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10 Things Henri Cartier-Bresson Can Teach You About Street Photography

10 Things Henri Cartier-Bresson Can Teach You About Street Photography
Don’t forget to pre-order the new re-print of “The Decisive Moment” by Henri Cartier-Bresson! I have been doing quite a bit of research into Henri Cartier-Bresson, the godfather of street photography. Although my current approach in street photography is more like Bruce Gilden and less of Henri Cartier-Bresson, HCB influenced much of my earlier work and I still deeply respect his photography and philosophies. I hope you are able to enjoy these things I believe you can learn from Henri Cartier-Bresson about street photography. Keep reading to become inspired and learn more. 1. If you look at the work of Henri Cartier-Bresson, he applied geometry to his images poetically. Don’t only see the world as it is, look for shapes and geometry that occur naturally as well. 2. When Henri Cartier-Bresson would talk about “The Decisive Moment” he said sometimes it would be spontaneous but others times he had to be patient and wait for it. 3. 4. Apply the same mentality to when you go out and shoot. 5.

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Bresson There are giants in this world. Each discipline and art has them. In photography one of the towering names is Henri Cartier Bresson. This year marks his 95th birthday, and though he's still very much alive his days are a photographer are over. Cartier Bresson stopped actively doing photography in the early 1970's and for the past 30 years has devoted himself to his other passions, drawing and painting.

London by Bike - Nick Turpin's photography tips To help you in your quest for the perfect cycling photograph, browse through a selection of images taken by Nick Turpin for the competition. To take striking street photographs, you need to understand that street photography is something more than just taking photographs in the street. The best street photographers use the camera to elevate the everyday into something special through the act of photography. Their results may be beautiful, witty, tragic or ambiguous. They may be abstract or graphic – but they will always be special. Keep your equipment simple, leave your camera bag at home and take just one camera and a short lens, or a small compact camera or phone.

7 Valuable Insights You Can Learn About Street Photography From this Garry Winogrand Interview - Eric Kim Street Photography Blog Garry Winogrand is one of my favorite street photographers of all-time. Sure, he hated the term “street photographer” and didn’t call himself one — but his contagious energy, love of the streets, and powerful imagery is what draws a lot of street photographers to him. In the video above produced by Michael Engler, Winogrand shoots the streets of LA and shares some of his philosophies when it comes to street photography. Watch the video above or read a transcript that I put together below and some of my thoughts on what we as street photographers can learn from him. 1. On inspirations

Tips > Cropping Thoughts One learns to avoid mentioning certain topics with people that you don't know well, such as: • Religion • Politics • Cropping. Cropping? 3 Ways to Guarantee Good Exposures A Post By: Anne McKinnell There is no excuse for coming home from a photo shoot to discover that your images are over or under exposed. Your camera’s light meter will guide you to choose the right aperture and shutter speed settings to get a good exposure, or it will choose them automatically if you are using the automatic or semi-automatic modes. The problem is that your camera can be fooled by tricky lighting situations and that’s why your image may not come out exactly the way you want it, despite all the advanced technology in your camera.

Henri Cartier-Bresson: Living and Looking The journalist and filmmaker Sheila Turner-Seed interviewed Henri Cartier-Bresson in his Paris studio in 1971 for a film-strip series on photographers that she produced for Scholastic. After her death in 1979 at the age of 42, that interview, along with interviews that Ms. Turner-Seed had conducted with Bruce Davidson, Cornell Capa, Lisette Model, W. Eugene Smith, Don McCullin and others, sat like a time capsule in the archives of the International Center of Photography in New York. That is, until 2011, when Ms. LUCIDA » » ESSAY // BONE TREE CRITIQUE: LARRY FINK AND ZEV JONAS An essay by Bill Lowenburg. At first glance, the photographs of Australian-born Zev Jonas seem to have little in common with the work of his friend and mentor, the distinguished American photographer Larry Fink. Jonas works in primarily color, Fink in black and white.

Contemplative Photography “Watch where you put your feet.” ~ Karen Larson During the contemplative photography workshop in Boulder, Colorado we often went to the downtown pedestrian mall to photograph. Each day we would have an intention to be open to something different. One day it was color, another day texture, then patterns, then concrete. Photography: is it art? For 180-years, people have been asking the question: is photography art? At an early meeting of the Photographic Society of London, established in 1853, one of the members complained that the new technique was "too literal to compete with works of art" because it was unable to "elevate the imagination". This conception of photography as a mechanical recording medium never fully died away. Even by the 1960s and 70s, art photography – the idea that photographs could capture more than just surface appearances – was, in the words of the photographer Jeff Wall, a "photo ghetto" of niche galleries, aficionados and publications. But over the past few decades the question has been heard with ever decreasing frequency.

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