Grafikdesign, Typografie und Art Direction. | snider-inc Damien Typeface cocoonclub Jahrhunderthalle Nordend Magazine #03 Hear The World Magazine Goldstein Catalog Hear The World FF Utility Typeface be-cause catalog Kunst und Religion Catalog Nasan Tur Bar Exhibition Catalog Europäische Tanzplattform Recherchen 09 Trafiq « Kiss Miklos Club, restaurant, bar IMAGE Our goal was to create an image that revives the vibe of the late 19th – early 20th century, while also reinterpreting this vintage foundation by injecting it into a contemporary atmosphere. Therefore, the logo is based on a Roman-type font, and is mixed with a playful, classic ligature. The logotype contains the address, and thus locates itself. The latter fact provides an easier form of communication and unifies the typographic language, moreover, thoroughly determines its style. Nevertheless, the typographic language tends to reach beyond the boundaries of a logo and of various graphic elements, and becomes the concept itself, the interior’s distinguishable cornerstone. Trafiq webdesign: here. PACKAGING The concept of packaging is based on the world of the formerly mentioned “trafiks”, and puts simplistic, playful ideas into practice such as hard-pack cigarette boxes and matchboxes. Copywriter: Dorka Mesterházy
La Colline théâtre national 09/10 | Atelier ter Bekke & Behage Commanditaire La Colline - théâtre national, Paris La Colline, haut lieu du théâtre contemporain, est l’un des cinq théâtres nationaux de France. Description Création du caractère typographique, identité graphique institutionnelle, signalétique du bâtiment, communication (affiches et éditions). Années de production Depuis 2009 Stéphane Braunschweig (directeur) et Didier Juillard (programmation et secrétaire général) veulent positionner le théâtre au cœur de la ville, de la société, montrer son ouverture sur le monde réel. Retrouver le plaisir de la lecture, tel est le pari de La Colline – théâtre national. nous avons redessiné un caractère moderniste des années 1920, déniché dans un catalogue allemand, procédant d’un jeu de construction de formes géométriques. Placé au milieu, le nom du théâtre se trouve sur le même plan que le titre des spectacles dont il partage le même caractère. Brochure, programmes, tracts, invitations... tout est à format unique (120 x 167 mm).
Atelier ter Bekke & Behage | Graphisme de création HEY HO Oct. 04 Visuels des soirées Minimal is the new order.Zoobizarre (Bordeaux) Index < > ===== Le PasQueBeau ===== ESPACE SORANO - VINCENNES - Saison culturelle 2014/15 - graphisme, dessin de caractère (affiches Mupi & 40x60cm, inserts publicitaires, programme). Porto - Whitestudio New identity for the city of Porto The challenge presented was very clear. The city needed a visual system, a visual identity that could organize and simplify communication with the citizens, and could at the same time define a clear hierarchy, bringing together the city and the city hall. We needed to represent Porto, a global city, the city for everyone. That city could never be an empty entity, or a mere geographic location, restrained by physical boundaries. Porto has always been a very passionate city. Client: Câmara Municipal do Porto Year: 2014 Art Direction: Eduardo Aires Design project: Ana Simões, Raquel Rei Designers: Raquel Rei, Ana Simões, Lucille Queriaud, Joana Mendes, Maria Sousa, Dário Cannatà Motion: Tiago Campeã Photography: Alexandre Delmar
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