Gallery — Don't Take Pictures A pinhole camera is a beautifully simple machine capable of rendering complex images. Photographers who choose to work with pinhole cameras are patient, often waiting minutes or hours or days for their images to be rendered through the pinprick in the front of their camera. More time still is spent processing the image, and due to the uncertainty of the camera and its many variables, the photograph may never appear at all. Don’t Take Pictures strives to present photographers who are actively involved in the creative process of making photographs. This gallery will be on view through August 21.
Vintage Typography Tutorial using Ornamental Styles Vintage and ornamental typography can yield some truly impressive effects for graphic designers, and have applications in everything from poster design to logo design. Vintage typography can involve ornamental or floral elements, vectors, as well as some vibrant colors contrasted against the background. Today, we have a great vintage typography tutorial for you to follow along with. You’ll see how to use a scanned image as the basis for ornamental text, and then how to work with stock images and Photoshop to create a vintage typography artwork. If you like this vintage typography tutorial, check out our other great text effect tutorials: Hope you find this vintage typography tutorial entertaining and informative! In this tutorial we will look at the process of creating interesting work “Vintage Typography”, based on the photo-manipulation and collage. Vintage Typography Tutorial Preview: Vintage Typography Tutorial – Tools Used: Adobe PhotoshopStock imagesTopaz Clean filter Let’s to begin!
leg. "Photography is wandering in the universe by yourself" | Fotografia Magazine Paris-based Fondation Henri Cartier-Bresson presents Vagabondages, an exhibition of 128 photographs from Magnum Photos‘s collection by the great Chilean photographer Sergio Larrain (1931-2012). The exhibition will be open until 22 December. Following is a beautiful letter written by Sergio Larrain in 1982 to his nephew, who had previously asked Larrain where to begin to become a photographer. First and foremost, you have to have a camera that fits you well, one that you like, because it’s about feeling comfortable with what you have in your hands: the equipment is key to any profession, and it should have nothing more than the strictly necessary features. The game is going on an adventure, like a sailor boat: drop the sails. Bar, Valparaiso. When you will be back home, develop, print and start looking at what you fished, all of your fishes, print them in the size of a postcard and tape them to a wall, and look at them. Passage Bevestrello, Valparaiso. Photograph the way you like it.
Create Creepy, Branch Based Typography Create Creepy, Branch Based Typography Learn how to create some creepy typography created out of winter branches: Final Image As always, this is the final image that we’ll be creating: Step 1 Create a new document (800X600px). Drag out a radial gradient ranging from f8f8f8 to e0e0e0 on your background layer: Step 2 Paste in your bark texture: Now apply a hue/saturation adjustment layer. Now return to your bark texture layer. Step 3 Now download the abstract lights brush set from the resources for this tutorial. Create a new layer called ‘brush marks 1′. Apply several of the brush marks (using a black paintbrush). Step 4 Now apply a couple more layers, applying more black brush marks, and then some white ones. Step 5 Now apply some text in the center of your canvas. Step 6 Now cut out and paste in your branches from the branch photos in the resources for this tutorial. Step 7 Paste your tree photo into the bottom left of your canvas, positioning it against the bottom of your P letter. Step 8 Step 9
Convertir PDF en Word — 100% Gratuite! Sergio Larrain o qué es la fotografía | Ver para creer Hace ya un tiempo Sergio Larrain, genial fotógrafo de la agencia Magnum, decidió escribir una carta a su sobrino Sebastián Donoso que, por aquel entonces (1982), estaba intentando dar sus primeros pasos en el mundo de la fotografía. Os transcribo la carta porque considero que es un buen reflejo de qué es o cómo veo yo la fotografía. Espero que os pueda ser útil. (c) Sergio Larrain - Magnum photos “Miércoles. Lo primero de todo es tener una máquina que a uno le guste, la que más le guste a uno, porque se trata de estar contento con el cuerpo, con lo que uno tiene en las manos y el instrumento es clave para el que hace un oficio, y que sea el mínimo, lo indispensable y nada más. El juego es partir a la aventura, como un velero, soltar velas. Luego que has vuelto a la casa, revelas, copias y empiezas a mirar lo que has pescado, todos los peces, y los pones con su scotch al muro, los copias en hojitas tamaño postal y los miras. Sigue lo que es tu gusto y nada más. Me gusta:
Creating Smoke In Photoshop From Scratch (Noscope) - StumbleUpon Using Photoshop and a specific technique, it’s rather easy to create something that looks like smoke or fog—from scratch. It’s not as good as actual smoke photographed on a black background, but it’s much easier to come by. Here’s the trick… Doodle Draw a doodle. Distort Use the Liquify tool to distort the doodle. Once you’ve applied the liquify transformation, select Edit > Fade Liquify.... Repeat Now repeat the process until you’re satisfied: LiquifyFade Liquify to 50% If you enjoyed this tutorial, you might also enjoy my Creating Microworlds in Photoshop tutorial. Like this: Like Loading... Imprimerie En Ligne Rapide Printoclock Pour Imprimer Pas Cher Flyers, Affiches, Etc.
Graduate Photography Online - Main Index Graduate Photography Online is Source's annual showcase for Photographersgraduating from University and Art College based photography courses. View Submission Guidelines for 2014 » Since the project's introduction in 2007 the majority of partcipating courses have been drawn from Colleges and Universities based in the UK and Ireland - though we have had courses from the USA and even Dubai take part. Each participating Photographer submits five images selected from their graduate work, accompanied by a paragraph of text outlining the intent of the work and their contact details. Individual Photographers are indexed primarily according to the University and Course to which they belong and since 2010 we have also begun to index the work according to the photographic genre to which it belongs. As part of the project since 2008 we now also commission a number of prominent photography curators to select their favourite sets of work from all the material submitted.