background preloader

IDFA DocLab 2009

IDFA DocLab 2009

Gaza Sderot - La vie malgré tout NFB/Interactive - National Film Board of Canada At the NFB we like change. For 70 years we've experimented, innovated, and produced a legacy of technical and creative firsts in cinema, animation, and documentary. Think McLaren, Lipsett, Brittain, and Jutra; Stereoscopic 3d, VTR, and participatory media. Today, the way we create, consume, and connect with each other changes by the minute. It's the result of artists and storytellers of all sorts utilizing new technology, to explore new forms of creation, for a new kind of Canada. The stories they're telling here are new, but share a lot in common with the work that came before: they present distinct voices, strong points-of-view, and unique perspectives. So let the conversation begin. Scary or otherwise.

Transmedia Manifest Le blog documentaire | "Suggérer, c'est créer, Décrire, c'est détruire", Robert DOISNEAU For Want of Water - Topics - Las Vegas Sun — Interactive by Zach Wise Las Vegas was first settled for its springs, springs that made it an oasis in the desert. Although those springs have decades since run dry, water is still the most import resource to Las Vegas and the dry Southwest. And by all indications the region is only going to get dryer. Scientists predict devastating effects from global warming, conservationists are calling for a halt to growth in Southern Nevada as a way to preserve supplies and water managers are looking to ever more creative ways to reduce reliance on the overburdened Colorado River. Now Southern Nevada water managers say they can no longer rely on the river so heavily, and must construct a massive pipeline to draw water stored underground for centuries in rural Nevada to Las Vegas. Opponents say the effects of the pumping would be devastating and that the plan would sacrifice a rural, ranching way of life in Eastern Nevada for casinos and tract home in the south. — Phoebe Sweet

We. A documentary featuring the words of Arundhati Roy The D-Word: the worldwide community of documentary professionals Medialab Session Conférence à Montreal sur le webdocumentaire | WEBDOCU.fr, webdocumentaires et nouvelles formes de reportage Alexandre Brachet dirige la société de production interactive française de renommée internationnale Upian qu’il a fondée en 1998. Upian a produit ou coproduit plusieurs webdocumentaires dont Lacitedesmortes.net, Thanatorama.com, Gaza-Sderot en 2008 et Prison Valley en 2010. En parallèle à cette activité de producteur, Upian continue à travailler comme studio de création Web pour les médias en ligne. En introduction des Journées Transmédia, Alexandre Brachet nous invite à réfléchir sur la nécessité de créer de nouvelles formes de récits à une époque où Internet devient un espace privilégié pour la création, un lieu de rencontre entre l’engagement et la créativité.

UNDER THE CITY Resources BRITDOC Foundation Resources At ❤BRITDOC❤ we want to support documentary makers of all levels. These links and documents are designed to connect you to the organisations you need to know to get your doc funded and make it all happen. We understand that the filmmaking process can be daunting and you need all the help you can get. This is a growing and evolving page, so if you can think of any resources you need please e-mail your suggestions to our Film and Distribution Manager, Luke Moody: luke@britdoc.org Writing a Proposal There are many unique approaches to writing a proposal, some more successful than others. pdf Writing a Proposal What to include: Some tips on writing your proposal. Commissioners and Decision Makers The world of documentary commissioning can be hard to keep up with. To help negotiate the myriad of decision makers out there here's a list of places where you can research the people you want to see your proposal and ultimately, fund your film. Return to Top png Crowdfunding

THE OFFICIAL NEW MEDIA PROGRAM OF IDFA, SHOWCASING NEW FORMS OF DOCUMENTARY STORYTELLING, DIGITAL TECHNOLOGY AND MEDIA ART. by mcinternationale Jul 28

Related: