The guide to sound effects

Foley artist A Foley artist at work Foley is the reproduction of everyday sound effects that are added to film, video, and other mediums in post-production to enhance audio quality.[1] These reproduced sounds can be anything from the swishing of clothing and footsteps to squeaky doors and breaking glass. The best foley art is so well integrated into a film that it goes unnoticed by the audience.[2] It helps to create a sense of reality within a scene. Without these crucial background noises, movies feel unnaturally quiet and uncomfortable. Foley artists recreate the realistic ambient sounds that the film portrays. The props and sets of a film do not react the same way acoustically as their real life counterparts.[2] Foley sounds are used to enhance the auditory experience of the movie. The term "Foley" is also used to describe a place, such as Foley-stage or Foley-studio, where the Foley process takes place. An early sound effects man (right) adding effects to a live radio play in the 1920s. Notes

From Gladiators to Bog Bodies: How inventive, evocative museum sound design is created today: This summer, I got the chance to visit the Moesgaard Museum (MOMU) in Aarhus, Denmark – a recently-rebuilt, state-of-the-art, and highly-praised museum dedicated to archaeology and ethnography. One of the things that really impressed me was the sound – it was incredibly effective at setting the scene, telling stories and bringing everything to life. And thankfully, I can now share the story behind those sounds, in this special feature on museum sound, written by MOMU composer and sound designer Soren Bendixen. Here, he shares how museum sound is created today, and gives you some real-world examples of how he’s using sound to bring history (and in some cases, the dead!) back to life: Written by Soren Bendixen, photos by Foto/ Medie Afdelingen, Moesgaard Museum, Jacob Gonge Due For the past 6 years I have mainly worked as a composer and sound designer for cultural heritage museums in Denmark. The sonic element As a composer, I have always been fascinated by the sonic element. My Workflow 1.

Le vrai prix du design musical - DESIGNMUSICAL.COMDESIGNMUSICAL.COM Une question d’autant plus épineuse que certains prestataires font preuve d’une transparence toute relative dans ce domaine. Évidemment, sur cette problématique de nombreuses variables entrent en compte. Globalement tout dépend de l’ampleur du chantier, qui lui-même se définit en fonction de la maturité de la marque à envisager sa prise de parole. Entre également en ligne de compte la méthodologie appliquée par le prestataire en charge du design musical de la marque. Trois types de travaux différents mais complémentaires sont identifiables. En amont de la création musicale identitaire, la part de consulting que certains jugent secondaire mais qui s’avère clairement créatrice de valeur dépend de la complexité du contexte dans lequel la marque évolue. Ensuite, bien sûr, la phase de création elle-même. Passé ce stade, il s’agit de préciser les déclinaisons qui seront nécessaires pour la mise en œuvre de l’identité sonore. Justement, passons aux choses sérieuses.

A New, Moldy Approach To Impact Sound Effects By French Sound Design Duo | A Sound Effect Game sound de­signer Fred­eric De­van­lay and film sound de­signer Cedric De­nooz have joined forces to re­lease ‘Wood Im­pacts’, a brand-new sound ef­fect li­brary fea­tur­ing more than 1600 im­pact sounds. Fred­eric has pre­vi­ously done SFX li­braries such as Cy­ber­storm, win­ner of Music Tech’s Best Sound Li­brary 2013 Award – but this is the team’s first in­de­pen­dent re­lease. I’ve spo­ken with them about indie sound ef­fects and the mak­ing of their new re­lease: Hi Fred and Cedric, please in­tro­duce your­selves Fred De­van­lay: I’m a sound de­signer and the CEO of Big Wheels Stu­dio, based in Paris. I’ve made sev­eral col­lec­tions for Zero-G, like Cy­ber­Storm, Deep Im­pact and Per­cep­tion Cin­e­mas­capes – but this is my first indie SFX re­lease with Cedric. Cedric De­nooz: I’ve been work­ing as a sound ed­i­tor and sound de­signer for movies since 2001. What made you get in­volved with indie SFX cre­ation? Could you share some de­tails on your new li­brary? Please share this:

Elf Ears, Custom-made in Silicone Rubber: 9 Steps (with Pictures) While costume shops have been selling foam latex pointed ears for some time, their generic one-size-fits-all shape means a standard and relatively bulky set of points which can never completely blend with a human’s natural earlobes. The extra-soft and porous nature of foam latex also means the ears are limited to a few applications before giving in to the stresses of repeated use. In this Instructable you will learn how to make your own custom-fit set of pointed elf ear appliances from two-part silicone rubber, a non-porous material which can be glued, applied, removed, cleaned, and reused many, many times. I have been using the same pair for a few years now, so if you are attentive and careful, your ears could last indefinitely. Edit: The silicone rubber I am using here is Douglas & Sturgess brand SR-1610. Smooth-on makes rubbers with comparable properties for their Dragon Skin line. I make my ears at TechShop.

Foley Identité Sonore - création d identité sonore LARA HAWKER - A detailed look at how I molded my prosthetics for... Identité sonore de la marque - Com'un son Depuis son origine, l’identité sonore est l’apanage des grands comptes. Com’ un Son démocratise cet outil essentiel à la commercialisation et la différenciation de la marque. L’identité sonore de la marque, ou charte sonore, est une création originale qui permettra la reconnaissance auditive de votre marque auprès de vos clients et en assurera sa distinction sur tous les supports de diffusion audio. Elle apporte un effet démultiplicateur dans vos actions de marketing. Les professionnels de l’identité sonore emploient la même expertise qu’implique le développement d’une charte graphique. Les applicatifs de l’identité sonore de la marque : Messages d’Accueil Téléphonique Film corporate et institutionnel, Clip et Vidéo Spot publicitaires Radio, TV et cinéma Site internet sonorisé Stand sur Salon, Exposition, Espaces de ventes Congrès, Séminaire (diaporama, entrée sur scène) Diffusion d’annonces Publiques Carte de voeux électronique Objet publicitaire sonore (clé USB, carte de voeux)

Painting silicone | PS Composites You may be trying to paint on silicone prosthetics, props, or you may just want to figure out a way to get paint to adhere to the silicone caulk that is sealing the edges of your exterior windows. Either way, the process is pretty much the same. Because paint doesn’t stick very well to silicone, certain preparation techniques are required to encourage paint adhesion. If you need to paint silicone rubber, you need to learn these techniques before you get started. The first step is to clean the silicone thoroughly of any grease or release agent that may still be on the silicone. Do this by wiping the silicone down with a solvent such as isopropanol (IPA), acetone, or delimolene (orange solvent). As silicone is flexible it is important that the paint has the same flexible quality. When painting silicone to look like skin (prosthetics or creature effects), it is a good idea to paint with more of a thin mix and to apply the paint in layers.

Quand un vieux marque page s’offre une session de surf en stop motion « Much Better Now« , quand un vieux marque page s’offre une session de surf dans les pages d’un livre. Un joli court métrage d’animation en stop motion réalisé par Philipp Comarella et Simon Griesser. Contact Us – Exchange The Science & Entertainment Exchange (The Exchange) is based in Los Angeles and has its offices on the campus of UCLA at the California Nanosystems Institute. All consultation queries should be directed to the LA headquarters of The Exchange. Rick Loverd, Program Director The Science & Entertainment Exchange, National Academy of Sciencesrloverd@nas.edu 844-NEED-SCI (844-633-3724) Amy Brown, Program Coordinator The Science & Entertainment Exchange, National Academy of Sciencesaebrown@nas.edu 844-NEED-SCI (844-633-3724) Sachi Gerbin, Senior Program Assistant The Science & Entertainment Exchange, National Academy of Sciencessgerbin@nas.edu 844-NEED-SCI (844-633-3724) Because The Exchange is a program of the National Academy of Sciences’ Office of Communications, additional resources and staff support are routinely provided from our home office in Washington, DC.

STOP! Stop Motion ideas are here! National Gallery of Australia Australian Council of Art and Design University Schools Association of Independent Schools NSW International Society Technology in Education (ISTE), USA iPadpalooza, USA 21st Century Learning International National Arts Education Association (NAEA), USA TAFE Queensland The Kellett School, Hong Kong Queensland Art Teachers Association Queensland University of Technology Apple Consultants Network Lutheran Education Australia Brisbane Catholic Education State Library Queensland EduTECH Teacher Training Australia Lady Gowrie Childhood Education Queensland Museum of Contemporary Art, Brisbane Griffith University

20 Scientifically Backed Ways To De-Stress Right Now What's your stress "tell?" For some, a quickened heart rate or a slight feeling of queasiness is enough to let them know they're getting anxious or overwhelmed. But just as a slight from your boss or bad news from a family member can get your stress hormones pumping and your blood pressure rising quickly, you have the power to reset almost instantly. Jamie Grill via Getty Images When we're stressed, hormones like cortisol flood our systems, producing the "fight or flight response" in which our heart rate goes up, we breathe more heavily (requiring more oxygen) and our blood vessels constrict. While in the pre-civilization world, the increased blood flow to our heart and muscles helped us escape from predators and dangerous situations, we find ourselves in a very different position now. The good news? We don't really have a choice when it comes to getting stressed -- we may as well work to undo its effects. Go For A 10 Minute Walk Breathe Deeply Visualize Eat A Snack (Mindfully!) Pucker Up