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Digital DJ Tips

Digital DJ Tips
5 Tips For Playing A Great Warm-Up Set Warming up is one of the most common “first gigs” for DJs in clubs, and if you want to get booked again, it’s essential to get it right. From renowned DJ Dan Bewick, here are five tips to do just that. Serato To Traktor Pro: 10 Things You Need To Know Last time we took a look at things you needed to know when making the jump from Traktor Pro to Serato DJ. Now we’re switching it up and listing 10 things Serato users need to know before they crossover to Native Instruments’ Traktor Pro software.

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  How to #Win at SoundCloud SoundCloud is quickly becoming the hip new community for audio creators, especially electronic artists. Even though they recently started cracking down on copyright violations, the site remains an excellent place to promote your remixes, productions and get DJ gigs as a result. Here are a few steps to #winning! @ SoundCloud, taking full advantage of its community, and making sure your tracks reach the largest online audience. I’ll also supply some examples of SoundCloud profiles that have followed these steps and succeeded.

17 Amazing Ableton Live Tutorials Ableton Live is a DAW that's not only good at producing music, but it's also useful when you're playing live. It's available for both PCs and Macs, so just about anyone can use the software. One of Live's unique features is its session view. Big beat Big beat is a style of music that typically uses heavy breakbeats and synthesizer-generated loops and patterns common to techno and acid house. The term has been used since the mid-1990s by the British music press to describe music by artists such as The Prodigy, Cut La Roc, Fatboy Slim, The Chemical Brothers, The Crystal Method, and Propellerheads.[1] Style[edit] History[edit] The name came from our club, the Big Beat Boutique, which I'm tremendously proud of.

Review & Video: Pioneer DDJ-ERGO-V DJ Controller The Pioneer DDJ-ERGO-V brings sharp consumer styling to the company’s DJ controller range. Pioneer’s first foray into digital DJ controllers came at the start of the year, with the DDJ-S1 and DDJ-T1, for Serato ITCH and Traktor respectively. It’s fair to say that those controllers got a mixed reception, the consensus being they were unmistakably Pioneer in feel (albeit consumer-level Pioneer, not pro), but with a high price tag to accompany that. Review: Pioneer DDJ-ERGO-V DJ Controller The company took heed of the criticisms and lowered the prices, although these units still aren’t exactly cheap. Meanwhile, Pioneer has also introduced the DDJ-ERGO-V for Virtual DJ and Serato DJ Intro (the entry-level Serato software, for which there is now a Serato DJ upgrade available).

Cajmere's Funky Fresh For 5 Mix Series - Volume Five Do you believe in numerology? I don't, but there's something that catches your eye (and will catch your ear) about the fifth installment in Cajmere's Funky Fresh for 5 series, appearing monthly exclusively for 5chicago.com. Cajmere is on the cover of the March 2012 issue of 5 Magazine, with a long interview on the subject of Cajual Records' 20th (!) Anniverary. And brand new today: the "Cajual 20 Year Anniversary Mix" appearing on a a new Cajual release, Cajmere & Russoul present Ari Lourdes "Love Is You". This is a cover of the neo-soul classic written by Chrisette and John Legend, and is available exclusively in promo release from traxsource. Breakbeat hardcore Not to be confused with Breakcore. Rave scene[edit] The scene was driven around the M25 motorway (London's orbital motorway), and its audience was mainly urban teenagers and lower middle-class suburban teenagers with cars. The audience was very much multicultural, with black, white and Asian influences resulting in a unique sound. The scene expanded rapidly in 1991, with large raves of 30–50,000 people attending in open air venues around England, put on by Spiral Tribe and other free party sound systems held at locations up and down the length of England.

raves/spirit/technoshamanism/Technoshaman-Definitions.html From: erich@hrl5.cs.tamu.edu (Erich Schneider) Newsgroups: alt.techno-shamanism Date: 28 May 93 12:17:55 "Why don't we start with a definition?" The shamanic worldview usually involves a belief in supernatural forces that can be accessed to cause alterations in "external reality". These supernatural forces are usually accessed through appeals to various "spirits", which live in a "spirit world" that can be accessed through dreams or other consciousness alteration methods (sweat lodges, psychoactives, chanting, ecstatic dancing, etc.). These spirits are amenable to interaction in the same way humans can be interacted with - threats, bribes, appeals, etc.

The Trial - Pink Floyd's "The Wall": A Complete Analysis [Roger Waters] Good morning, Worm your honor. The crown will plainly show The prisoner who now stands before you Was caught red-handed showing feelings Showing feelings of an almost human nature. This will not do. Call the schoolmaster! I always said he'd come to no good In the end your honor. Space music Space music typically evokes a sense of spatial imagery and emotion or sensations of floating, cruising, flying and other transportative sensations. Space music, also called spacemusic, is an umbrella term also associated with preceding styles of relaxing music such as lounge music, easy-listening, and elevator music.[1] Hill believes that space music can evoke a "continuum of spatial imagery and emotion,"[11] which can be beneficial for introspection, and for developing, through a practice of deep listening, an awareness of the spatiality of sound phenomenon.[12] This type of psychonautic listening can produce a subtle trance-like state in certain individuals[13][14][15] which can in turn lead to sensations of flying, floating, cruising, gliding, or hovering.[16][17] Definitions[edit] In her book The New Age Music Guide, author, editor and music critic P. J.

Soundscape A soundscape is a sound or combination of sounds that forms or arises from an immersive environment. The study of soundscape is the subject of acoustic ecology. The idea of soundscape refers to both the natural acoustic environment, consisting of natural sounds, including animal vocalizations and, for instance, the sounds of weather and other natural elements; and environmental sounds created by humans, through musical composition, sound design, and other ordinary human activities including conversation, work, and sounds of mechanical origin resulting from use of industrial technology. The disruption of these acoustic environments results in noise pollution. "Oh ho in the morning,

Biomusic Biomusic is a form of experimental music which deals with sounds created or performed by non-humans. The definition is also sometimes extended to include sounds made by humans in a directly biological way. For instance, music that is created by the brain waves of the composer can also be called biomusic as can music created by the human body without the use of tools or instruments that are not part of the body (singing or vocalizing is usually excluded from this definition). A Chronology of Electronic and Computer Music and Related Events 1906 - 2013 Last updated 6 January 2013 <p align="right" class="style2 style3 style2 style3 style2 style3 style2 style3">&nbsp;</p><p align="right" class="style2 style3 style2 style3 style2 style3 style2 style3"><span class="Section1">Last updated 06 January 2014</span></p> This page is currently being maintained. Please send suggestions and corrections to a subject of 'Chronology' gets my attention. © Copyright 2008-2014* Paul Doornbusch.

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