Robert Wilson, Tom Waits & William S. Burroughs - The Black Rider (1992) Duration: 136'13" This is a TVRip of the Austrian broadcast of the original Black Rider musical, performed in 1990 as part of the Wiener Festwochen. There is a 7-minute introduction in German, and the dialogue and music is in both German and English. The Black Rider: The Casting of the Magic Bullets is a self-billed "musical fable" in the avant-garde tradition created through the collaboration of theatre director Robert Wilson, musician Tom Waits, and writer William S. Wilhelm, a file clerk, falls in love with a huntsman's daughter. Although based on folklore, the story contains strong autobiographical elements from Burroughs' own life: he accidentally shot his own wife in a drunken attempt at recreating the William Tell legend, and the story as a whole may be construed as a warning tale about the destructive powers of addiction. The music to The Black Rider was composed and performed by Tom Waits, and was released as a record in 1993.
Gean Moreno, Farewell to Function: Tactical Interiors / Journal Gean Moreno Disorientation: We Are Almost There Many of the more prominent artworks produced in the last decade or so are characterized by a recasting of what were once called installations as something closer to interiors, relegating the installation to a supportive role that places meaning in the service of activity. From an artwork spread out everywhere we turn to one that is located very precisely in the features that can be said to make up the space—the walls, the furnishings, the floor coverings, the display structures, the shelves. Whether it’s the artwork as lecture hall, museum lobby, bookshop, screening room, library, dining hall, video store, or rec room, one finds a consistent engagement with architecture’s interior spaces and conventional typologies. But this repeated rendezvous has been mostly a dance of half steps—these “interiors” don’t so much use site as setting and material as put a new skin on it. Carsten Holler, The Double Club, 2008-2009. Archizoom, Dream Beds, 1967.
Ghost architecture « CUPtopia A map is a representation of reality, not reality itself. Sometimes it is a projection of reality, a potential reality that has not happened yet. In this case, let’s call it a utopia. Lesson / Koan : Pablo Valbuena combines the best of both worlds. Just like a cartographer, Pablo Valbuena bases himself on existing spaces. ‘Extension Series’ projects a virtual space onto the actual space. All of these projections form a mise en abyme. Blank walls suddenly have windows. Projections in the city – think lighthouses in the harbour, lasers at a nightclub – or in a space – think the movie theatre, home cinema – are like beacons. Trained as an architect, Pablo Valbuena has been linked to tangent fields related to art and architecture developing spatial concepts applied to virtual environments and digital architecture. Real Virtuality group exhibition · Museum of the Moving Image · New York · US · jan 15 – jun 12 · 2011 Augmented Sculpture Series For this purpose two layers are overlapped.
PAUL THEK PROJECT During construction. Thek standing on the bridge that aims to the entrance of the pyramid. There are three other people in the image, two men climbing onto the bridge and a woman at the entrance of the pyramid. Prepared cardboard boxes are piled up on the left shelfs above the radiator. No sand on the floor. For the work of art © The Estate of George Paul Thek, New York. Subjects: pyramid reportagens | reportages > últimas reportagens | recent work by fernando guerra - fotografia de arquitectura | architectural photography Obras de arquitetos como Álvaro Siza, Eduardo Souto de Moura ou Fernando Távora serão exibidas no Museu de Arquitetura e Design Triennale di Milano, em Itália, entre 13 de setembro e 27 de outubro de 2013, no âmbito da exposição Porto Poetic, apoiada pelo Camões, IP. A exposição tem como principal objetivo “apoiar a internacionalização e a divulgação de obras de arquitetura de arquitetos portugueses da região norte do país, que incluem no seu método projetual o desenho de objetos e mobiliário que complementam a obra”, de acordo com a organização. Assim, serão apresentadas obras de Álvaro Siza, Eduardo Souto de Moura, Fernando Távora, Adalberto Dias, Camilo Rebelo e Tiago Pimentel, Carlos Castanheira, Francisco Vieira de Campos, Isabel Furtado e João Pedro Serôdio, João Mendes Ribeiro, José Carvalho Araújo e Nuno Brandão Costa.
Georg-Friedrich Kühn: Theater Bremen Ai Weiwei als Opernausstatter für Alexander von Zemlinskys Einakter-Doppel „Eine Florentinische Tragödie“ & „Der Zwerg“ 04.Oktober 2009 Mit der Oper hatte er bisher keine Berührung – außer mal als Statist bei Zefirelli während seiner Studienzeit in New York. Für beide Stücke hat Ai Bilder aus seinem persönlichen Umfeld gefunden. Beim „Geburtstag der Infantin“ kann der Regisseur etwas tiefer in die komödiantische Trickkiste greifen. Zemlinskys während und kurz nach dem Ersten Weltkrieg entstandene Musik (1917 bis 1921) mit ihrem spätromantischen Gepränge steht eigentümlich quer zu Ai Weiweis in sich schlüssiger Ausstattung. Intendant Frey geht mit Spielzeit-Ende 2010 August 2009 Wegen Finanzproblemen will der erst 2007 von Dresden nach Bremen gewechselte Hans-Joachim Frey das Bremer Theater 2010 wieder verlassen. Katharina Wagner inszeniert „Rienzi“ in Bremen 11.Okt.2008 Szenisch arbeitet die Wagner-Urenkelin mit wiederkehrenden Versatzstücken, Perücken zumal. Eine Frau will nach oben.
Paintants Studio Paintants Corporation - Fabian Marcaccio Edwin van der Heide - Home Amadeo de Souza Cardoso Amadeo de Souza-Cardoso (14 November 1887 – 25 October 1918) was a Portuguese artist. Life[edit] Amadeo was born in Mancelos, a parish of Amarante. At the age of 18, he entered the Superior School of Fine Arts of Lisbon and one year later (on his 19th birthday) he went to Paris, where he intended to continue his studies but soon quit the architecture course and started studying painting. By then, he was especially experienced in caricatures. In 1913, Amadeo de Souza Cardoso participated in two seminal exhibitions: the Armory Show in the USA, that travelled to New York City, Boston, and Chicago, and the Erste Deutsche Herbstsalon at the Galerie Der Sturm in Berlin, Germany, directed by Herwarth Walden. Amadeo met with Antoni Gaudí in Barcelona in 1914, and then left for Madrid, where the shock of World War I was already underway. Work[edit] In 1925, a retrospective exhibition in France of the painter’s artwork was well received by the public and critics. Selected artworks[edit]
FRONT WINDOW : JORGE SANTOS Renée Green Renée Green (born 1959, Cleveland, Ohio) is an artist, writer, and filmmaker. Her pluralistic practice spans a broad range of media including sculpture, architecture, photography, prints, video, film, websites, and sound, which normally converge in highly layered and complex installations. Green studied art at Wesleyan University, with an intermediary year at the School of Visual Arts in New York. Green also attended the Radcliffe Publishing Procedures Course, at Harvard University, Cambridge, MA. Green wrote Discourse on Afro-American Art as her graduating thesis from Wesleyan University, a “textual analysis of criticisms, which were written by both Black and White critics from the 1920s and the 1960s.[1]” A seminal influence was Green’s participation in cataloging Sol LeWitt’s donated collection to Wadsworth Atheneum. Work[edit] Projects[edit] A brief description of selected Green’s projects. Secret (1994). Partially Buried in Three Parts (1995–1997). Some Chance Operations (1999).
Taryn Simon www.garlandfielder.com | 2007 portfolio Untitled (Yellow Contortion) wood & paint, 12"x12" sliced 2007 Untitled (Aqua Contortion) wood & paint, 12"x12" sliced 2007 Untitled (Blue Contortion) wood & paint, 12"x12" sliced 2007 Untitled (Blue & Red Contortions) wood & paint, each 12"x12" sliced 2007 Untitled (Red Contortion) wood & paint, 12"x12" sliced 2007 Untitled (Aqua & Blue Contortions) wood & paint, each 12"x12" sliced 2007 Untitled (Yellow Contortion) wood & paint, each 12"x12" sliced 2007 Spindle 1 Acetate on Mylar & magnets, 18"x18"x1" 2007 Spindle 2 Acetate on Mylar & magnets, 18"x18"x1" 2007 Spindle 3 Acetate on Mylar & magnets, 18"x18"x1" 2007 Untitled wood & paint, 50 "x47" 2007 Untitled wood & paint , 15"x13" 2007 Untitled wood & paint, 17"x17" 2007 Untitled wood & paint, 17"x12" 2007 Untitled wood & paint, 11"x18"x9" 2007 Untitled wood, Vinyl & paint, 50"x66"x24" 2007 Untitled (two pieces) wood, Vinyl & paint, 21"x18"x5" 2007 Untitled (Black Contortion 01) Acrylic on canvas, mounted on wood, 42" x 42" 2007