Character Development: Creative Writing Print version Characters are the most important component of any narrative. Without them, there would be no story. Character development is an important skill to master because characters are important parts of any creative writing from books and short stories, from biographies and autobiographies, to poetry. The development of a character is a very detailed process, and one that requires a lot of thought. According to Candace Schaefer and Rick Diamond (The Creative Writer. Physical Details about the character: Is he/she short, tall, thin, old, etc? Schaefer and Diamond also state that character development is more effective when the author reveals traits about the character through the ways mentioned above and allows the reader to make his/her own judgments, rather than stating character traits directly. Option 2 is a more effective approach because it allows the readers to form judgments about the young boy themselves, rather than simply accepting the author’s word for it. Trackbacks
Guide for Writers: Characters Most stories are remembered for their characters, not specific plot points. If you want to write a memorable story, create memorable characters. They do not need to be believable — they need to be dramatic. It Takes Two Often, the best stories are deceptively simple: there are two main characters for the reader to follow. There is a central character and an opposition character. The central character is the character a reader or viewer “follows” through the story. The opposition character can be “good” or “evil” depending on the role of the central character. Grand Central Characters A grand central character is a complete character. What is the character’s active goal? An active goal is a specific, measurable goal. While the goal is known to the character, his or her emotional need seldom is. The reason the character fails to see a need is usually a character flaw. Finally, as the story progresses you should reveal the backstory of the central character. Creating Characters Write Bios
Mary Sue Test Background A Mary Sue is an unrealistic type of literary character commonly created by inexperienced authors. Although they vary, a typical Mary Sue has an unreasonable number of cool or special traits, especially ones the author wishes he or she had, and they tend to accomplish things too easily, solve problems too neatly, and become the center of attention whether they deserve it or not. This test aims to help authors evaluate whether their characters are in danger of becoming Mary Sues by drawing attention to potentially problematic traits. However, authors should remember that a Mary Sue is a subjective classification. When taking this test, be honest, but keep it in perspective and remember context. The test has seven sections: This test comes from this thread in the Writer's Block subforum on TV Tropes. Section 1: Author Avatars There's nothing wrong with using yourself as the basis for a character. Generally, items in this section score one point each. Scoring Return to top
25 Things You Should Know About Character Previous iterations of the “25 Things” series: 25 Things Every Writer Should Know 25 Things You Should Know About Storytelling And now… Here you’ll find the many things I believe — at this moment! 1. Without character, you have nothing. 2. A great character can be the line between narrative life and story death. 3. Don’t believe that all those other aspects are separate from the character. 4. The audience will do anything to spend time with a great character. 5. It is critical to know what a character wants from the start. 6. It doesn’t matter if we “like” your character, or in the parlance of junior high whether we even “like-like” your character. 7. It is critical to smack the audience in the crotchal region with an undeniable reason to give a fuck. 8. You must prove this thesis: “This character is worth the audience’s time.” 9. Don’t let the character be a dingleberry stuck to the ass of a toad as he floats downriver on a bumpy log. 10. 11. 12. 13. The law of threes. 15. 16. 17. 18.
Names for Villains: 5 Tips to Help You Choose a Name for the Baddie When creating villains, it's all too tempting to give them a name that embodies their evilness. It's important, however, to keep in mind the normal conventions of naming. Names tend to reveal something about location, year, ethnicity, or nationality-not whether a person is destined to be a tyrannical overlord. Always think about the villain's parents. Would they really name their kid "Diablo?" They might if they're mad, but chances are, they wouldn't. That doesn't mean you need to saddle your villain with a name like Ted or Mary, but think about plausibility before naming your villain. Names for Villains Tip 1: Picking a neutral name Like I mentioned earlier, choosing a name based on traditional factors is the easiest way to achieve plausibility. But let's face it. Names for Villains Tip 2: Using evil-sounding names or names with dark meanings Do you want to slyly suggest to your readers your character is a sadistic bastard? Names for Villains Tip 3: Playing with words and languages
How to Write Characters Try Dramatica & StoryWeaver Risk Free* *Try either or both for 90 days. Not working for you? Return for a full refund of your purchase price! About Dramatica and StoryWeaver Hi, I'm Melanie Anne Phillips, creator of StoryWeaver, co-creator of Dramatica and owner of Storymind.com. What They Do Dramatica is a tool to help you build a perfect story structure. How They Do It Dramatica has the world's only patented interactive Story Engine™ which cross-references your answers to questions about your dramatic intent, then finds any weaknesses in your structure and even suggests the best ways to strengthen them. StoryWeaver uses a revolutionary new creative format as you follow more than 200 Story Cards™ step by step through the story development process. How They Work Together By itself Dramatic appeals to structural writers who like to work out all the details of their stories logically before they write a word. Try Both Programs Risk Free! We have a 90 Day Return Policy here at Storymind.
Basic Tips To Write Better (And More Likeable) Badasses Yet another character type that is often poorly-written by amateurs, many badass characters end up becoming completely unlikeable or even despicable. Here are a few tips to keep these characters from going this route. Your character needs to be more than tough and talented. Strong, sexy, smart, skilled, and sassy are all great character traits, but on their own they're going to leave you with a character who is at best forgettable, and at worst completely unlikeable. You build a good badass the same way you build any other character type - by creating a complex, three-dimensional, nuanced character with believable emotions, fears, hopes, vulnerabilities, hobbies, quirks, etc. Don't create a badass who happens to be human; create a human who happens to be badass. Stop and ask yourself: if you took away the skills and talents that make your character badass, do you think anyone would care about or want to associate with your character? Don't create an unstoppable kickass machine.
How Not To Write Female Characters There are already a lot of articles around on how to write female characters. That’s all well and good, but I think it’s a lot less restrictive to have an itemized list of things you shouldn’t do. It also might be easier to digest than lengthy essays. Also, this list is intended for people with more testosterone, but since I’ve seen young female authors screw up their own young female protagonists, estrogenites are perfectly allowed to read this too. Like all my advice, this is subjective, in no particular order, and should be taken with a small pile of grains of salt. I’m going to assume you’re taking your work seriously and expect your readers to do the same. Female characters should be characters first and female second. Some examples of good female characters Hermione Granger (Harry Potter series). I could keep going, and I could pick more and more nits, but I think the above is sufficient for now. Leave comments okay I will give you friendship cookies nomnomnom good.
Fiction Writing Tips - How to Write Fiction Below, you'll find some fiction writing tips to help you create characters that come alive. At the bottom of the page, you'll also find more creative writing resources, including our free online writing courses. Are you losing your mind when a fictional character starts to seem real to you? A friend of mine was heartbroken when X died in Harry Potter 6 (we'll call him X to keep from spoiling the book if you haven't read it yet). Advertisement: Fiction writing tips - Inventing your characters Where do fictional characters come from? Some places to start: Someone you see on the street or in the supermarket. Fiction writing tips - Getting to know your characters To convince readers that your character is a real person, the first step is to convince yourself. The writer Patricia Highsmith confessed to being a little bit in love with her own character, Tom Ripley. Writing character profiles is a great way to get to know your characters so that they start to come to life for you. A warning
Writing Characters | Creative Writing Course In this fifth session in my free creative writing course, we will be looking at writing characters. In creative writing we become, in a way, like God. In short stories, novels and poems, we construct a world then fill it with people who take on a life of their own. Iris Murdoch described a novel as ‘a fit house for free characters to live in’. How far a literary construct can have free will is an ongoing philosophical debate; more pertinent to writers is whether plot should follow character or the other way around. Character, Plot and Message There are three kinds of stories: those that start from character, from plot or from message. A message-driven story is one where a writer starts with an idea or theme (enviromentalism, religion, anti-war etc) then crafts a plot and populates it with types who will best illustrate the message. A character-based story is when the characters are so memorable and well-drawn that the story would not exist without them. Starting from Character Motivation
Basic Tips To Create Better Characters With Tragic & Traumatic Backstories First, ask yourself why you're giving your character a tragic or traumatic backstory. Are you giving your character this backstory to build up/explain what kind of person your character is now? Or are you doing it mainly to make readers or other characters feel sorry for your character, or to make your character seem more badass/tough for having survived the ordeal? Even worse, trauma/tragedy often is used as little more than a device to give an intended love interest a reason to want to lavish care and affection on xir. Benjamin Linus from Lost is a good example of a tragic/traumatic backstory used to good effect. While the effects of the bad things characters in the Harry Potter series go through are not always made explicitly clear, a look into each and every character will show that everything they have gone through has affected them somehow. Ask yourself how much trauma/tragedy your character actually needs. The trauma/tragedy should make sense in-universe.