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19 top fonts in 19 top combinations Sign up and download immediately to take your typography to the next level! This classic contains some great stuff: An exceptional glossary of typography terms Killer tips on establishing typographic color Choosing and using the right typefaces 20 Action-packed info-dense pages! Glyphish – Great icons for great iPhone & iPad apps 25 Fresh Examples of Beautiful Typeface Combinations in Web Design Typography is a very important part of design and choosing the right type for your design can be very challenging. From print to web layouts, typography is the center piece of a good design and today we gathered a few examples of beautiful typeface combinations in web design to inspire you. In web design, typography can be used in different forms, big bold headers, simple and clean menus, explanatory text and so on. Finding a good combination of typeface is more than only good taste, it's an art Typography is a very important part of design and choosing the right type for your design can be very challenging. From print to web layouts, typography is the center piece of a good design and today we gathered a few examples of beautiful typeface combinations in web design to inspire you. To discover the fonts used in each design I used the WhatFont tool, which is pretty good (besides Firebug and other tools). Colbow Design Futura PT (header) – Yellowtail (center). Ana Majik Fatum nest Tommy La Wine

40 Beautiful Free Fonts For Creating Attractive Typography Headlines A sweet collection of carefully handpicked high quality free fonts, which are all suitable to be used for creating attractive typography headlines which will attract people’s attention. A collection of amazing fonts which are suitable and perfect for web design projects as well print based projects. There is a misconception by designers that free fonts are usually cheap looking and cannot be used in order to create a good design, but what designers don’t realise is that there is the odd good free font it just takes time in order to find the perfects ones. This is the exact purpose of this article to be bookmarked by designers and to referred to in the future when working on a design projects where money may be tight and the client can’t afford to splash out on big expensive fonts. This post will be a handy resource for designers searching high quality good free fonts. 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. attempa 13. 14. 15. 16. 17. 18. 19. 20. 21. 22. 23. 24. 25. 26. 27. 28. 29. 30.

14 fonts gratuites de grande qualité Ces derniers temps, j'ai cherché à débusquer de nouvelles fonts gratuites capables de satisfaire vos exigences en terme de qualité et de bon goût. Ce n’est pas le choix qui manque. Tous les jours de magnifiques fonts sont créées. Mais le temps que vous passerez à les chercher ne sera pas investi sur vos projets. Je l’ai donc fait pour vous et j’en ai trouvé des très belles. Voici le résultat de mes recherches. Dans cette sélection de fonts gratuites, je vous présenterez Foro Rounded, Supergrass, Prism, Salt & Foam et bien d’autres fonts de qualité. Astroman Typeface Astroman est une police de caractères disponible uniquement en minuscule accompagnée de quelques signes de ponctuations. Corbert Regular Une font sans serif aux formes géométriques influencées par le mouvement Bauhaus et moderniste. Supergrass Font Un projet de font destiné à l’identité du Festival Supergrass de Vigevano réalisé par le collectif RUN BVS. Technik Mono Global Prism BillMoney Font Savu Condensed Nougat Foro Rounded light

Lost Type Co-op Commercial Type Butterick’s Practical Typography This is a bold claim, but I stand be­hind it: if you learn and fol­low these five ty­pog­ra­phy rules, you will be a bet­ter ty­pog­ra­pher than 95% of pro­fes­sional writ­ers and 70% of pro­fes­sional de­sign­ers. (The rest of this book will raise you to the 99th per­centile in both categories.) All it takes is ten min­utes—five min­utes to read these rules once, then five min­utes to read them again. Ready? Go. The ty­po­graphic qual­ity of your doc­u­ment is de­ter­mined largely by how the body text looks. That’s it. Then, if you’re ready for a lit­tle more, try the sum­mary of key rules. If you’re ready for a lot more, start at the fore­word and keep reading.

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