ALIGHIERI DANTE - La Divina Commedia di Dante Alighieri: De Sanctis, Petrocchi, Sapegno, Botticelli, Dorè, Stradano .....
La Divina Commedia on line è completa, commentata e soprattutto innovativa. La consultazione di qualsiasi canto prevede la possibilità di cliccare sulla parola prescelta e consultare la nota collegata. E' stato studiato un metodo grazie al quale non è più necessario spostare l'occhio su e giù. Dante Alighieri scrisse La Divina Commedia perchè tutti la potessero leggere... grazie a Luigi Minnaja questo oggi è possibile con un semplice click del mouse! La Divina Commedia consta di più di quattordicimila (esattamente 14.223) endecasillabi, distribuiti in cento canti di oscillante ampiezza (da un minimo di 115 a un massimo di 160 versi), raggruppati in tre cantiche quantitativamente prossime: -l'Inferno composto di 34 canti (il primo è introduttivo all'intero poema), in totale 4720 versi; - il Purgatorio di 33 canti per una somma di 4755 versi; -il Paradiso di 33 canti con 4758 versi in tutto. L'opera. Le regioni d'Italia in lingua russa MediaSoft s.r.l.
Charles Baudelaire
Charles Pierre Baudelaire (French: [ʃaʁl bodlɛʁ]; April 9, 1821 – August 31, 1867) was a French poet who also produced notable work as an essayist, art critic, and pioneering translator of Edgar Allan Poe. His most famous work, Les Fleurs du mal (The Flowers of Evil), expresses the changing nature of beauty in modern, industrializing Paris during the 19th century. Baudelaire's highly original style of prose-poetry influenced a whole generation of poets including Paul Verlaine, Arthur Rimbaud and Stéphane Mallarmé among many others. He is credited with coining the term "modernity" (modernité) to designate the fleeting, ephemeral experience of life in an urban metropolis, and the responsibility art has to capture that experience.[1] Baudelaire the poet[edit] Baudelaire is one of the major innovators in French literature. Early life[edit] Baudelaire was educated in Lyon, where he boarded. Portrait by Emile Deroy (1820–1846) Published career[edit] The Flowers of Evil[edit] Final years[edit]
Sleep paralysis
Sleep state in which a person is awake but unable to move or speak Medical condition Sleep paralysis (plural: sleep paralyses) is a state, during waking up or falling asleep, in which a person is aware but unable to move or speak.[1][2] During an episode, one may hallucinate (hear, feel, or see things that are not there), which often results in fear.[1] Episodes generally last less than a couple of minutes.[2] It may occur as a single episode or be recurrent.[1] Treatment options for sleep paralysis have been poorly studied.[1] It is recommended that people be reassured that the condition is common and generally not serious.[1] Other efforts that may be tried include sleep hygiene, cognitive behavioral therapy, and antidepressants.[1] Symptoms[edit] The main symptom of sleep paralysis is being unable to move or speak during awakening.[1] Pathophysiology[edit] If the effects of sleep “on” neural populations cannot be counteracted, characteristics of REM sleep are retained upon awakening. J.
Dante Alighieri on the Web
Russell and Eliot
Doodle
A doodle is an unfocused or unconscious drawing made while a person's attention is otherwise occupied. Doodles are simple drawings that can have concrete representational meaning or may just be abstract shapes. Stereotypical examples of doodling are found in school notebooks, often in the margins, drawn by students daydreaming or losing interest during class. Other common examples of doodling are produced during long telephone conversations if a pen and paper are available. Popular kinds of doodles include cartoon versions of teachers or companions in a school, famous TV or comic characters, invented fictional beings, landscapes, geometric shapes, patterns and textures. Etymology[edit] The word doodle first appeared in the early 17th century to mean a fool or simpleton.[1] It may derive from the German Dudeltopf or Dudeldop, meaning simpleton or noodle (literally "nightcap").[1] In the movie Mr. Effects on memory[edit] Notable doodlers[edit] See also[edit] [edit] References[edit] Gombrich, E.
The World of Dante
Dante's Inferno, widely hailed as one of the great classics of Western literature, details Dante's journey through the nine circles of Hell. The voyage begins during Easter week in the year 1300, the descent through Hell starting on Good Friday. After meeting his guide, the eminent Roman poet Virgil, in a mythical dark wood, the two poets begin their descent through a baleful world of doleful shades, horrifying tortures, and unending lamentation. This edition of the Inferno is edited in XML (Extensible Markup Language), which allows users to perform searches for a wide range of entities across the entire poem. Above the Italian and English texts users will see a band listing six categories. Every canto also contains visual material, keyed to specific passages.
Bertrand Russell
Russell led the British "revolt against idealism" in the early 20th century.[58] He is considered one of the founders of analytic philosophy along with his predecessor Gottlob Frege, colleague G. E. Moore, and his protégé Ludwig Wittgenstein. He is widely held to be one of the 20th century's premier logicians.[55] With A. Russell was a prominent anti-war activist; he championed anti-imperialism[60][61] and went to prison for his pacifism during World War I.[62] Later, he campaigned against Adolf Hitler, then criticised Stalinist totalitarianism, attacked the involvement of the United States in the Vietnam War, and was an outspoken proponent of nuclear disarmament.[63] In 1950 Russell was awarded the Nobel Prize in Literature "in recognition of his varied and significant writings in which he champions humanitarian ideals and freedom of thought Biography Early life and background Young Bertrand Russell Childhood and adolescence University and first marriage Early career Russell in 1907.
Engels on the English working class (by L. Proyect)
Engels on the English working-class "The Condition of the Working Class in England" is a profoundly important book because it reveals the raw empirical data that confronted the young Engels. Out of the panorama of misery and class oppression that he observed in England in the 1840s, he came to the conclusion that proletarian revolution was necessary. He wrote the book when he was 24 years old and working at a branch of his father's cotton mills in Manchester, England. At the time, he was being deeply influenced by Hegel's philosophy as many of the young European radical democrats of those days were. During a trip to Cologne in 1841, Engels met with the editors of the Rheinische Zeitung, a radical newspaper founded by industrialists to spread their liberal, free-trade ideas. In the opening chapter "The Great Towns", Engels describes the alienation that afflicts the London of 1840. Some things do not change. "The south bank of the Irk is here very steep and between 15 and 30, feet high.
