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SCINTILLATION

SCINTILLATION

à ne pas manquer - Cannes Lions 2012, Episode 4: Les meilleures vidéos créatives selon Saatchi & Saatchi! Pour la 22ème année consécutive, The Saatchi & Saatchi New Director’s Showcase, intitulé "Meet your Creators" a enflammé le grand auditorium de Cannes. INfluencia vous propose de regarder presque en live les 18 talents d'aujourd'hui et de demain. Jeudi matin dans le grand Auditorium du Palais des Festivals, le Show Saatchi & Saatchi«Meet the Creators» a tenu ses promesses. Une mise en scène peut-être moins esthétique que l’année dernière, mais d’une technicité surprenante: tout a commencé par une valse de robots A.R Drone de Parrots volant en formation serrée au dessus d'une pyramide. Une pyramide lumineuse surplombée d'un faisceau bleu qui vibrait au son d'une douce voix faisant l'éloge de la créativité et de la magie (voir vidéo ci-dessous). Et dans une chorégraphie digne d'une escadron d'avions de chasse, les A.R Drones volaient enparfaite symbiose avec de grands rayons lumineux sur fond de basse électronique pleins tubes.

PRÁCTICAS ESTÉTICAS EX –CÉNTRICAS, El performance ante la colonialidad del gusto y la sexualidad. Texto de Yecid Calderón Rodelo Imagen: "Rebelde Masturbación" fotogramas en serie del video del mismo nombre, de Nadia Granados La Fulminante El performance ante la colonialidad del gusto y la sexualidad[1] Mtro: Yecid Calderón Rodelo Para empezar quiero señalar que el tema que abordo surgió en el horizonte de mi investigación doctoral por la necesidad de ir articulando un concepto que atendiera al lugar de enunciación que encuadra la postura epistémica de mi trabajo, la cual alude a una geopolítica y una corpo-política del saber, es decir, se relaciona directamente con un saber encarnado y con una decolonialidad del cuerpo y la sexualidad[2]. Es una resistencia que alude, además de los antagonismos propios de la política tradicional, a la potencia del sujeto/cuerpo en cuanto a la capacidad de configurarse a sí mismo, según su propia voluntad, resistiendo a las configuración pre-establecidas de su subjetividad y su corporalidad. Existen regímenes regulatorios que atraviesan nuestras prácticas cotidianas.

Adidas China: This is me Junyi Liu 16 pencils Apr 22, 2015 - 14:45 It is not difficult to see Adidas clover series for brand positioning from the Large front part of the ad, several "too" young stage will highlight a variety of forms, the same clover can present different "you" The last one, "That's me," Although it looks like the clamor, is presumptuous. But the combination of the first sentence, "they said," I personally feel that these two alone would have been able to point to the essence of the whole branch of the ad!

dis[connect] on Behance About This is a collaboration between myself and Chase Hochstatter. The overarching title of our two-part Samitaur Tower installation is "dis[connect]… Read More This is a collaboration between myself and Chase Hochstatter. The overarching title of our two-part Samitaur Tower installation is "dis[connect]", and for it we delved into the connection / lack-there-of between humans in today's increasingly interconnected society. In this interconnectivity, the abstraction of the modern human condition occurs.

Sebastian Onufszak on Behance AIGA Eye On Design on Behance AIGA's blog, Eye on Design, focused on sharing the quirks, details, and visual beauty of great design. The platform juxtaposes emerging studios with industry legends; if designers can find inspiration from both traveling photo booth branding and Saul Bass quotes, AIGA reckons, there’s no reason they can’t live on the same web platform. Inspired by Paul Rand’s 1968 riff on the AIGA logo, the blinking eye in the website’s header is forward-focused, and a nod to its past. We did away with the boring grid of rectangular thumbnails that plague a lot of sites and instead, opted for primary shapes—circles, rectangles, and triangles—and created an archive of stories that’s actually fun to navigate. AIGA's blog, Eye on Design, focused on sharing the quirks, details, and visual beauty of great design. Inspired by Paul Rand’s 1968 riff on the AIGA logo, the blinking eye in the website’s header is forward-focused, and a nod to its past.

Poderi dal Nespoli / Rebranding on Behance Poderi dal Nespoli rebranding: finally a new way to communicate Italian wine A new, powerful communication style for the winery from Romagna that starts from local tradition and aims at global innovation. ‘Wine is about emotion.’ And it is emotion and identity that are the two pillars that have guided the new rebranding project from Poderi dal Nespoli. The rebranding project is the result of a new working method and a new approach that analyzes and enhances the identity of the winery to help customers understand its uniqueness, quality and human touch - the same touch that picks the grapes, manages the winemaking and works to provide a product of class and style and deliver it around the world. The young work team combines expertise in branding and strategy, photography, style, and graphic design with a precise vision: to take around the world the authentic and genuine mood of Romagna. Rebranding Poderi dal Nespoli: finalmente il nuovo modo di comunicare il vino italiano

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