Teatro di San Carlo - Eduard Zilberkant / Evelyn Glennie * Il prezzo ridotto è riservato ai titolari delle Carte dei programmi di Membership, ai gruppi di almeno 10 persone e ai membri di enti, CRAL ed associazioni convenzionati con il Teatro di San Carlo Informazioni e Prenotazioni L'abbonamento Opera e Balletto 2014/2015 consente di assistere a 12 spettacoli: - 10 a posto fisso al Teatro di San Carlo - 2 a posto libero al Teatro di Corte (L'isola disabitata / Otello) TUTTI i titoli sono obbligatori Gli abbonati del San Carlo per le future generazioni. Gli abbonati alla Stagione d'Opera e Balletto che volessero acquistare anche l'abbonamento della Stagione Sinfonica avranno diritto al prezzo ridotto(max due abbonamneti Sinfonica per ogni abbonamento Opera e Balletto acquistato). Il periodo di prelazione per i nostri abbonati va dal 19 maggio al 3 agosto 2014 compresi.
The Beta Band Un article de Wikipédia, l'encyclopédie libre. The Beta Band est un groupe écossais formé en 1996 par John Maclean, Richard Greentree, Steve Mason et Robin Jones. Biographie[modifier | modifier le code] Formé en 1996 à Edinburgh par les musiciens Steve Mason (au chant et à la guitare) et Gordon Anderson (à la basse), le groupe s'appelle dans un premier temps The Pigeons. Mason et Anderson sont ensuite rejoints par le batteur Robin Jones et le multi-instrumentaliste John Maclean (qui en plus d'être un joueur de claviers est aussi DJ). Entre juillet 1997 et juillet 1998, le groupe publie trois eps, Champion Versions, The Patty Patty Sound et Los Amigos del Beta Bandidos, qui vont tous être unaniment salués par la presse spécialisée[1],[3]. Le single To You Alone/Sequinsizer, paru l'année suivante en 2000, est couronné "disque de la semaine" par le NME. Discographie[modifier | modifier le code] EP[modifier | modifier le code] Albums[modifier | modifier le code]
Rai Replay Il servizio ti permetterà di rivedere in replica i programmi andati in onda negli ultimi 7 giorni su Rai Uno, Rai Due, Rai Tre, Rai 5 e Rai Premium. Seleziona il canale tv che ti interessa (a sinistra) e il giorno di messa in onda (in alto); così facendo visualizzerai la lista dei programmi del giorno e potrai vederli con un semplice click. I programmi già disponibili in modalità Replay sono contrassegnati dal colore azzurro I programmi ancora in fase di lavorazione e dunque disponibili a breve sono evidenziati dal colore grigio chiaro I programmi non disponibili perchè Rai non ne detiene i diritti di diffusione su internet sono contrassegnati dal colore grigio scuro I programmi di Rai Replay sono offerti in modalità geoprotetta per tutelare i diritti di terzi © Tutti i diritti sono riservati - Vietata la registrazione anche parziale
The 50 best trip-hop albums of all time Skip to #40 / #30 / #20 / #10 Like it or not, trip-hop is a thing. I say this as someone who, for the past 18 odd years, has loved the music just as much as I’ve hated the term. Coined in June 1994 by Andy Pemberton in a feature for Mixmag, trip-hop was used to describe the recent stylistic shift of the Mo’ Wax label and that music’s popularity in dance circles, particularly in after hours sessions. Pemberton heralded trip-hop as a psychedelic take on hip-hop and the first valid alternative to America’s dominance of the music. The DNA of trip-hop was more complex than its reduction to bite-sized adjectives. Just as techno had become a synonym for dance music, trip-hop soon became a crutch for journalists and marketers wanting to signify hip-hop without rappers. On the ground, the sound did resonate in a genuine way among a new generation of musicians seeking freedom to experiment. It was always going to end badly. In putting together this list, we tried to take all of this into account.
Ricordare Nick Drake, illustrazione di Ilaria Grimaldi | Freakout Magazine onLine Il prossimo 6 novembre uscirà il primo libro ufficiale su Nick Drake, Remembered For A While e la nostra Ilaria Grimaldi ha ben pensato di dedicare un’illustrazione al celeberrimo cantautore. Clicca qui per leggere l’intero articolo sul libroAutore: Ilaria Grimaldi The 50 best trip-hop albums of all time Skip to #40 / #30 / #20 / #10 Like it or not, trip-hop is a thing. I say this as someone who, for the past 18 odd years, has loved the music just as much as I’ve hated the term. Coined in June 1994 by Andy Pemberton in a feature for Mixmag, trip-hop was used to describe the recent stylistic shift of the Mo’ Wax label and that music’s popularity in dance circles, particularly in after hours sessions. Pemberton heralded trip-hop as a psychedelic take on hip-hop and the first valid alternative to America’s dominance of the music. The DNA of trip-hop was more complex than its reduction to bite-sized adjectives. Just as techno had become a synonym for dance music, trip-hop soon became a crutch for journalists and marketers wanting to signify hip-hop without rappers. On the ground, the sound did resonate in a genuine way among a new generation of musicians seeking freedom to experiment. It was always going to end badly. In putting together this list, we tried to take all of this into account.
David Bowie’s Enchanting Isolated Vocal Track for “Ziggy Stardust” by Maria Popova Because Ziggy didn’t always play guitar. In June of 1972, David Bowie released his fifth studio record, The Rise and Fall of Ziggy Stardust and the Spiders from Mars — the album that gave birth to his legendary alter ego, the fictional rock star Ziggy Stardust, who catapulted Bowie into superstardom and went on to become one of the twentieth century’s greatest pop-culture cults. This mesmerizing isolated vocal track for the album’s title song reveals as much the intimate beauty of Bowie’s imperfect voice as it does the enormous role instrumentation and performance play in creating the overall effect of the song’s enchantment and exhilaration: Donating = Loving Bringing you (ad-free) Brain Pickings takes hundreds of hours each month. You can also become a one-time patron with a single donation in any amount. Brain Pickings has a free weekly newsletter. Share on Tumblr
The 50 best trip-hop albums of all time Skip to #40 / #30 / #20 / #10 Like it or not, trip-hop is a thing. I say this as someone who, for the past 18 odd years, has loved the music just as much as I’ve hated the term. Coined in June 1994 by Andy Pemberton in a feature for Mixmag, trip-hop was used to describe the recent stylistic shift of the Mo’ Wax label and that music’s popularity in dance circles, particularly in after hours sessions. Pemberton heralded trip-hop as a psychedelic take on hip-hop and the first valid alternative to America’s dominance of the music. The DNA of trip-hop was more complex than its reduction to bite-sized adjectives. Just as techno had become a synonym for dance music, trip-hop soon became a crutch for journalists and marketers wanting to signify hip-hop without rappers. On the ground, the sound did resonate in a genuine way among a new generation of musicians seeking freedom to experiment. It was always going to end badly. In putting together this list, we tried to take all of this into account.