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Make Your Money Matter

Make Your Money Matter
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Pracownia Olszańska – malarstwo, rzeźba, lalkarstwo, batik, rysunek, biżuteria Pełnyekran Podziel się tym Efekty dźwiękowe Proudly created by Prace powstają techniką własną za pomocą rąk i wyobraźni. Do malowania używam farb renomowanych firm: Rembrandt, Van Dyck, Astra. Batik - ręczna technika malowania rozgrzanym woskiem na płótnie, a następnie wielokrotnego farbowania wybranych fragmentów tkaniny. Prace są wykonywane w technologii "na wosk tracony": najpierw wyrzeźbione w materiale miękkim (wosk), a następnie odlane z mosiądzu i poddane obróbce końcowej. Prace powstają w technice własnej. Wszystkie prace powstają tylko w jednym egzemplarzu, według mojego pomysłu i projektu. Uff, po ponad roku wytężonej pracy w glinie, gipsie, żywicy i metalu wszystkie czternaście stacji Drogi Krzyżowej oddane :) Zapraszam do obejrzenia zdjęć w dziale GALERIA lub na żywo w kościele pw. Równolegle z pracą nad ołtarzem powstaje nowy cykl rzeźb z mosiądzu. wyrażania opinii na Facebooku :) Uwaga! Barbara Olszańska-Żywalewska Rzeźbię, maluję, rysuję. Inspiracje Trzcina na wietrze.

The Royal British Legion - Follow the Poppy » Stan Manoukian News | Circus Posterus If you are thinking about attending the first ever Stranger Factory Portfolio Review during this year’s Designer Con, we got some handy guidelines for you to help you along. · Must be 21 yrs or older · Open to entry/mid level artists whose artwork retail cost falls between the $100-$5,000.00 range. · Open to US based artists and international artists (if visiting DCon). · Please try to not bring original artwork to the open submission. · If you hold regular ongoing art sales or sell originals through your own online shop(Etsy, BigCartel, Shopify…etc) – please do not apply. · If possible, please bring a printed resume or exhibition history – if not, be prepared to fill out a contact sheet for the gallery. · Artists must be familiar with the type and style of artwork we show at Stranger Factory and you work must connect or fall relatively well under Narrative/Character based art and/or ‘Pop Surrealism.” · You should be working with archival medias such as oils, acrylics, etc.

Intacto 2013 FLAT DESIGN vs REALISM Blank graph paper templates that you can customize - Paperkit Comics Color Comics Color Virtually all color printing is done with four colors of ink: yellow, cyan (blue), magenta (red) and black. Every magazine, every newspaper, every brochure – no matter how many different colors appear to be used – are made up of dots of those four colors, the white of the paper, and a process in your brain that makes you see a merged color. The size of the dots – and the resulting amount of white paper that shows between them – determines how light or dark the color is. For 40 years color in the American comic industry used a simple, hand separated 4-color (CMYK) system. The colors were made of three percentages of each of the three printing inks (CMY): A 25% dot, a 50% dot, and a 100% (or solid) color. The possible combinations of these tints gave colorists a palette of 64 possible colors to use in the books, though most used no more than half of them. 49 colors used by Chemical Color of Derby, Connecticut. To create a light green, for instance, a code of Y2B2 was used.

Motion comics: Appropriating and adapting comic book artwork | animationstudies 2.0 While certain comic book narratives have already been adapted into various film franchises, televised cartoons, webcomics and interactive experiences, the emergence of the motion comic has further transformed the relationship between the comic book medium and moving image culture. It does so by directly appropriating the narrative and ‘static’ comic book artwork of the hypotext, which is then manipulated by animation software such as Adobe’s After Effects to create an impression that is similar to paper-cut animation. Early examples of the form include the episodic web-based Broken Saints (Dir. Brooke Burgess, 2001-2003), as well as Saw: Rebirth (Dir. Jeff Shuter and Daniel Viney, 2005), an adaptation from a one-off comic book title that acted as a prequel to the Saw narrative in the live-action films. To illustrate some of the unique properties within motion comic practice, an example of comic book to motion comic adaptation is provided in the following section. Figure 1. Figure 2.

60 free fonts for minimalist designs – Learn Sometimes when you go searching for the perfect font for a design, you have a particular look or style in mind. But other times, you just want something simple, clean, and modern. Below, we show you 60 free fonts that are perfect minimalist graphic design. If that’s the case, then you might be leaning toward a minimalist design style. As a design concept, minimalism is driven by the idea that less is more. Minimalism got its start as a design movement in the early 20th century and had a surge of popularity in the 1960s. Now, minimalism has made a comeback (or another upswing in popularity), and you may notice that many of the designs you see or interact with on a daily basis have been influenced by minimalism — just think of Apple’s products and packaging and Google’s new branding. If you need a font that will work well in a minimalist design, there are several qualities that you can look for: 01. Exljbris Font Foundry Download at: Fontspring 02. Download at: Fontspring 03. Branding With Type

1440px Grid System - 8, 9 and 12 Column PSD Template. Save and Export Photoshop Files Effectively Save, Export, Generate… Photoshop gives you so many ways to save files. How do you deliver your work in the most effective and efficient way? The options for saving and exporting files in Photoshop represent almost three decades of changing requirements, so there’s some duplication that can be confusing. Let’s untangle the options based on the requirements of your jobs. Do You Need to Preserve Layers? If you must preserve Photoshop layers in a file you’re delivering, choose File > Save As, and choose Photoshop from the Format pop-up menu. Format options in the Save As dialog box in Photoshop Even though the TIFF and Photoshop PDF formats can also preserve layers and Photoshop features, applications that can manipulate Photoshop layers can usually require a document in Photoshop format. Is the Document Going to a Press? If you’re preparing your Photoshop document for a press, you’ll probably find the format you need in the Save As dialog box. Is the Document for a Web Page or Mobile Device?

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