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Magpie girl
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I am honored to report that I’ve received a surprise invitation to cover the Costume Institute of The Metropolitan Museum of Art’s red carpet celebration of the Schiaparelli and Prada: Impossible Conversations opening gala this Monday, May 7. (Sidebar: Golly—thank you!—could a girl even possibly dream of a more extraordinary stroke of luck in the tedious midst of Final Exams Week?) If truth be told, as a reluctantly jaded New Yorker, I only fully realized the deep impact of taking in the Metropolitan Museum of Art’s masterworks while on an art history field trip with my university classmates, some of whom had never been to the Met beforehand. This experience sparked an exploration of sorts into the psychology of art and its impact upon the role of emotion in art, the essence of aesthetic experience, and the semiotic nature of psychological processes. In Saint Nicholas of Tolentino Reviving the Birds, Nicholas is dressed in white as an elderly bedridden man of poor health. Works Cited:
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