Sehsucht™ Founded in 2000 by a bunch of hungry design addicts, Sehsucht has come to leave its mark as a top-notch quality label in the field of animations and graphics. With the same untiring drive and excitement as back in the early days, we direct and produce cutting-edge digital content for our clients from the creative industries.We count more than 30 design-obsessed individuals that are united in their aspiration to further push the boundaries of storytelling by deploying narrative concepts that deliberately blend commerce with art. Our services encompass the entire creative process for any animation production – starting with the very first idea, through the conception and realization phases, all the way to the final touches. We purposely cross conventional client-supplier borders in order to explore the process as a shared experience, nourishing from strengths that slumber on both sides and multiply to something greater than the mere sum. External Links www.sehsucht.de
Resources BRITDOC Foundation Resources At ❤BRITDOC❤ we want to support documentary makers of all levels. These links and documents are designed to connect you to the organisations you need to know to get your doc funded and make it all happen. We understand that the filmmaking process can be daunting and you need all the help you can get. Writing a Proposal There are many unique approaches to writing a proposal, some more successful than others. pdf Writing a Proposal What to include: Some tips on writing your proposal. Commissioners and Decision Makers The world of documentary commissioning can be hard to keep up with. Our main advice is be nice to decision makers: Follow the application procedures and get to know what kind of things they're looking for - research their remit, both form and content - there's no point pitching a 90 minute war documentary to a commissioner who's looking for 30 minute reality shows. TV MOLE: Return to Top Further Funding Opportunities png
IDFA DocLab 2010 | The official new media program of IDFA, showcasing new forms of documentary storytelling, digital technology and media art. Transmedia Manifest The D-Word: the worldwide community of documentary professionals Webullition Doc House DocHouse & the Frontline Club present Between the Lines Festival | Rich Mix Cinema | 1-3 March 2013 Storytelling in the New Landscape – The Medium and the Message Each technological change in filmmaking has influenced the way stories are crafted. Adapting to these new technologies has repeatedly been presented as a revolutionary new way of storytelling. The first films shot with handheld cameras allowed unprecedented access to events, and later, digital cameras made it cheaper to produce films. Now, with opportunities offered by new media, stories can be told in a non-linear fashion through different platforms, or made interactive. SpeakersMandy RoseCaspar SonnenAlexandre BrachetWilliam Uricchio Between the Lines festival explored the challenges facing documentary makers, investigative journalists and citizen reporters in the new media landscape.
The New Digital Storytelling Series: Brett Gaylor | Open Documentary Lab at MIT The MIT Open Documentary Lab teamed up with Filmmaker Magazine on The New Digital Storytelling Series, a group of interviews with leading digital storytellers, technologists and curators. This interview was previously published on FilmmakerMagazine.com and is reposted with permission. In the sixth part of Filmmaker‘s interview project with prominent figures from the world of transmedia, conducted through the MIT Open Documentary Lab, Brett Gaylor, Senior Director of Mozilla’s Webmaker initiative (including Mozilla PopcornMaker and Popcorn.js) answers our questions. Gaylor has previously been a member of the EyeSteelFilm documentary production company, the founder of Open Source Cinema and the web producer of Homeless Nation. For an introduction to this entire series, and links to all the installments so far, check out “Should Filmmakers Learn to Code,” by MIT Open Documentary Lab’s Sarah Wolozin. MIT Open Documentary Lab: How did you become a digital storyteller?