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Plot Generator QuestWiki Story Wars Games in Education - home inklewriter - Getting Started Getting started It couldn’t be easier to start writing. When you first launch the inklewriter website,, you’ll be offered the option of taking the tutorial, or starting a new story. If you click new you can get writing straight away. Write, and add options You’ll write your story onto the scraps of paper in the middle of the inklewriter workbench. How do I change to another path? There are lots of ways to find your way around in inklewriter. You can also open the contents panel using the button in the top right. How do I join different paths back together again? Once your story has branched, you’ll often want to to bring the different branches back together again. How do I read my story? Read your story by clicking the “read” button in the toolbar. What’s this about signing up? You can use inklewriter without signing in. Finally, if you work locally, you can’t share your stories with others. Sharing stories in inklewriter How do I add images? A dialogue box will appear.

ARIS - Mobile Learning Experiences - Creating educational games on the iPhone How to Write Dialogue: 8 Tips and Exercises • Reedsy No matter your genre, learning how to write dialogue effectively is a vital part of any writer’s career. Poor dialogue can make readers put your book down in disgust, but when it’s well executed, it can transform your characters into believable, unforgettable people. To help get your characters talking, we have put together a list of rules, exercises and examples that will have you writing sparkling conversations in no time. Contents What Makes Good Dialogue Memorable? While it's hard to imagine a story without character speaking to each other, they are out there — Laclos’ epistolary Dangerous Liaisons contains next to no quoted speech, nor does Stephen King's short story “Battleground”. 1. In most cases, characters should speak naturally and not necessarily follow the rules of correct language use. 2. Regardless of the point of view in which you are narrating your story, there is information that your readers need to know. 3. 4. 8 Rules for Writing Believable, Compelling Dialogue 1. 2.

Adrian Camm R2-LMM | LMM La multiplication de supports et des canaux de diffusion des messages depuis quelques décennies oblige à repenser l’idée même de la lecture et de l’écriture. Aujourd’hui, les supports numériques deviennent l’outil de prédilection d’un nombre grandissant de lecteurs/scripteurs et orientent nécessairement leurs modes et conditions de lecture/production. Tous représentent désormais autant d’objets de recherche résolument multidisciplinaires et surtout fédérés autour de la notion fondamentale de littératie médiatique multimodale. Ainsi, le récent concept de littératie médiatique, qui vient compléter celui de littératie traditionnelle, est, selon Livingstone (2004) et Hobbs et Frost (2003), l’habileté d’accéder à des messages, de les analyser, de les évaluer et de les créer à travers une variété de contextes, y compris les contextes ayant recours aux nouveaux médias.