All Bets Are Off Productions

Last year, when Adobe announced a subscription-only model and that, as a result, customers would thus no longer be able to (maintain the illusion that they could) outright buy and own their software for eternity, there was a lot of hullabaloo. At that time, I did my research on both sides of the issue, and did my best to present a clear and objective understanding of the situation in two blog posts, HERE and HERE. I’m going to address one question that came up, to see how Adobe is handling it: With customers locked into a subscription, what’s to make them keep their promise of feature rich updates? To me, the answer to that question is pretty self-evident: if time went on and Adobe didn’t keep to its word, people would very quickly see that, talk about it and Adobe would look really bad – along with that, new and long-time users would not sign up for the cloud. Well, time has gone on – So where are we today?

http://allbetsareoff.com/

vj labor Elektra, Montreal 2013 (Yatra Arts) from Joel Dittrich on Vimeo. Live audio/visual performance at Elektra festival, Montreal, Canada, 03 may 2013. Curated by Yatra Arts. White Noise/Black Noise is an audio/visual project where I´m experimenting with intermodal aesthetics, creating audio and visuals side by side and performing live with a digital set up, relaying heavily on OSC, MIDI and audio analysis, to control audio and visuals simultaneously. 100% work by me. Output module constraints in After Effects CS5 Tim Kurkoski and Todd Kopriva discuss Output module constraints in After Effects CS5: 'Now After Effects [CS5] knows the details of the constraints. When you choose an output module and change settings in the Output Module Settings dialog box, the settings are checked against this set of constraints. If there's a mismatch, a "Settings mismatch" alert and a yellow triangle icon appear at the bottom of the Output Module Settings dialog box. If you click the yellow triangle icon, a message explains what's going on...'

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