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Yuta Onoda

Yuta Onoda

Comics, Quizzes, and Stories Calvin & Hobbes Snow Art Peter de Sève A Sketchy Past, The Art of Peter de Sève In this exquisite monograph, world-renowned illustrator and character designer Peter de Sève shows his favorite published and unpublished works. Inventive, eccentric, and often irreverent, they represent a lifetime of drawing... a very sketchy past. Copiously illustrated with hundreds of paintings and drawings, including never-before-published New Yorker cover roughs, behind-the-scenes animation development artwork, and personal sketches, A Sketchy Past is the first comprehensive survey of de Sève's work. Temporarily Sold Out David Jon Kassan - Brooklyn Artist

Portfolio - Life Drawing Richard Solomon Artists Representative | Advertising Editorial Book Illustration | 25 Years of Award Winning Illustration Keiko Tanabe - Blog About nine years ago, I started out both as a plein-air painter and as a studio artist. As a watercolorist who paints in both environments, I have come to realize that there are unique qualities in each type of work. A painting done on location is my direct response to the landscape. I attempt to capture the whole experience of being there. For that purpose, I need to concentrate intensely to work fast. I so enjoy getting absorbed in the environment when the inspiration cannot be any fresher. Sometimes I may not completely finish the work outdoors because I feel it's already served a purpose. En plein air, I like to use the paper size smaller than 18x24 inches (46x61cm) and spend less than an hour to complete a piece. When I work in the studio, sometimes I use my plein-air sketch as a source of reference. Read related posts: here (Bucharest, Romania) and here (Venice, Italy) and look at some of the examples from Italy below. "Firenze, Italy I" (29x21 cm) - plein air

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