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フォント・タイポグラフィの情報サイト

フォント・タイポグラフィの情報サイト
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Jacques Haumont, typographe, imprimeur, éditeur The Ballet Font Project Lettering: A Reference Manual of Techniques by Andrew Haslam Lettering: A Reference Manual of Techniques by Andrew Haslam and published by Laurence King This newly published book (September 2011) is a comprehensive reference guide for any designer wanting to know more about the techniques and production processes to create lettering themselves or to commission work from external sources. Using a combination of explanatory text, step-by-step photographs and classic and contemporary examples, this unique survey brings together over 80 processes involved in creating lettering and applying it to many different surfaces. Included are hand-drawn lettering techniques (from sign writing to tattooing); dimensional lettering (hand engraving to laser cutting); typesetting (from letterpress to lettering in food); printing (Letraset to printing on bank notes); lettering on textiles (embroidery to flagmaking); and illuminated type (neon signage to holography). 1,400 colour illustrations 270 x 210 mm 240 pages

The FontFeed Jeremy Tankard, typographe perturbant Vous avez fait vos etudes au Royal College of Art. Qu’est-ce qui vous a décidé à la fin de vous spécialiser en dessin de caractères ? J’ai commence à m’intéresser aux caractères en general pendant mes etudes au RCA. J’ai passé beaucoup de temps dans la salle consacrée à la typographie. Pour ma thèse, j’ai dessiné le caractère Disturbance (plus tard commercialement distribué sous le non de FF Disturbance en 1993). Je l’ai appelé ainsi car mes directeurs de thèse me disait que “je ne pouvais pas faire cela à un alphabet ; c’était trop perturbant (disturbing en anglais)”. Mon diplôme en poche, j’ai décroché un poste chez Addison Design Consultants en design institutionnel. Est-ce que la dimension technique de votre travail (un caractère est une œuvre d’art… mais aussi un logiciel) constitue pour vous une chose importante ? Les caractères aujourd’hui n’existeraient pas sans la technologie - les uns ne vont pas sans l’autre. Le dessin de caractères n’a pas tellement changé au cours des ans.

I Love Typography FontStruct | Build, Share, Download Fonts myFontBook RAW COLOR A personal message is more and more often sent digitally. Intangible, floating in the air, only readable on a screen. The Cryptographer generates pattern by translating words to a code. Bleached into fabric the message becomes tangible. This project was technically very complex, due to this we could have never done it without the help of dedicaded experts. www.remonvdeijnden.nlwww.peterbust.nlwww.bartvdl.nlwww.studiowatt.nl The bleach proces is applied by a pen attached to the print head of the Cryptographer. Initiator and CuratorWendy Plomp Other participantsDaphna Laurens, Edhv, Mieke Meijer, Jetske Visser, Jeroen Wand, Maurizio Montalti, Kirstie van Noort, Susana Camara & Mike Thompson, Adrien Petrucci, Paul Heijnen www.dutchinvertuals.nl The process The icons are sorted by letter frequency in english (etaoin shrdlc umwfgy pbvkj xqz).

FreeTypography Best 20 webfonts from Google Web Fonts and @font-face embedding At the moment there are several ways to use non-system fonts on a website. We will focus on the two least complicated, least expensive systems, Google Web Fonts and the @font-face rule. Fear not, we have not ruled out other paid methods such as Typekit, Fonts.com Web Fonts, Fontdeck, Webtype, WebINK or Fontspring for future posts as they certainly offer high quality typefaces and deserve to be considered. It’s important to be aware that web fonts can generate inadequate visualizations on operating systems which have subpixel rendering turned off in the case of Windows XP. They can also be represented differently depending on the browser used to visualize them. Basically, there are two implementation models: 1. 2. Web font embedding services Google Web Fonts (GWF) or Typekit are systems which allow the use of fonts hosted on their servers. Implementation It really is quick and simple: 1. 2. 3. Here you can consult a extended manual for styles, script subsets, and using multiple fonts. 1. 2.

by you February 2, 2012 Thonik exhibits at Sfera in Kyoto. Opening and party 3 March 17.00h Lecture by thonik at 15.00h Exhibtion 4 March till 1 April In 2008 thonik was invited to do a show in the Shanghai Art Museum. It made them rethink the possibilities and problems of showing graphic design in a museum. For the show in Sfera, Kyoto, thonik wanted to react to the first impression Nikki and Thomas had when visiting the Sfera shop in Tokyo. www.sfera-ricordi.comwith thanks to textiellab and Mondriaan Fundwww.ameblo.jpwww.madamefigaro.jp

The Ministry of Type 35 Free Big, Bold, and Beautiful Headline Fonts – You The Designer Resources November 15, 2014 [This post was originally published on September 14, 2010 by Ronald Bien] The headline is the first thing that we see in every article. It’s seen on newspapers, magazines and even in marketing materials such as flyers and posters. To be able to do this, we need to make sure that the font style is as catchy as the words in the headline. Headline HPLHS Download Source Franchise Download Source Distant Galaxy Download Source Days Download Source Molot Download Source Mono Alphabet Download Source Code Free Font 3 Download Source Legend M54 Download Source Nevis Download Source Chunk Five Download Source Font Ambrosia Demo Download Source Gipsiero Download Source Pilsen Plakat Download Source Great Lakes NF Download Source Age Free Font Download Source Museos Lab Download Source Insolente Download Source Minstrel Poster WHG Download Source Kilogram Download Source Providence Download Source Mabella Download Source SF Speakeasy Download Source Telegrafico Download Source Cool Vetica Download Source Qhytsdakx

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