If you were the sky and I were the sea. by Duck If you were the skyThen I'd be the seaAnd when you shined brightIt would reflect in me.When you're at restThen I am steady.If you wanna get roughI'm always ready.Past closing at the barsIf you show me the starsI'll open right upAnd cast them out far.And on the darkest nightIf you won't shine a light.Then I'm silent alongside youUntil you feel right.We'll meet at the horizonWhere lovers will stareAnd wonder with passionWhy they can't meet there.And you'll share me a kissAs bright as two suns.When they meet in the middleI'll know the days done.And I can tell that's your way of saying to me.Goodnight my love.If you were the sky and I were the sea.
Best Opening Lines of Novels Following is a list of the 100 best first lines from novels, as decided by the American Book Review, a nonprofit journal published at the Unit for Contemporary Literature at Illinois State University: 1. Call me Ishmael. - Herman Melville, Moby-Dick (1851) 2. It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife. - Jane Austen, Pride and Prejudice (1813) 3. 4. 5. 6. 7. riverrun, past Eve and Adam's, from swerve of shore to bend of bay, brings us by a commodius vicus of recirculation back to Howth Castle and Environs. - James Joyce, Finnegans Wake (1939) 8. 9. 10. 11. 12. 13. 14. 15. 16. 17. 18. 19. 20. 21. 22. 23. 24. 25. 26. 124 was spiteful. - Toni Morrison, Beloved (1987) 27. 28. 29. 30. 31. 32. 33. 34. 35. 36. 37. 38. 39. 40. 41. 42. 43. 44. 45. 46. 47. 48. 49. 50. 51. 52. 53. 54. 55. 56. 57. 58. 59. 60. 61. 62. 63. 64. 65. 66. 67. 68. 69. 70. 71. 72. 73. 74. 75. 76. 77. 78. 79. 80. 81. 82. 83. 84. 85. 86. 87. 88. 89. 90.
The Egg The Egg By: Andy Weir You were on your way home when you died. It was a car accident. And that’s when you met me. “What… what happened?” “You died,” I said, matter-of-factly. “There was a… a truck and it was skidding…” “Yup,” I said. “I… I died?” “Yup. You looked around. “More or less,” I said. “Are you god?” “Yup,” I replied. “My kids… my wife,” you said. “What about them?” “Will they be all right?” “That’s what I like to see,” I said. You looked at me with fascination. “Don’t worry,” I said. “Oh,” you said. “Neither,” I said. “Ah,” you said. “All religions are right in their own way,” I said. You followed along as we strode through the void. “Nowhere in particular,” I said. “So what’s the point, then?” “Not so!” I stopped walking and took you by the shoulders. “You’ve been in a human for the last 48 years, so you haven’t stretched out yet and felt the rest of your immense consciousness. “How many times have I been reincarnated, then?” “Oh lots. “Wait, what?” “Well, I guess technically. “Sure.
8 Secrets of Writers Image from Flickr by Lazurite This is not particularly relevant to the post, but I’m getting an awful lot of comments telling me, often a little snarkily, “it’s ‘THAT’ not ‘WHICH’”. The “don’t use which for restrictive clauses” rule comes (as far as I can tell) from Strunk and White. Plenty of authors, including Austen, have used “which” exactly as I use it in the title. There was never a period in the history of English when “which” at the beginning of a restrictive relative clause was an error. I thought about putting “that” in the title – but I like the sound of “which” between “secrets” and “writers”. And with that out of the way, enjoy the post! A few years ago, I’d look at published writers and think that they were somehow different from me. They were real writers. But as I’ve taken more and more steps into the writing world, I’ve realised that my perception just doesn’t match up to the reality. I’m going to go through eight secrets. Secret #1: Writing is Hard It doesn’t end there.
Story Writer Exercises English 50 – Intro to Creative Writing: Exercises for Story Writers Basic Theory: What is a short story? As soon as someone delivers a definition, some good writer will write a story that proves the theory wrong. About the only thing we can say for sure is that short stories are short and that they are written in what we call prose. Some attributes, however, seem to show up more often than not. Short stories have a narrator; that is, someone tells the story; have at least one character in them; have some action occur (or perhaps fails to occur); take place somewhere; that is, there is a setting for the action; and someone either learns something or fails to learn something (theme).With these five characteristics in mind, we can create an almost endless supply of exercises to help sharpen our techniques of story telling. Narrative Voice Twenty or so years ago, voice was the "rite of passage" into a successful writing career. If you've written a story in third person, try it in first.