Denis Darzacq, actu CLAUDE NORI - PHOTOGRAPHE Pieter Hugo Elo Vazquez Todd Hido Former Writer, Part 1 / Thomas Albdorf Former Writer: Colour on Surface Pigment prints, unmounted, mounted or framed, varying sizes, 2013 In 2012 my photographic practice mainly consisted of wandering through urban peripheries, seeking and finding littered and abandoned objects, and staging them to record the scenery via a photograph. On these ramblings I often came across paintings which took me back to my first contact with art production in my early teenage years: graffiti-writing. The desire arose in me to use spray-paint again – a wish to use painterly intervention to apply a contextual shift to objects and scenarios. "Former Writer: Colour on Surface" integrates graffiti-related methods into my photographic and sculptural work.
Irene Kung MARCO GROB Meike Nixdorf | Artist Dan Winters Photography Matthieu Gafsou rinkokawauchi_jp News: りんこ日記はこちらです。>>Rinko DiaryInstagram >> rinkokawauchi MILK JAPN WEBにて「そんなふう」連載中 2017.9ベク・スンウさんとの共著『Composition No.1 Seung Woo Back Rinko Kawauchi』がIANNBOOKSより発売。 2017.9新作写真集『Halo』がHeHeより発売。 2016.11「Prix Pictet」最終候補にノミネートされました。 Current Group Exhibition 永遠に、そしてふたたびJanuary 14 - July 6, 2018 IZU PHOTO MUSEUM Photojournalism — Brent Stirton KIKA, CAMEROON, JULY 2010: Members of the Baka Pygmy tribe, the original forest dwellers of the Cameroon forests, Kika, Cameroon, June 9, 2010. The Baka have small logging concessions of their own in community forest areas but are plaughed by a lack of education, logging equipment, access to markets and an addiction to alcohol fostered by their Bantu neighbours who ruled them for many years and who often pay the Baka for labor in alcohol. Logging roads and subsequent small towns created by logging concessions are bringing man and infrastructure further into the forest of Cameroon than ever before, Kika, Cameroon, June 5, 2010. This is severely threatening the great forests of the Congo Basin, one of the last great Forest reserves in the world.
"Veramente" de Guido Guidi Guido Guidi, Fosso Ghiaia, Ravenna, 1971 Traduction en espagnol On définit en général Guido Guidi (à la Fondation HCB jusqu’au 27 avril) comme un photographe de paysages : ce n’est pas faux, certes, mais ne vous attendez pas à voir là les collines toscanes, les ruines romaines, le pittoresque napolitain ou les plages ioniennes, ce n’est pas Luigi Ghirri. Guidi est un photographe de la périphérie urbaine, des espaces décrépits qui ne sont plus vraiment agricoles et pas encore industriels, de cet univers sans formes, sans essence, dont il fait ressortir, non l’absence de beauté, mais en tout cas la singularité. Guidi photographie des rues, des terrains vagues, des façades, des rebuts, tout cet univers que, souvent, nous préférerions ne pas voir. Guido Gudi, Cesena, 1967 Guidi travaille par séries, regardant inlassablement comment le passage du temps, le jeu de la lumière, les variations du ciel changent l’image (Fiume), variant l’angle de Guigo Guidi, Calais, 04.1996 Share and Enjoy