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Type Hunting

Type Hunting

Lost Type Co-op Superheroes and villains recreated with typography | Typography We've seen plenty of design tributes to our favourite superheroes and villains of late. From making stunning use of negative space to postcard portraits, it's clear that comic book icons are providing a ton of inspiration for new design concepts. Here, Moldova-based artist Midu1995 has illustrated various superheroes and villains with typography. His clever picks have allowed him to effortlessly craft the silhouette of his chosen hero or villain to produce some really inventive artworks. [via Design Taxi] Like this? Free tattoo fonts for designers Free Photoshop actions to create stunning effects Create a perfect mood board with these pro tips Have you seen some inspiring new work?

27 New Awesome Fonts And Free For Beautiful Typography Filed Under: Fonts / Typography, Freebies by fandy January 18, 2011, 19:42 Pleased to be presenting some new fonts option and probably among those fonts not too recent, the fonts is very beautiful and high-quality like Matchbook, Franchise, Typeface Adec and others. And better yet all this for free but please read the license agreement carefully prior to using it, some of which are only for personal use. Perforama Calluna By exljbris Crimson Text Espinosa Nova Pompadour Numeral Set Piron Nevis Color Lines FR Hopper Lato Typeface Adec Baurete Matchbook Null Diztinta Cappuccino Serif Cool Fonts League Script #1 Folk Typography FF Basic Gothic Stahlbeton Kilogram Written by fandy a web and graphic designer whose love art and design and like to share knowledge, resources and inspirations.

studio airport like studio airport's posters? share: like our project? Most Popular Commercial Fonts for Web Designers Designers around the world today need to stand apart from the rest when they are working for serious contracts. Web design, posters, brochures and logos all have high expectations so that the company can be on top and be the best in the crowd. Using free fonts will not allow you to do that since they are used by everyone. The obvious and simple solution is to use a professional commercial font that will not be available to everyone. Given below is a list of some of the most popular commercial fonts to consider. Graulbau Sans Pro With more than 1000 glyphs for each style and 7 weights, this font is suitable for all types of typographic tasks. Proxima Nova This particular font family is a reworking of the Proxima Sans. Brandon Grotesque This is a Sans Serif, award winning type family which has a beautiful geometric style and a functional look. Helvetica Neue Lt Std The Helvetica font became very popular during the 60′s and the 70s and various versions were introduced in the family. Museo Sans

Timba's Illustration Dept. Collaboration piece with illustrator Steven Rhodes for my old design college Shillington. Rare Type Specimens at the Open Library (2012 update) Collecting rare specimen books from type foundries can be a really expensive hobby. Luckily there is a growing number of digitized type specimen books available online. The Open Library project offers a free and enjoyable way to browse in those books. William Caslon – A specimen of printing types (1785) Caslon: A specimen of cast ornaments (1798) Franklin type foundry, Cincinnati – Convenient book of specimens (1889) Barnhart bros. & Spindler, Chicago – Book of type specimens (1881) Keystone Type Foundry, Philadelphia – Abridged specimen book (1906) Cleveland Type Foundry – Catalogue and book of specimens of type faces (1895) Palmer & Rey, San Francisco – New specimen book (1884) American Type Founders Company – American specimen book of type styles (1912) Lanston Monotype Machine Company – The monotype specimen book of type faces (1922) Inland Type Foundry, St. MacKellar, Smiths & Jordan Co, Philadelphia – Specimens of printing types (1892) Related Links:

How To Create a Retro Badge/Emblem Style Logo The retro style badge/emblem of logos is a hot trend at the moment, and it’s no surprise why – They’re super cool! We’ve already looked at a showcase of retro and vintage style logos based on circular motifs, now let’s build our own. We’ll put the basic structure together in Illustrator, then give it that aged vintage appearance with some finishing touches in Photoshop. The logo we’ll be creating is for the totally fictional Powerhouse Gym (although I wouldn’t be surprised if there was a gym somewhere with this name!). It combines many of the typical traits of this retro/vintage theme with alternating rings of black and white as well as fine details such as the stars and dots. View the retro/vintage logo design Be sure to check out the showcase of retro badge/emblem logos, then when you have plenty of ideas open up Adobe Illustrator and create a large circle. Press CMD+F to paste in another duplicate, scale down and change the fill to white. The vector version of our logo is complete.

côme de bouchony like come de bouchony's posters? share: like our project? Typography Daily 50 Inspiring Typographic Artists … and me | Moonsail design | Branding, graphic design, typography and web design I put the call out on Facebook and Twitter recently to see which typographers and calligraphers were inspiring people at the moment. The results were interesting, because very few of them were “typographers” in the true sense of the word, in that, they don’t “arrange typefaces for print”. What they do, is actually use typographic forms in an artistic, or “illustrative” way. In fact, I was interested to see there are very few recognisable typefaces amongst the works of these artists at all, most of them preferring to hand draw their own letterforms from scratch. I want to thank everybody for their suggestions. I’m sure lots of talented people have been missed out, so feel free to add your inspirations in the comments section down below—I’m sure there will be a part 2 to this list pretty soon. Please be aware that the copyright of all these amazing works belong to the artists who made them. 1. 2. 3. Andrei has done work for Nike, Toyota and The Golden Globes, to name but a few. 4. 5. 6. 7.

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