Ut queant laxis Ut queant laxis or Hymnus in Ioannem are verses in honour of John the Baptist written in Horatian Sapphics by Paulus Diaconus, the eighth century Lombard historian. The first syllable of each hemistich (half line of verse) has given its name to a successive note. The use of Ut queant laxis to name the tones is usually attributed to Guido of Arezzo in the eleventh century, who proposed a name for the first six tones. Later, the "si" was added in the 18th century. The musical origins of the hymn are less clear, but the melody shares a common ancestor with the eleventh-century arrangement of Horace's Ode to Phyllis (4.11) recorded in the Montpellier manuscript H425. Sheet Music for Ut Queant Laxis In the Roman rite, the hymn is sung in the Divine Office on June 24, the Feast of the Nativity of John the Baptist. The first stanza is: Ut queant laxis resonare fibris, Mira gestorum famuli tuorum, Solve polluti labii reatum, Sancte Iohannes. Melody: See also[edit] References[edit] External links[edit]
WaveSurfer | Download WaveSurfer software for free at SourceForge.net - Vimperator Music Treasures Consortium (Performing Arts Encyclopedia, Library of Congress) - Vimperator "Um mitternacht" by Franz Schubert. [manuscript score]. Music Division, Library of Congress. view manuscript The Music Treasures Consortium provides online access to the world's most valued music manuscripts and print materials, held at the most renowned music archives, in order to further research and scholarship. Researchers can search or browse materials, access metadata about each item, and view digital images of the treasure via each custodial archive's Web site. Browse by Member: Beethoven-Haus Bonn British Library Library of Congress Morgan Library & Museum New York Public Library Peabody Institute of the Johns Hopkins University University of Iowa, Rita Benton Music Library University of Washington Music Library
Al Bregman's Website - Vimperator Audio demonstrations of auditory scene analysis Note: The following material originally accompanied an audio compact disk of demonstrations,Bregman, A.S., & Ahad, P. (1996) Demonstrations of Auditory Scene Analysis: The Perceptual Organization of Sound. That is why the word "disk" appears occasionally in the explanations. Table of Contents Sequential integration Spectral integration Old-plus-new heuristic Dichotic demonstrations Sequential integration When parts of a spectrum are connected over time, this is known as sequential integration. Sequential integration is favored by the absence of any sharp discontinuities when changes occur in the frequency content, timbre, fundamental frequency, amplitude, or spatial location of a spectrum of sound. Sequential grouping leads to the formation of auditory streams, which represent distinct environmental events and serve as psychological entities that bear the properties of these events. Back to Table of Contents Streaming in African xylophone music
Virtual Acoustics and Audio Engineering: Website Overview - Vimperator The introduction of the compact disc into widespread use during the early 1980's marked the start of a new era in the technology of sound reproduction. The ability to capture and store acoustic signals in digital format produced a massive advance in the quality with which sound could be reproduced. At the Institute of Sound and Vibration Research (ISVR) at the University of Southampton, the latest research has shown that digital technology can also be used to produce a further vast improvement in the quality of sound reproduction systems. The work has concentrated on improving the ability of audio systems to produce "images" of sound sources perceived by the listener. In short, we try to produce the illusion in a listener of being in a "virtual" acoustic environment which is entirely different from that of the space in which he (or she) is actually located.
Magicrpm : news indie-pop-rock, infos musique, concerts-live, video-clip, interviews, albums, actu - Vimperator WARREN BURT - Journal - The Joy of Found Objects: When Everything Clicks. Berries. - Vimperator Being involved in algorithmic composing, process oriented composition, and environmental sound composition, as I am, involves a lot of searching for found objects. Often, things don't quite work out, and sometimes, you have to do a lot of work to get something vaguely interesting. For example, I've done pieces using chaos equations that have involved an enormous amount of work before halfway decent things resulted, and then there was a lot of work getting the musical output of those equations to sound appealing. (Endless work tweaking filters, reverbs, eqs, even pitch sets, etc.) A couple of days ago (Wednesday afternoon to be exact), I left Box Hill Institute, my place of employment, and noticed right outside the door to building W2 that a tree (whose name I forget) had shed all its berries onto the gravel filled strip around it. Here are the original photos I took, reduced in resolution for this website. Now I faced a (very brief) moment of crisis. So here it is. and for Mac:
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