Comhaltas: ComhaltasLive #227 - 1: Attracta Brady - Jigs Advanced Search ComhaltasLive #227 - 1: Attracta Brady - Jigs Play Current Time 0:00 Duration Time 0:00 Remaining Time -0:00 Stream TypeLIVE Loaded: 0% Progress: 0% Fullscreen Mute Playback Rate Subtitles subtitles off Captions captions settingscaptions off Chapters Chapters A selection of jigs played on fiddle by Attracta Brady who was chairperson of Fleadh Cheoil na hÉireann in Tullamore in August 2007. Download Audio Date 9 Oct, 2007 Tune The Twins' Delight/McIntyre's Created By Willie Fogarty Source ComhaltasLive This work is licensed under a Creative Commons Attribution-Noncommercial 2.5 License. Programme: ComhaltasLive #227: Fleadh Cheoil na hÉireann 2007 RSS Feed (What is this?) Keywords for This Entry Fleadh Cheoil, Fiddle, Guitar, Jig, ComhaltasLive Recent Posts Category Archives
The Bluegrass Guitar Home Page ComhaltasLive #441-5: Haley Richardson Loaded: 0% Progress: 0% Captions captions settingscaptions off The current All-Ireland Under-12 Fiddle Champion Haley Richardson from New Jersey, USA plays a reel - “The Bunch of Keys” - at a session at the North American Comhaltas Convention 2014 in Parsippany, New Jersey. Download Audio Keywords: Convention, Fleadh, Session, Solo, Fiddle, Reel, ComhaltasLive Date 30 June 2014 Tune “The Bunch of Keys” Created By Willie Fogarty Source ComhaltasLive This work is licensed under a Creative Commons Attribution-Noncommercial 2.5 License. Programme: ComhaltasLive #441 Where the folkies play! comhaltasLive #481_1:Dublin musicians Loaded: 0% Progress: 0% Captions captions settingscaptions off Dublin musicians L/R - Seán Montgomery, Claire Walsh, Tom Doorley and Eoin Ó Cionnaith, play a selection of reels ( “Over the moor to Maggie” and “The wind that shakes the barley”), at the Cairde Charna unique feast of traditional music, song and dance at Cultúrlann na hÉireann, Dublin on 10th October 2015 to support and promote the very exciting Carna Project in Connemara, Co. Download Audio] Tune Over the moor to Maggie and The wind that shakes the barley Created By Willie Fogarty Source ComhaltasLive This work is licensed under a Creative Commons Attribution-Noncommercial 2.5 License. Programme: ComhaltasLive #481
New standard tuning All-fifths tuning is typically used for mandolins, cellos, violas, and violins. On a guitar, tuning the strings in fifths would mean the first string would be a high B, something that was was impractical until recently. The NST provides a good approximation to all-fifths tuning. NST's C-G range is wider, both lower and higher, than the E-E range of standard tuning in which the strings are tuned to the open notes E-A-D-G-B-E. NST was developed by Robert Fripp, a guitarist for King Crimson. The NST has required greater attention to strings than has standard tuning. History The open strings of new standard tuning Play New standard tuning (NST) was invented by Robert Fripp of King Crimson in September 1983. Fripp began using the tuning in 1985 before beginning his Guitar Craft seminars, which have taught the tuning to three thousand guitarists. Properties Chord diagrams for new standard tuning Harmonics: Overtones Range String gauges
The Drone The Chord Guide: Pt I – Chord Progressions Chord progressions are the canvas on which musicians paint their masterpieces, and it’s a canvas which is a piece of art in itself. A chord progression can be subtle and in the background or it can be blatant and up front; it can be simple and catchy, or it can be technical and complex, it can stay in one key or it can change like the seasons. In any of these cases a chord progression is what drives the song as it literally shapes the music that accompanies it. This guide is meant to inject an interest in songwriting in new and old guitarists alike, I hope that at some point after reading this you will pick up your old guitar, blow off the dust, and join me in playing music. Chord Progression Guide This handy little guide will help all musicians create their own catchy chord progressions on the fly! Major Chord Chart Above is a chord chart for the 7 most used keys. Minor Chord Chart Above is a chord chart for creating minor chord progressions. Progressions With 2 Chords Chord Theory
Welcome to The O'Flaherty Irish Music Retreat Traditional Irish Music and Dance on the Dingle Peninsula, Ireland Click Here for details of traditional music lessons and festivals An expression of praise for any feat in Corca Dhuibhne, the West Kerry Gaeltacht (Irish-speaking area) is "Mo cheol thú" – You are my music! – which is in itself an indication of the indigenous place music has in the life of the area. Both instrumental music and song have a long tradition on the Dingle Peninsula. For many years the music tradition of the area concentrated on the dance tunes played for the West Kerry Set Dance – mainly polkas, slides (single jigs) and, on occasion, hornpipes. The polka was for many years considered to be "foreign" as both set-dancing and accompanying music were modified versions of music and dance performed by the occupying military forces, and this music was therefore generally ignored in the great collections of written music from Capt. The Kerry Polka reached the international stage with the famous duo performances of Séamus Begley and Steve Cooney.
How to Learn a Tune by Ear Learning to learn tunes by ear is one of the hardest things to do when you're a beginner. It seems terribly intimidating and almost impossible at times—but don't give up! Every good Irish traditional musician learned to do it at some point or other, and we can all relate to your frustration. It's especially hard if you began by learning off of music (the dots, as many players call them). You'll find that most experienced musicians are much more forgiving of your learning curve than perhaps you are yourself, so don't let your embarrassment make you give up. All we can tell you is that you really truly will find that your playing will leap forward in huge amounts if you learn to learn by ear (called "learning aurally"). The advantages of learning aurally are many. Honest. In fact, some of the more snobbish Irish players look with scorn on other players who can only learn off the music (although using printed dots as a tool is usually seen as all right). How to learn tunes by ear