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Music of Indonesia

Music of Indonesia
The music of Indonesia demonstrates its cultural diversity, the local musical creativity, as well as subsequent foreign musical influences that shaped contemporary music scenes of Indonesia. Nearly thousands of Indonesian islands having its own cultural and artistic history and character.[1] This results in hundreds of different forms of music, which often accompanies dance and theatre. Musical instruments[edit] Balinese gamelan performance. SambaSunda music performance, featuring traditional Sundanese music instruments such as kecapi, suling, and kendang. The musical identity of Indonesia as we know it today began as the Bronze Age culture migrated to the Indonesian archipelago in the 2nd-3rd century BC.[3] Traditional musics of Indonesian tribes often uses percussion instruments, especially gendang (drums) and gongs. Gamelan[edit] With the arrival of the Dutch colonizers, a number system called kepatihan was developed to record the music. Kecapi suling[edit] Main article: Kacapi suling

Kelzmer Traditional Korean musical instruments Traditional Korean musical instruments comprise a wide range of string, wind, and percussion instruments. String[edit] Korean string instruments include those that are plucked, bowed, and struck. Most Korean string instruments use silk strings, except as noted. Plucked[edit] Bowed[edit] Struck[edit] Yanggeum (hangul: 양금; hanja: 洋琴) – A hammered dulcimer with metal strings, struck with a bamboo stick Wind[edit] Flutes[edit] Oboes[edit] Piri (hangul: 피리; hanja: 觱篥) – A cylindrical oboe with a bamboo body. Mouth organs[edit] A player of the nabal Horns[edit] Percussion[edit] Chimes[edit] Instruments in Celtic Music Articles: Africa 100: The Indestructible Beat Note: This article was originally published in April 2005. It was created at a time when African music was on the cusp of becoming an increasingly large part of the Western pop culture landscape. Portions of it have been updated to reflect changes in the past five years-- particularly changes in the number of compilations and labels available. Unlike last week's article on contemporary sounds in West Africa, this one is largely devoted to reissue and cratedigging culture, to the great African music of the previous couple of generations. The Africa 100 section, in which author Joe Tangari creates an imagined introduction to Afrobeat, highlife, and a few other large strains of African pop music has not had its selections altered; however, we have added Lala links to many of the entries. Afropop music is a sound and a movement, music and a state of mind. From Sea to Shining Sea Music in West and East Africa (a disclaimer) Highlife Time A Bit of History Fela Music Is the Weapon

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