David Morrell On the Key to Settings In his CraftFest session at ThrillerFest, “Setting: How to Make Your Novel Go Places,” David Morrell (author of First Blood) riffed on how to produce fantastic settings that become characters in their own right. Morrell pointed out that settings are seldom talked about, and often receive short shrift in comparison to other craft elements. But they shouldn’t. So what’s the key to crafting distinct, rich, truly alive settings in your work? “What we need to do is forget about sight, and concentrate on feeling,” Morrell said. Hemingway would describe a scene so you would feel it as if you were really there. Morrell cited novelist John Barth’s method of “triangulation”—you take the sense of sight for granted, and add two other senses from among the remaining four. When sight alone is used, Morrell said that’s what causes a piece of writing to seem “flat” or “one dimensional.” So you triangulate. But you can tackle it in revision. –Watch for balance and clarity of POV characters.
Best Creative Writing Exercises (PHOTOS) Writers block, oh, writers block ...please go away! Even though it's the bane of all writers' existence, there are a bevy of ways to bypass the darn thing. From writing prompts to writing exercises, there are thousands of ways to get the creative juices flowing. Here are just a few of our favorites. Loading Slideshow 7x7x7x7Grab the 7th book from your bookshelf. Best Creative Writing Exercises 1 of 10 Hide Thumbnails 25 Things You Should Know About Character Previous iterations of the “25 Things” series: 25 Things Every Writer Should Know 25 Things You Should Know About Storytelling And now… Here you’ll find the many things I believe — at this moment! — about characters: 1. Without character, you have nothing. 2. A great character can be the line between narrative life and story death. 3. Don’t believe that all those other aspects are separate from the character. 4. The audience will do anything to spend time with a great character. 5. It is critical to know what a character wants from the start. 6. It doesn’t matter if we “like” your character, or in the parlance of junior high whether we even “like-like” your character. 7. It is critical to smack the audience in the crotchal region with an undeniable reason to give a fuck. 8. You must prove this thesis: “This character is worth the audience’s time.” 9. Don’t let the character be a dingleberry stuck to the ass of a toad as he floats downriver on a bumpy log. 10. 11. 12. 13. The law of threes.
A Simple Novel Outline – 9 questions for 25 chapters « H.E. Roulo Just as every tree is different but still recognizably a tree, every story is different but contains elements that make it a story. By defining those before you begin you clarify the scope of your work, identify your themes, and create the story you meant to write. At Norwescon 2011 I sat in on a session called Outline Your Novel in 90-minutes led by Mark Teppo. I’ll give you the brief, readable, synthesized version. Answer 9 questions and create 25 chapter titles and you’re there. Here are the 9 questions to create a novel: 1.) 2.) 3.) 4.) 5.) 6.) 7.) 8.) 9.) Now, with those 9 questions answered to your satisfaction, try to fill in a 25 chapter, 75,000 word outline. Chapters 7-18 are the middle of your book. Chapters 19-25 depict the heroic act to victory. Wasn’t that easy? Okay, sure, the work isn’t done yet. Using the idea that there are 25 chapters, I outlined my current work in progress. I hope that was helpful. Tell me what works for you. Related 6 Steps to Masterful Writing Critiques
Creative Writing Prompts Write a scene that includes a character speaking a different language, speaking in a thick accent, or otherwise speaking in a way that is unintelligibe to the other characters. (Note: You don't necessarily need to know the language the character is speaking—be creative with it!) Describe a character's reaction to something without explaining what it is. See if your fellow prompt responders can guess what it is. Write a story or a scene about one character playing a prank on another. Writing Prompt: Write a story that involves confusion over homonyms (words that have the same spelling but different meanings) or homophones (words that sound the same but are spelled differently). For World Storytelling Day, share the best story you've ever heard or told by word of mouth, or have a fictional character recount their favorite story. You're making your way down a cobbled street when a stocky, red-bearded man beckons you into an alley. Consider your handwriting, or a character's handwriting.
Create A Plot Outline In 8 Easy Steps By Glen C. Strathy How would you like to create a plot outline for your novel in less than an hour that is emotionally compelling and dramatically sound? It's easier than you think. The secret is to incorporate the 8 Basic Plot Elements. Sound intriguing? I'll describe each of the eight elements in turn. On the other hand, if you already have a draft for a novel, that you're looking to revise, then ask yourself, as we go through these elements, whether you have included them in your story. 1. 15K+Save The first element to include in your plot outline is the Story Goal, which we covered in detail in the previous article, The Key to a Solid Plot: Choosing a Story Goal. For instance, let's say we want to write a story about a 38-year-old female executive who has always put off having a family for the sake of her career and now finds herself lonely and regretting her choices. There are many ways we could involve other characters in this goal. ... a mother who wants her to be happier. 2. 3.
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The Thirty-Six Dramatic Situations The Thirty-Six Dramatic Situations is a descriptive list which was created by Georges Polti to categorize every dramatic situation that might occur in a story or performance. To do this Polti analyzed classical Greek texts, plus classical and contemporaneous French works. He also analyzed a handful of non-French authors. In his introduction, Polti claims to be continuing the work of Carlo Gozzi, who also identified 36 situations. Publication history[edit] “Gozzi maintained that there can be but thirty-six tragic situations. This list was published in a book of the same name, which contains extended explanations and examples. The list is popularized as an aid for writers, but it is also used by dramatists, storytellers and many others. The 36 situations[edit] Each situation is stated, then followed by the necessary elements for each situation and a brief description. See also[edit] References[edit] External links[edit]
6 Ways to Hook Your Readers Although I consider myself an avid reader, I must admit I have a short attention span when it comes to getting into books. If you fail to grab my attention in the first few lines, I start spacing out. Most readers are like me. Here are a few things I find annoying in the first lines of a story: Dialogue. The last thing you want to do as a writer is annoy or bore people. (N.B. 1. Put a question in your readers’ minds. “Those old cows knew trouble was coming before we did.” 2. By starting at an important moment in the story, your reader is more likely to want to continue so he or she can discover what will happen next. “It was dark where she was crouched but the little girl did as she’d been told.” 3. Description is good when it encourages people to paint a picture in their minds. “Last night I dreamt I went to Manderley again.” 4. The promise of reading more about a character you find intriguing will, no doubt, draw you into a story’s narrative. 5. 6.
7 steps to creativity - how to have ideas A guest post by Simon Townley of WriteMindset As a writer, having ideas is one of the most important parts of your craft. But often it seems like one of the most difficult and challenging parts of the whole process. How do you keep ideas flowing? How do you create a wealth of ideas to choose from? Some people like to wait for inspiration to strike. Luckily, there is a formula for producing ideas on a consistent basis. But if you need to produce strong and creative ideas regularly as part of your writing career, then it pays to know the formula, and how to use it. First of all, what is an idea? “An idea is nothing more nor less than a new combination of old elements.” So how do you combine old elements into new? “The capacity to bring old elements into new combinations depends largely on the ability to see relationships.” Young says the ability to see relationships between facts is the most important factor in coming up with ideas. How do you cultivate it? Step 1 – Gather your information
7 Steps for Writing a Novel in Scenes - Live Write Breathe You’ll notice I didn’t include the word “easy” in the title of this post. There are not seven “easy” steps to writing a novel in scenes. It takes hard work. Of course, when you’re not sure of the components that make up a scene, it’s harder to write one. Real Time: Even if you’re writing in third person using past-tense verbs, lay out actions in sequential order. Telling a cohesive story through scenes is an art that, once mastered, will breathe life into your writing. What are your tips for writing scenes? Need a good book to read? DawnSinger, Tales of Faeraven #1 by Janalyn Voigt A headstrong young princess and the guardian sworn to protect her fly on winged horses to the Gate of Life above the Well of Light in a desperate bid to release the DawnKing, and the salvation he offers, into a divided land. Purchase DawnSinger today! ©2013 by Janalyn Voigt