Participatory design
Participatory design (originally Cooperative Design, also known in the USA as co-design) is an approach to design attempting to actively involve all stakeholders (e.g. employees, partners, customers, citizens, end users) in the design process to help ensure the result meets their needs and is usable. The term is used in a variety of fields e.g. software design, urban design, architecture, landscape architecture, product design, sustainability, graphic design, planning, and even medicine as a way of creating environments that are more responsive and appropriate to their inhabitants' and users' cultural, emotional, spiritual and practical needs. It is one approach to placemaking. It has been used in many settings and at various scales. Participatory design is an approach which is focused on processes and procedures of design and is not a design style. Definition[edit] History[edit] History in Scandinavia[edit] Fields of participatory design[edit] Community planning and placemaking[edit]
Postcards connecting the world
The Zeitgeist Movement Official Blog
User-centered design
The chief difference from other product design philosophies is that user-centered design tries to optimize the product around how users can, want, or need to use the product, rather than forcing the users to change their behavior to accommodate the product. UCD models and approaches[edit] For example, the user-centered design process can help software designers to fulfill the goal of a product engineered for their users. User requirements are considered right from the beginning and included into the whole product cycle. Cooperative design: involving designers and users on an equal footing. All these approaches follow the ISO standard Human-centred design for interactive systems (ISO 9241-210, 2010). The ISO standard describes 6 key principles that will ensure a design is user centered: Purpose[edit] UCD answers questions about users and their tasks and goals, then uses the findings to make decisions about development and design. Who are the users of the document? Elements[edit] Language[edit]
The Zeitgeist Movement Global Site
Slow design
Slow Design is a branch of the Slow Movement, which began with the concept of Slow Food, a term coined in contrast to fast food. As with every branch of the Slow Movement, the overarching goal of Slow Design is to promote well being for individuals, society, and the natural environment. Slow Design seeks a holistic approach to designing that takes into consideration a wide range of material and social factors as well as the short and long term impacts of the design. Origin and meaning[edit] Slow Design refers to the goals and approach of the designer, rather than the object of the design. While Fuad-Luke focused on the design of physical products, the concept can be applied to the design of non-material things such as experiences, processes, services, and organizations. Beth Meredith and Eric Storm attempt to summarize the concept, stating: Current and future practice[edit] Common qualities of Slow Design include: See also[edit] References[edit] External links[edit]
TZM - Orientation
Download Here The Zeitgeist Movement Defined (Full PDF Book) Who profits? Financial Data to see financial transparency info. About: The Zeitgeist Movement Defined is the official, representative text of the global, non-profit sustainability advocacy organization known as The Zeitgeist Movement (TZM). This tediously sourced and highly detailed work argues for a large-scale change in human culture, specifically in the context of economic practice. However, in the early 21st century, these problems have risen prominently, taking the consequential form of increasing social destabilization and ongoing environmental collapse. While largely misunderstood as being "utopian" or fantasy, this text walks through, step by step, the train of thought and technical industrial reordering needed to update our global society (and its values) to enable these profound new possibilities. If you find a Typo, please email media@thezeitgeistmovement.com (1) Preface Document Structure The Organism of Knowledge About
The Octarine argument.
Yes, yes - colour corresponds with real properties. But colour itself is not in the external physical world. It's like those cases where a picture from a telescope or a microscope is given colours artificially to help show up the different substances. The colours are not real, but they do help you understand more about what you're seeing. After all, we only actually sense three different wavelengths. If you think about it, though, this means that the way we see things is actually wrong. All the same, it is possible to do a bit better, and some animals detect more than three different wavelengths.
TZM Frequently Asked Questions
(1) What is The Zeitgeist Movement? The Zeitgeist Movement is an explicitly non-violent, global sustainability advocacy group currently working in over 1000 Regional Chapters across 70 countries. The basic structure of The Movement consists of Chapters, Teams, Projects & Events. Overall, the Chapters are essentially what define the Movement and each Chapter works to not only spread awareness about the roots of our social problems today but also to express the logical, scientific solutions and methods we have at our disposal to update and correct the current social system and create a truly responsible, sustainable, peaceful, global society. Working through global and regional educational projects and community programs, the intermediate goal is to obtain a worldwide movement, essentially unifying the people, regardless of country, religion or political party, with a common value identification that we all invariably share, pertaining to our survival and sustainability. Infinite Growth
ParadigmOfComplexity
The last few decades have seen the emergence of a growing body of literature devoted to a critique of the so-called “old” or “Cartesian-Newtonian” paradigm which, in the wake of the prodigious successes of modern natural science, came to dominate the full range of authoritative intellectual discourse and its associated worldviews. Often coupled with a materialistic, and indeed atomistic, metaphysics, this paradigm has been guided by the methodological principle of reductionism. The critics of reductionism have tended to promote various forms of holism, a term which, perhaps more than any other, has served as the rallying cry for those who see themselves as creators of a “new paradigm.” At the forefront of such a challenge, and in many ways the herald of the new paradigm, is the relatively new movement of transpersonal psychology. In taking seriously such experiences, transpersonal theory has been compelled to transcend the disciplinary boundaries of mainstream psychology. C.
