number of characters - all of whom are wildly different - equally well. And when the same character description could fit a sneaky trickster as it could a determined soldier as it could a grad student opening a florist's shop, that's a problem. So, I'm going to outline how to give more and better information on your character to give people a better idea of what sort of person they're reading about. For the sake of simplicity, we'll go with "animals" for most of this particular section. Here are other examples of useful statements: "My character volunteers at the animal shelter."" All of the above statements are only a few words longer than "my character loves animals," but contain huge amounts of information in comparison. Fun is entirely subjective.
Seven Common Character Types Seven Common Character Types by Terry W. Ervin II Fiction writers employ a variety of characters while weaving their tales. Beyond the standard definitions of protagonist (the main character in a literary work) and antagonist (the main character or force that opposes the protagonist in a literary work), recognizing the types of characters and the parts they play while reading an interesting story can add to the experience. In addition, a fuller understanding of the character types and their uses can increase a writer’s effectiveness in weaving his own fictional tales. Below is a list of common character types, followed by an explanation and short example. Confidante- someone in whom the central character confides, thus revealing the main character’s personality, thoughts, and intentions. Example: In a story, Melvin Sanders is a detective on the trail of a serial killer. In this example Chops is a confidante. In this example Ebenezer Scrooge is a dynamic character. Copyright © Terry W.
Character Questionnaires - Get to Know Your Characters Receive more writing tips and advice (along with special offers and other Gotham news). One of the best ways to get to know your characters is to ask questions about them. Many writers do this as a kind of homework before they actually start writing a story. The more you know your characters, the fuller they will be. This might also make your story easier to write. The following questionnaires may be downloaded so you can work with the actual documents. Character Questionnaire 1 This questionnaire is found in Gotham Writers Workshops Writing Fiction. You might start with questions that address the basics about a character: What is your characters name? What is your characters hair color? What kind of distinguishing facial features does your character have? Does your character have a birthmark? Who are your characters friends and family? Where was your character born? Where does your character go when hes angry? What is her biggest fear? Does she have a secret? Look at your characters feet.
So You Wanna Write/Play A Powerful/Talented Character That Probably Won't Be Perceived As A Mary Sue? Many, many, many times I've seen people complain that they can't write or play powerful characters without these characters being labelled as Mary Sues. I really have only one thing to say to this: it's probably either because your characters are Mary Sues, or because you're presenting your character the wrong way. Sure it's not the former? Okay, then let's get on to how you can present your character so people probably won't grab the torches and pitchforks. This article is largely intended for fan characters, though most of it applies to other character types as well. Start by describing what makes your character tick, not what makes xir special. When you begin your character profile/pitch, leave out your character's appearances, superpowers, and canon connections as long as you possibly can. If you have a well-developed character, you should be able to describe xir without mentioning xir powers, abilities, or canon connections quite easily. Remove irrelevant specialness.