Picasso by night by Sollers.<img src=' "Supposons que je fasse une conférence intitulée : l’art en situation. Il me semble que je devrais commencer tout de suite par fermer les yeux, comme si j’arrivais en avion au-dessus d’une ville, dans la nuit, ou alors en passant au-dessus le jour sous le jour, vers ce point magnétique qu’on appelle musée et que je décide d’y être seul, enfin seul, une fois pour toutes, après la fermeture, quand le bruit de l’aveuglement a cessé. On vient dans les musées pour ne rien voir, c’est connu. Pour ne rien voir d’une certaine façon. En étant persuadé d’avoir vu quelque chose. C’est la fonction moderne du sacré. était un peintre, un sculpteur, qui écrivait tout le temps. Picasso a eu un mot que je trouve très étrange. Comment entendre Picasso : Etc, etc, etc ; ça peut continuer comme ça très longtemps. Alors ça fait : « Langue de feu, par exemple, langue de feu évente sa face dans la flûte la coupe qu’en lui chantant ronge le coup de poignard du bleu si enjoué qui assis dans l’ ? Etc, etc, etc. .
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Élisa Granowska Your Europe - Business - EUROPA Cookies This site uses cookies to offer you a better browsing experience. Find out more on how we use cookies and how you can change your settings. Accessibility tools Go to content Service tools Language selector Navigation path Share on Follow us on Set page to normal font sizeIncrease font size by 200 percentBookmark this pageChoose high-contrast version Your Europe, your opportunity Practical guide to doing business in Europe. Start & grow VAT & customs Selling abroad Staff Product requirements Funding Public contracts Environment Select a country See also Living and moving in Europe SteinerLeisure.com My service, the Elemis Exotic Frangipani Body Nourish Wrap, begins with a body brushing and an application of coconut oil infused with the essence of frangipani flowers. I imagine that I am in Hawaii at sunset. When the scrub and oil massage are completed, Lindsay rubs my head and scalp, anointing my hair with frangipani oil. After a rinse-off in the shower and a delicious full-body massage, Lindsay shakes a rainmaker instrument to signal the treatment’s end. A drink of orange-strawberry water and I am on my way. My next treatment is perhaps the piece de resistance of Eau Spa: The Platinum and Diamond Facial, a service from the spa’s unique Bejeweled collection. My therapist, Linda, is an ageless beauty of the type celebrated by the French. For spa traditionalists, the lavishly creative approach taken by Eau Spa may take some getting used to.
Michel De Rudder, compositeur-arrangeur