25 Insights on Becoming a Better Writer When George Plimpton asked Ernest Hemingway what the best training for an aspiring writer would be in a 1954 interview, Hem replied, “Let’s say that he should go out and hang himself because he finds that writing well is impossibly difficult. Then he should be cut down without mercy and forced by his own self to write as well as he can for the rest of his life. At least he will have the story of the hanging to commence with.” Today, writing well is more important than ever. Far from being the province of a select few as it was in Hemingway’s day, writing is a daily occupation for all of us — in email, on blogs, and through social media. So what can we do to improve our writing short of hanging ourselves? 1. Don’t just plan to write—write. 2. [The] Resistance knows that the longer we noodle around “getting ready,” the more time and opportunity we’ll have to sabotage ourselves. 3. Find your best time of the day for writing and write. 4. 5. 6. 7. 8. 9. Treat writing as a job. 10. 11. 12.
How to Write with Style: Kurt Vonnegut's 8 Keys to the Power of the Written Word Find a Subject You Care About Find a subject you care about and which you in your heart feel others should care about. It is this genuine caring, and not your games with language, which will be the most compelling and seductive element in your style. I am not urging you to write a novel, by the way — although I would not be sorry if you wrote one, provided you genuinely cared about something. A petition to the mayor about a pothole in front of your house or a love letter to the girl next door will do. Do Not Ramble, Though I won’t ramble on about that. Keep It Simple As for your use of language: Remember that two great masters of language, William Shakespeare and James Joyce, wrote sentences which were almost childlike when their subjects were most profound. Simplicity of language is not only reputable, but perhaps even sacred. Have the Guts to Cut It may be that you, too, are capable of making necklaces for Cleopatra, so to speak. Sound like Yourself Say What You Mean to Say Pity the Readers
Neil Gaiman's 8 Rules of Writing By Maria Popova In the winter of 2010, inspired by Elmore Leonard’s 10 rules of writing published in The New York Times nearly a decade earlier, The Guardian reached out to some of today’s most celebrated authors and asked them to each offer his or her commandments. After Zadie Smith’s 10 rules of writing, here come 8 from the one and only Neil Gaiman: WritePut one word after another. For more timeless wisdom on writing, see Kurt Vonnegut’s 8 rules for a great story, David Ogilvy’s 10 no-bullshit tips, Henry Miller’s 11 commandments, Jack Kerouac’s 30 beliefs and techniques, John Steinbeck’s 6 pointers, and Susan Sontag’s synthesized learnings. Image by Kimberly Butler
Why I Write: George Orwell's Four Motives for Creation by Maria Popova “All writers are vain, selfish, and lazy, and at the very bottom of their motives there lies a mystery.” Literary legend Eric Arthur Blair, better known as George Orwell, remains best remembered for authoring the cult-classics Animal Farm and Nineteen Eighty-Four, but he was also a formidable, masterful essayist. Among his finest short-form feats is the 1946 essay Why I Write (public library) — a fine addition to other timeless insights on writing, including Kurt Vonnegut’s 8 rules for a great story, David Ogilvy’s 10 no-bullshit tips, Henry Miller’s 11 commandments, Jack Kerouac’s 30 beliefs and techniques, John Steinbeck’s 6 pointers, and various invaluable insight from other great writers. I give all this background information because I do not think one can assess a writer’s motives without knowing something of his early development. Looking back through the last page or two, I see that I have made it appear as though my motives in writing were wholly public-spirited.
Creative Writing Prompts Many creative writers use prompts to generate new material. Prompts can be challenges -- for example, write a story using only one syllable words or craft an alphabet story where the first sentence begins with the letter A, the next sentence B, and so on -- or themes provided by journals, or a poem to which an writer can respond. For example, the Sun lists prompts and deadlines every issue. For a list of up-to-date journal prompts, deadlines, and contest information, see the Writing Program's bulletin board in Jensen on the second floor. Creative Writing Exercises Compiled by Catherine Reid Creative writing exercises, like any kind of warm-up routine before playing a sport or a musical instrument, help loosen up your imagination while honing your writing muscles. Though the exercises are more fun done with two or more people, each can be done alone. The prompts: 2) Describe a memorable event, positive or negative, and how it felt to you, but do not name the feeling.
6 Rules for a Great Story from Barnaby Conrad and Snoopy by Maria Popova “And remember: Always aim for the heart!” You might recall Snoopy’s Guide to the Writing Life (public library), which gave us Ray Bradbury’s wise words on rejection. To recap: Barnaby Conrad and Monte Schulz, son of Peanuts creator Charles M. Try to pick the most intriguing place in your piece to begin.Try to create attention-grabbing images of a setting if that’s where you want to begin.Raise the reader’s curiosity about what is happening or is going to happen in an action scene.Describe a character so compellingly that we want to learn more about what happens to him or her.Present a situation so vital to our protagonist that we must read on.And most important, no matter what method you choose, start with something happening! Conrad is the author of The Complete Guide to Writing Fiction. And, above all, let’s not forget these famous disclaimers on taking writing advice. Brain Pickings has a free weekly newsletter and people say it’s cool. Share on Tumblr
inkedexistence comments on How to make meaningful/good conversation? The Nature of Fun: David Foster Wallace on Why Writers Write by Maria Popova “Fiction becomes a weird way to countenance yourself and to tell the truth instead of being a way to escape yourself or present yourself in a way you figure you will be maximally likable.” On the heels of the highly anticipated new David Foster Wallace biography comes Both Flesh and Not: Essays (public library) — a collection spanning twenty years of Wallace’s nonfiction writing on subjects as wide-ranging as math, Borges, democracy, the U.S. Open, and the entire spectrum of human experience in between. After offering an extended and rather gory metaphor for the writer’s creative output and a Zen parable about unpredictability, he gets to the meat of things: In the beginning, when you first start out trying to write fiction, the whole endeavor’s about fun. Here, Wallace echoes Vonnegut, who famously advised, “Write to please just one person. At some point you find that 90% of the stuff you’re writing is motivated and informed by an overwhelming need to be liked.
List of Interactive Quizzes The quizzes with a magenta marble are also listed within the section or digital handout to which they apply. The twenty-one quizzes with a green marble and designated "Practice" have been adapted from the instructor's manual and other ancillary materials accompanying Sentence Sense: A Writer's Guide. The seventeen quizzes with a gold marble were written by the English faculty at an estimable midwestern university and are used here with the permission of that department. The ten quizzes with a red marble were prepared by students in Professor Karyn Hollis's Tutor Training course at Villanova University. Clicking on the NUMBER immediately before the quiz's name will take you to the section of the Guide pertaining to the grammatical issue(s) addressed in that quiz. Clicking on the Guide's logo at the top of a quiz-page will bring you back to this page.