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How to Undress a Victorian Lady in Your Next Historical Romance

How to Undress a Victorian Lady in Your Next Historical Romance
Related:  Character Development

How to Create a Character Profile One of the most important elements in a novel or short story is characterization: making the characters seem vivid, real, alive. One technique that many writers use with success is to create a character profile for the main characters in the novel. The purpose of a character profile is twofold: to assist the writer in creating a character that is as lifelike as possible and to help with continuity issues in the story. In interviews many famous authors have stated that they came up with the basics of a character's personality and then they found that the character just "came alive" for them and ended up driving the story all on his own. But for the beginning writer, sometimes a more concrete approach is helpful. That is where the character profile comes in -- it is simply a tool for organizing your thoughts about a certain character and keeping track of a particular character's idiosyncrasies and relationships. Character profiles are useful when writing in any genres. Basic Statistics

Victorian Theories of Sex and Sexuality We are well-accustomed to the ideas of the prudish, sexually-repressed Victorians, who cautiously guarded themselves against any temptation, no matter how slight. Critics and reader have largely and successfully questioned this conception and proven it inaccurate. For during this period, even in seeking any man or woman's ultimate goal in achieving the apparently conservative happy ending of marriage, Victorians were inevitably led to the consummation of their love and the creation one's own home and family. Sex and sexuality, then, were unavoidable issues for the Victorians. As Jill Conway reminds her readers, that since it wasn't until the early 1900's that scientists connected sex chromosomes to sex-linked characteristics or that they discovered the workings of hormones -- "we [begin] to see why for some forty years the exact nature of sex-differentiation and its psychic accompaniment was a subject of intense, though inconclusive debate." Last modified 1996

10 Commandments for a Happy Writer by Nathan Bransford Writers aren't generally known as the happiest lot. As a recent Guardian survey of some top writers shows, even the best ones don't particularly enjoy it all that much. And in case you think this is a new development, an 1842 letter from Edgar Allen Poe to his publisher recently surfaced in which he was found apologizing for drinking so much and begging for money. But believe it or not, writing and happiness can, in fact, go together. For our Thursday entry in Positivity Week, here are ten ways for a writer to stay positive: 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. Nathan Bransford is the author of JACOB WONDERBAR AND THE COSMIC SPACE KAPOW, a middle grade novel about three kids who blast off into space, break the universe, and have to find their way back home, which was published by Dial Books for Young Readers in May 2011.

Welcome to Fuck Yeah Character Development The Creative Writing MFA Blog Things to Avoid When Writing Interracial Romance - African American Lit Guest Author - Stacy-Deanne I am a huge supporter of interracial relationships. I have read tons of books in the genre and I came to find out that some of the same things I hate in many interracial romances are the same things that other readers do not like. Interracial romance is any romance consisting of a couple from different races. Black women and white men romance dominate book sales. Below are things you might want to avoid when writing interracial romance. The so-called Independent Black Woman Heroine: There is a difference between a strong black woman and a mean and arrogant black woman. Lame Hero: Many heroes in IR are painted as weak and it seems to be to build up the strength of the heroine. Lack of Chemistry between Hero and Heroine: Some might think that the most important thing is race in an IR romance but people who truly support IR know that race is a very small part of it. Clichés: Stray away from stereotypes that turn your characters into cardboard cutouts.

201 Ways to Arouse Your Creativity Arouse your creativity Electric flesh-arrows … traversing the body. A rainbow of color strikes the eyelids. Creativity is like sex. I know, I know. The people I speak of are writers. Below, I’ve exposed some of their secret tips, methods, and techniques. Now, lie back, relax and take pleasure in these 201 provocative ways to arouse your creativity. Great hacks from Merlin Mann of 43 Folders

Third Person Omniscient Point of View -- Definition of Third Person Omniscient Definition: Third person omniscient is a method of storytelling in which the narrator knows the thoughts and feelings of all of the characters in the story, as opposed to third person limited, which adheres closely to one character's perspective. Through third person omniscient, a writer may bring to life an entire world of characters. Exactly at midnight, when Anna was still sitting at her desk finishing a letter to Dolly, she heard the measured steps of slippered feet, and Alexei Alexandrovich, washed and combed, a book under his arm, came up to her. "And what right did he have to look at him like that?" But many other points of view are given equal importance: The house was big, old, and Levin, though he lived alone, heated and occupied all of it.

Creative Thinking Techniques .:VirtualSalt Robert Harris Version Date: January 5, 2002 You'll remember the five creative methods we discussed in the Introduction to Creative Thinking: evolution, synthesis, revolution, reapplication, changing direction. Brainstorming Alex Osborn, advertising writer of the fifties and sixties, has contributed many very powerful creative thinking techniques. Brainstorming is an idea generating technique. Basic Guidelines for Brainstorming Brainstorming is useful for attacking specific (rather than general) problems and where a collection of good, fresh, new ideas (rather than judgment or decision analysis) are needed. For example, a specific problem like how to mark the content of pipes (water, steam, etc.) would lend itself to brainstorming much better than a general problem like how the educational system can be improved. Brainstorming can take place either individually or in a group of two to ten, with four to seven being ideal. 1. 2. 3. 4. Practical Methodology 1. 2. 3. 5. 6. A. 1.

7 Essential Elements of Character Creation Last week Nikki Jefford requested a post on developing characters. There are many different approaches toward developing characters for a story. Last year I wrote a post on different ways to get to know your characters which might help anyone getting started. The techniques I included were the use of visual aids, character questionnaires and family trees. Each author needs to find the technique that works for them. No matter what method an author chooses to adopt, there are a number of elements that are essential to include in the creation of every character: The name: Many writers will start with a name and build on the character from there. The appearance: There are a lot of factors to consider for the appearance of a character: their height and build, how they project themselves, if they have any scars or tattoos, and so much more. The motivation: The easiest way I get to know my characters is to find out what drives them. --I was recently tagged by Tiffany Garner.

What dialect do you speak? A map of American English Do you pahk the cah in Hahvahd yahd? Do you refer to multiple people as “dey”? Is a jelly doughnut called a “bismark,” or is everything that comes out of a soda fountain called a coke, even if it’s really 7-Up? The way we speak, both the phrases we use and the accents that inflect those phrases, come from our upbringings. Dialects and Subdialects of American English in the 48 conterminous states, image copyright Robert Delaney Want to receive GovBeat in your inbox? Here’s a quick rundown of the regions Delaney identified: Eastern New England: These are the cah pahkahs, the blue collar residents from Maine to Massachusetts who drop their Rs and substitute an H. Boston Urban: There are a few sub-dialects in the Hub, from the stereotypical Southie dialect (Sully and Denise on “Saturday Night Live”) to the Boston Brahmin (John Kerry). Western New England: Outside eastern Massachusetts, it’s the T that gets dropped. Chicago Urban: Bill Swerski would be proud.

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