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Les expressions du visage

Les expressions du visage
Avant de commencer ce tutoriel, je vous conseille d'apprendre à dessiner les têtes et les visages (proportions, architecture, rotations...). Et si vous avez d'autres questions, n'hésitez pas à les poser par mail ! Cher internaute, adepte des tchats ou de forums, j'ai une bonne nouvelle : vous savez déjà dessiner les expressions du visage ! Si vous pensez que non, voici probablement ce que vous dessineriez : Non seulement le personnage est inexpressif, mais en plus, utiliser des émoticons dans des bulles de BD (qui est du texte "oral" puisque le personnage le prononce) est à éviter absolument ! Pourtant, avec ce premier personnage, vous avez visuellement exprimé des émotions. Alors, pourquoi ne pas dessiner ces émoticons directement sur la tête de votre personnage ? Et c'est gagné ! Donc, quand vous avez un doute sur la manière d'exprimer un sentiment, cherchez lequel de ces émoticons vous utiliseriez. Découvrons un peu plus en profondeur les émoticons ! Les coins La largeur À vous de jouer ! Related:  Visage - portrait

Pencil Drawings - Realistic Portrait Art - Sketches and Colored Pencil - Grand Rapids Artist paintvrlife.tumblr.com Isme Jonuzi : “My art, like my life, carries the scars of a bloody war. My art is direct and symbolic, and my desire to tell a story, the story of my homeland and my people is my passion. I maintains a studio in Prishtina, Kosova. 15 Resources to Create Images for Social Media Do you post images on social media? Would you like to create attractive images to share? When creating images for social media, quality makes a difference. In this article we’ll share tools and resources to create professional and engaging social media images that you can use on multiple platforms. Why Create Images for Social Media? In this visual-centric world, it’s more important than ever to create high-quality sharable images. Getting Visual With Your Content: 10 Effective Ways to Use Images: In this infographic from Fresh Take on Content, Lane Jones visually suggests different ways you can use images in your social media. Find ways to use graphics on FreshTakeonContent.com. Visual Impact: How Photos Ramp Up Your Social Media Strategy: Vanessa Doctor goes over the advantages of using visuals in social media marketing in this Hashtags.org article. Find Photos Online There are many free and paid options to find images online to use with your social media posts. Take Better Pictures

Apprenez à créer avec GIMP 2.6 ! - Gimp "Apprendre Gimp, c’est trop difficile !" Combien de fois j’ai entendu cette phrase-là ! Beaucoup pensent qu’il est plus difficile d’apprendre Gimp à cause de son interface atypique qu'il a toujours eu et dont les utilisateurs de Windows ne sont pas habitués. Vous voulez apprendre le graphisme 2D, que ce soit pour pouvoir faire de la retouche photo, du webdesign ou des montages ou encore de la peinture numérique ? Et tout ça, à partir de zéro ! Des tutoriels séparés où on apprend un outil ou un truc, c’est bien, mais un cours structuré à jour pour apprendre pas à pas, c’est mieux et d’ailleurs, les besoins pour ce type de cours sont criants. Qu’apprendra-t-on dans ce big-tuto ? Dans l’optique de commencer à partir de zéro, je vais commencer par vous apprendre les bases essentielles à connaître, de la prise en main de l’interface jusqu’aux calques et sélections, en passant par les outils de peinture. Historique

Self Portrail Stencil I am soooo excited about this one. Please do try it, especially you journal artists. It is a lot more fun than you'd think to manipulate images of yourself. Although I make stencils a lot, it had never occurred to me to do a self-portrait until I read Randi Feuerhelm-Watts' brilliant book, Wide Open. If you don't have her book, go get it today. So many inspiring ideas! Materials you need: Clear photograph of yourself, preferably a self-portrait Photoshop, PE (Photoshop Elements), or other photo editing software. Making the Stencil The first thing you need to do is to select a good photograph. Once you find the right photograph, you need to simplify and turn it into b&w in Photoshop or PE. Next, change your image to black & white and simplify it a bit: Image/Adjustments/Threshold. Remember: Everything that is Black you will be cutting away. Finally, Save your document immediately! Cutting the Stencil This is the easy and not so easy part. Ta-da! Thanks.

Robert Morris, Untitled, 2010 Cave to Canvas Classic, Contemporary, and everything in between 1 of 2 Robert Morris, Untitled, 2010 Posted January 23 2013, with 150 Notes Tags: robert morris Gimp Pack Mode ATTENTION - Depuis la sortie de GIMP 2.4 beaucoup de plugins ne sont plus disponibles et inversement beaucoup de fonctions nouvelles ont fait leurs apparitions, les plugins ferront leurs retour au fur et a mesure de leur compatibilités avec cette nouvelle version. Vous trouverez sur cette page le détail des fonctionnalitées supplémentaires du Pack Gimp Mode. 1°) Les fonctions de base Menu Fichier WinOpen-WinSave ce menu permet l'ouverture d'une photo en utilisant l'interface de windows. Attention : Quelque fois ce module devient inactif, pour pouvoir l'utiliser de nouveau il suffit de créer une nouvelle image par le menu Fichier --> Nouveau, la commande winopen sera de nouveau opérartionnelle. Pour ouvrir une image vous pouvez choisir "Retoucher avec Gimp" en faisant clic droit de la souris sur une photo dans l'explorateur windows. Toujours en ce qui concerne l'ouverture des images le format EPS et maintenant suporté. 2°) Les Scripts dépendants de l'image en cour

How to Draw Hair, Part 1 Looking back at my tutorials on drawing the head, I realized that I covered individual features, but completely left out hair. This tutorial will is split into 3 parts: The Basics, Types of Hair, and a Step by Step drawing. I’ll start this first part of the series with common mistakes that I see all the time. Common Mistakes when Drawing Hair Forgetting about the volumes This is the most common mistake I see from newer students. Too Much Texture This one is similar to the first, but this can still happen even if one pays attention to the volumes. Impatience – Bad Design There are so many random little shapes in hair, that good design is a necessity. Sharp Outlines I’m referring the the outer edge between the hair and background and also the connection between hair and skin. Consider the Form Underneath the Hair Spherical Skull Most hair styles you will draw will be affected by the skull underneath. The groups of hair wrap around the form underneath and inherit the same light patterns. Shadow

Matheus Lopes Manifesto, traditional art, mixed media Building a galaxy, digital art, mixed media Alternate ending, digital art, mixed media Ace of Wands, digital art, mixed media In Between, digital art, mixed media A way out, digital art, mixed media Suspense, digital art, mixed media Thousand eyes, digital art, mixed media About The Artist Matheus Lopes is a young illustrator from Brazil. Matheus Lopes’s Website Matheus Lopes’s Flickr Matheus Lopes at Threadless Tees TUTORIAL Ways to embed a Clickable SVG-Logo into Your Website With the growing number of screen resolutions, devices that support an internet connection (desktop computer, laptops, but also tablets, mobile, TVs, and even your fridge someday), flexibility and scalability has become more and more important for websites. With the new arrival of the Macbook Pro Retina, this went a step further and brought an HiDPI display that was unknown to the market. This means a whole new challenge for web designers who have to find new ways to handle and make images size more flexible to avoid blurry rasterized effects. Read more

Human Figure Drawing Proportions START WITH A (3 x 4) OVAL. Divide this head like this:The top of the skull.The pupils are in the middle of the head, top to bottom.The bottom of the nose is about 1.5 eye widths from the eye line.1 eye width below the nose is between the lips.1/3 below between the lips and the chin is the chin crease.I started with an oval that fit on my skull's front view. My horizontal center line of the skull dividing the top to bottom is between the pupils. The head sideways is one head-length high and one head-length wide. The ear hole is in line with bottom of the nose, and the backbone/skull pivot point. The bottom of the ear varies with the individual and age. The face triangle is from the center of each pupil, through the nostrils of the nose to a point between the top front teeth. This charcoal self-portrait drawing is on a white background. Five eye-widths span the center of the skull, again, everybody is a little different. PROPORTIONS OF THE BODY A perfect body is 8 heads high, total. 1.

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