Negative space in logo design It’s hard to beat a clever use of negative space. Here are 35 or so logos that use white space well, along with the designers/agencies responsible. A.G. Low Construction logo By Rebecca Low Martin Newcombe Property Maintenance logo By buddy Nexcite logo By AmoreVia Blair Thomson American Institute of Architects Center logo By Pentagram Ogden Plumbing logo By Astuteo WWF By Sir Peter Scott, modified by Landor FreemanWhite logo By Malcolm Grear Designers The Brand Union logo By The Brand Union Egg n Spoon logo (same day couriers) By Thoughtful Human logo By Social UK Dolphin House logo By Ico Design Eaton logo By Lippincott (thanks, Brendan) Elefont logo By Logo Motive Designs USA Network logo By Sean Serio CultureBus logo By Pentagram Carrefour logo Original design examined by Miles Newlyn (thanks Rianna) Henri Ehrhart monogram (shameless) View the design process on David Airey dot com Sinkit logo By smashLAB Guild of Food Writers logo By 300million ED logo By Gianni Bortolotti Conception logo By The Chase
The Difference Between Art and Design The subject of what separates art and design is convoluted and has been debated for a long time. Artists and designers both create visual compositions using a shared knowledge base, but their reasons for doing so are entirely different. Some designers consider themselves artists, but few artists consider themselves designers. So what exactly is the difference between art and design? In this post, we’ll examine and compare some of the core principles of each craft. This is a subject that people have strong opinions about, and I’m looking forward to reading the various points of view in the comments. This post isn’t a definitive guide, but rather the starting point for a conversation, so let’s be open-minded! Good Art Inspires. Perhaps the most fundamental difference between art and design that we can all agree on is their purposes. Typically, the process of creating a work of art starts with nothing, a blank canvas. Good Art Is Interpreted. Design is the very opposite. Good Art Is a Taste.
THE WORLD'S BEST LOGOS - NOT :) A Compilation of Vintage Textures for Designers Resources June 10, 2010 Textures are one of the most used resources in making great designs. They can accentuate your images to better portray the feel of the design you’re aiming for. Vintage textures, for instance, can add a classic or nostalgic touch to your work. Here at You the Designer, you need not blast to the past to get this brilliant effect. Download Source Download Source Download Source Download Source Download Source Download Source Download Source Download Source Download Source Download Source Download Source Download Source Download Source Download Source Download Source Download Source Download Source Download Source Download Source Download Source Download Source Download Source Download Source Download Source Download Source Download Source Download Source Download Source Download Source Download Source Author: Ronald Bien Ronald is the founder of NaldzGraphics.net.
Design a Logo – The Ultimate Guide Articles January 11, 2008 Logo design is arguably one of the most important and valued areas of design. A quality logo design combined with the branding of an organization or company can become one of the most powerful forces in today’s society. Concepts, Concepts, Concepts! I like to believe there’s a perfect concept out there for every project, but the hard part is finding it – or at least something close to it. Nothing like Sketching A lot of designers like to go straight to the computer, but the power of sketching is often underestimated. Did you know? Research the End Requirements It’s always a good idea to talk to your client at the start to see what they plan on doing with the logo. Use the Most Professional Program Although it can be tempting to use a program like Adobe Photoshop to design logos when starting out, mastering Adobe Illustrator and its pen tool will be essential if you are serious about logo design. Keep it Simple Test it at Varying Sizes Test it in Multiple Colors
Create a Slick and Accessible Slideshow Using jQuery By Jacob Gube In this in-depth web development tutorial, you’ll learn how to create a usable and web accessible slideshow widget for your site using HTML, CSS, and JavaScript (jQuery). In the process, you’ll see the concept of Progressive Enhancement in action. Final Result Clicking on the image below will take out to a live demonstration of the slideshow widget in action. Download source files You can download the source files for this tutorial to study. slick_accessible_slideshow.zip (ZIP, 2.8 MB) Setting the foundations The most important part of any good web component is a solid HTML structure. Our content’s structure involves a div called #slideshow that serves as the container for our slideshow. Block 1: HTML markup In example 1 below, you’ll see how text-based browsers, and browsers incapable of rendering CSS and JavaScript, will see our slideshow. There is also no markup for the left and right arrow controls, which we will insert into the DOM later on using JavaScript. The theory
What makes a good logo? Milton Glaser’s I Love New York logo When it comes to seeing a logo that makes you wonder, “Why didn’t I think of that?” what is it about the design that gives that impression? My good friend Lee Newham taught me about five important design elements when it comes to brand identities. Iconic logos are: DescribableMemorableEffective without colourScalable i.e. work when just an inch in sizeRelevant to the industry in question Points one and two go hand-in-hand, because if you can’t describe what a logo looks like then how will you be able to remember it? Point number three is important because colour is secondary to the shape and form. Point number four is vital for collateral, such as office stationery (pens, pin badges etc.) — all those little things that can easily be overlooked. Lastly, the design must be relevant for the business it identifies. I’ve chosen a logo to illustrate the five points: The above logo is for Open University (OU), “the UK’s leading distance-learning organisation.”
HTML Tutorial Logo Design History - Famous Logos by LogoOrange.Com Adidas - a name that stands for competence in all sectors of sport all over the world. Adidas was founded by Adolf (Adi) Dassler, who started producing shoes in the 1920s with the help of his brother Rudolf Dassler who later formed rival shoe company PUMA AG. Adi Dassler's aim was to provide every athlete with the best possible equipment. For this he followed three guiding principles: design the best shoe for the requirements of the sport, protect the athlete from injury, and make the product durable. Today, the Adidas brand product range extends from shoes, apparel and accessories for basketball, soccer, fitness and training to adventure, trail and golf. The company's clothing and shoe logo designs typically feature three parallel stripes, and this same motif is incorporated into Adidas's current official logo. free logo download eps
13 Helpful Cheat Sheets for Building WordPress Themes 202 shares MP6: The Shape Of Things To Come For The WordPress Dashboard? Let’s be honest, the WordPress dashboard is neither attractive to look at nor particularly conducive to efficient workflows. The design is reminiscent of web apps from the early years of the century and would benefit from some serious sprucing up. Because of WordPress’s power and flexibility, that lack of visual and UX pizazz hasn’t held… Read More 277 shares 17+ Resources for Churches Using WordPress Since more than 15% of the web is powered by WordPress, itís not surprising that many churches are utilizing it.
LogoMoose - Logo design community and inspiration gallery Logo Design & Branding Trends 2009 If there is one big no-no in graphic design, it is using complex geometrical shapes with a full color spectrum to create a logo. As to whether the capability to fax a logo is good or bad does not matter. This argument could persist through the years but one thing is certain: this complex geometry will be here for awhile. When this 80s trend first came out, it was a way of capturing the consumer's attention. The purpose was to design something completely different, regardless of costs. Designers will not spare any effort; they will use their turbo-charged Macs to prove that in today's over-saturated market, they have carte-blanche to attract the attention of consumers. For years, monster-like geometrical logos have been used by aggressive and self-centered companies to shout, instead of politely introduce, their industry presence. There's a certain irony about using a full color spectrum for these creations. There's a chance of course that this may not thrive and be adopted widely.