75 Books Every Writer Should Read Whether you want to make writing your career or just want to know how to improve your writing so that you can pass your college courses, there is plenty of reading material out there to help you get inspired and hone your skills. Here’s a collection of titles that will instruct you on just about every aspect of writing, from the basics of grammar to marketing your completed novel, with some incredibly helpful tips from well-known writers themselves as well. Writing Basics These books address things like structure, plot, descriptions and other basic elements of any story. The Power of Myth by Joseph Campbell and Bill Moyers: You can improve the quality of your writing by adding a mythical quality to them with advice and insight from this book. Writer’s Journey: Mythic Structure for Writers by Christopher Vogler: Whether you agree with the ideas in this book or not, you’ll find it a useful and informative read for writing. Advice from Authors Improving Your Writing Grammar Reference Books
Candy 2010 - The Futures of Everyday Life Elements of Suspense in Writing: 6 Secret to Creating and Sustaining Suspense Thriller writing? Mystery writing? Literary fiction? It’s all the same: Building apprehension in the minds of your readers is one of the most effective keys to engaging them early in your novel and keeping them flipping pages late into the night. Simply put, if you don’t hook your readers, they won’t get into the story. If you don’t drive the story forward by making readers worry about your main character, they won’t have a reason to keep reading. Think: Worry equals suspense. The best part is, the secrets for ratcheting up the suspense are easy to implement. 1. Four factors are necessary for suspense—reader empathy, reader concern, impending danger and escalating tension. We create reader empathy by giving the character a desire, wound or internal struggle that readers can identify with. We want readers to worry about whether or not the character will get what he wants. Suspense builds as danger approaches. Then blow in more. And more. Until the reader can hardly stand it. 2. 3. 4. 5. 6.
Top Ten Writing Mistakes Editors See Every Day | Blot the Skrip and Jar It In addition to writing and teaching, one of the things I do for a living is to evaluate manuscripts for their suitability for publication. I read fiction (and non-fiction) across several genres, and write comprehensive reports on the books. I try always to guide the author towards knocking his or her project into a shape that could be credibly presented to literary agents, publishers and general readers. You know how Newman and Mittelmark introduce How Not to Write a Novel by saying, ‘We are merely telling you the things that editors are too busy rejecting your novel to tell you themselves, pointing out the mistakes they recognize instantly because they see them again and again in novels they do not buy,’ well they’re right; I am one of those editors. However good the idea behind a novel, when the author is still learning the craft of writing – like any other apprenticeship – the same mistakes do come up again and again. You need to hook your reader from the first line. Shantih…
'If', by Rudyard Kipling If If you can keep your head when all about you Are losing theirs and blaming it on you; If you can trust yourself when all men doubt you, But make allowance for their doubting too; If you can wait and not be tired by waiting, Or, being lied about, don't deal in lies, Or, being hated, don't give way to hating, And yet don't look too good, nor talk too wise; If you can dream - and not make dreams your master; If you can think - and not make thoughts your aim; If you can meet with triumph and disaster And treat those two imposters just the same; If you can bear to hear the truth you've spoken Twisted by knaves to make a trap for fools, Or watch the things you gave your life to broken, And stoop and build 'em up with wornout tools;
8 Tips For Creating Great Stories From George R.R. Martin, Junot Diaz, And Other Top Storytellers What the hell is a Story Lizard? In Wonderbook: The Guide to Creating Imaginative Fiction (Abrams Books, October 15), Story Lizards join Prologue Fish and other infographic helpmates designed to banish dry textual analysis in favor of a kicking, screaming, slithering approach to storytelling creativity. Author Jeff Vandermeer, a three-time Fantasy World Award-winning novelist who co-directs the Shared Worlds teen writing camp, says "The way we're taught to analyze fiction is to break down and do a kind of autopsy. But I think writers need to be more like naturalists or zoologists when they study story because then you're looking at how all the elements fit together." Enter the Story Lizard, above, illustrated by Jeremy Zerfoss. As Vandermeer tells Co.Create, "A recurring thing in Wonderbook is to think of stories as being more like living creatures than machines." Neil Gaiman. Read on for a sampling of Wonderbook tips about how to craft mind-blowing stories. Tell, don't show Name Wisely
The Subplot - Not Second Place, but Side by Side There is one element in plotting our story that we sometimes forget or neglect—the subplot. The subplot is what rounds out a novel or screenplay, informing it with another shade of emotional colour to deliver a satisfying and entertaining experience. It is the parallel narrative that allows the writer to explore theme, deepen characterisation, add tension or allow some relief. Love and other pursuits. A great subplot should help you sustain your plot and illuminate the central characters. Start writing your book with our Writers Write - how to write a book - course. by Anthony Ehlers Anthony has facilitated courses for Writers Write since 2007.
Book Binding 2011- Reddit Book Exchange The Modern Library | 100 Best | Novels ULYSSES by James Joyce Written as an homage to Homer’s epic poem The Odyssey, Ulysses follows its hero, Leopold Bloom, through the streets of Dublin. Overflowing with puns, references to classical literature, and stream-of-consciousness writing, this is a complex, multilayered novel about one day in the life of an ordinary man. Click here to read more about ULYSSES THE GREAT GATSBY by F. Set in the Jazz Age, The Great Gatsby tells the story of the mysterious millionaire Jay Gatsby, his decadent parties, and his love for the alluring Daisy Buchanan. A PORTRAIT OF THE ARTIST AS A YOUNG MAN by James Joyce Published in 1916, James Joyce’s semiautobiographical tale of his alter ego, Stephen Dedalus, is a coming-of-age story like no other. Click here to read more about A PORTRAIT OF THE ARTIST AS A YOUNG MAN LOLITA by Vladimir Nabokov Lolita tells the story of middle-aged Humbert Humbert’s love for twelve-year-old Dolores Haze. BRAVE NEW WORLD by Aldous Huxley CATCH-22 by Joseph Heller U.S.A. In E.
Inequality and the Modern Culture of Celebrity THE Roaring ’20s was the decade when modern celebrity was invented in America. F. Scott Fitzgerald’s “Great Gatsby” is full of magazine spreads of tennis players and socialites, popular song lyrics, movie stars, paparazzi, gangsters and sports scandals — machine-made by technology, advertising and public relations. Gatsby, a mysterious bootlegger who makes a meteoric ascent from Midwestern obscurity to the palatial splendor of West Egg, exemplifies one part of the celebrity code: it’s inherently illicit. Fitzgerald intuited that, with the old restraining deities of the 19th century dead and his generation’s faith in man shaken by World War I, celebrities were the new household gods. What are celebrities, after all?
Are Beat Sheets Intimidating? Cut through the Clutter It’s no secret that I’m a fan of story structure. I’ve created several beat sheets and have oodles of posts about the topic. But I’m also not a math person, so the idea of working in Excel for all those worksheets gave me the heebie-jeebies at first. It doesn’t help that beat sheets use labels that seem like a foreign language. Forget Fancy-Schmancy, We Need Non-Intimidating Yet beat sheets can also be very helpful. With that in mind, maybe a stripped down version of a beat sheet would help. Beats Are Not Created Equal Considering all those different labels from the different story structure systems, it seems like there’s no way we could make them play nicely together. Well, beats are simply plot events that change the course of a story. The 4 Major Beats If we rank beats by how much they change the story’s direction, we see that different story structure systems agree for the most part on the major beats, those that really have an impact. The Minor Beats Everything Else? P.S.
Chef's Knives, Kitchen Cutlery, Knives for Cooking Chef's Knives, Kitchen Cutlery Welcome to the best page on the best fine handmade and custom chef's, kitchen, and culinary knives on the internet! I am committed to making completely and clearly the best knives in the world. --Jay Fisher More More about this Hestia More about this Chef's Set Introduction This page is about the knives hand and custom made here in Enchanted Spirits Studio for culinary use, and is dedicated to chef's knives and cutlery, kitchen knives, cook's knives, professional food service knives, meal prep knives, tools, and accessories comprising of but not limited to cutting tools, knives, choppers, cleavers, used to and for slicking, slicing, chunking, julienne, butterfly, chopping spices, cubing, dicing, scoring, shredding, brunoise, preparing stir-fry, slicing bread, fining, grinding, carving, and separating foods, ingredients, and components. You deserve a fine knife for your most important and frequent knife duty, task, and passion. Thanks for being here! The Critics Mr.
Articles Creating fictional characters requires adversity, There are few happy stories in the world. There are happy endings. There are happy characters. Few stories revolve around the good things that happen to people. If they do, there is a downside to the “good things” that happen to them. Stories are about adversity and conflict. Creating Fictional Characters Using Physical Adversity Physical adversity is death, injury, illness and threat. Creating Fictional Characters Using Miscommunication and Deception This is a classic plot complication. Deception is similar to miscommunication, but it involves deliberate lies. Creating fictional characters using miscommunication and deception is good, but be careful, you don’t want your characters to seem like idiots. Creating Fictional Characters Using Displacement Displacement is another popular adversity that fictional characters face. Creating Fictional Characters Using Desire Every good fictional character has unfulfilled wants and needs. Mix Things Up
How to Legalize Pot So I was interested to learn, 11 years later, that Kleiman is leading the team hired to advise Washington State as it designs something the modern world has never seen: a fully legal commercial market in cannabis. Washington is one of the first two states (Colorado is the other) to legalize the production, sale and consumption of marijuana as a recreational drug for consumers 21 and over. The marijuana debate has entered a new stage. “At some point you have to say, a law that people don’t obey is a bad law,” Kleiman told me when I asked how his views had evolved. Ah, but what does that look like? The biggest shadow hanging over this project is the Department of Justice. One practical challenge facing the legalization pioneers is how to keep the marijuana market from being swallowed by a few big profiteers — the pot equivalent of Big Tobacco, or even the actual tobacco industry — a powerful oligopoly with every incentive to turn us into a nation of stoners.