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Music Cognition Lab - Psychology Department - Tufts University

Music Cognition Lab - Psychology Department - Tufts University
Related:  General Theory

Forums : Off-topic Discussion : Music Theory- The basics updated V7 Introduction Hello there, you may have seen me around The Escapist and most know me as The Rockerfly, I am a musician. I have been playing music for about 10 years and have been writing for 3 years. Now to write music it is useful to have theory however it is NOT essential to writing music however it is useful if you to progress and write things out of your comfort zoneI know it is hard to know where to start with the theory and I find writing this article very difficult so please excuse me if you feel that I have not written it to your standards, every musician has been taught differently so their theory will be different Now introductions are over here are the basics of writing the harmony of a music piece and how to write the lyrics To learn there are, keys, chords, cadence, melody, how to change keys, keys you can go into, writing lyrics, rhythm, texture and writing in certain styles Reading Sheet Music I believe I may have missed out some content. Which, translates to this on a guitar

Musipedia: Musipedia Melody Search Engine Logical Fallacies: The Fallacy Files Harmonic Progressions | Learning and Loving Music Theory - StumbleUpon Kelvin, You actually caught a mistake on the roman numerals! Thanks, I’ll have to fix that. The first and last chords of the progression are not 7th chords. Somehow I inadvertently typed “I7″ on the first chord of all the major keys. In the classical tradition, for the sake of stability, the first and last chords of a circle-of-fifths progression are usually triads, not 7th chords. Harmonic Sequences Part 2 In the jazz tradition all chords usually are 7ths, in which case the progression will start and end with 7th chords. Thanks again for your interest and input. A Jazz Improvisation Primer This is the online version of my text, A Jazz Improvisation Primer. Here you can find information on almost every topic relating to jazz improvisation, from jazz history to music theory to practical advice on playing in a group. A German translation, by Edgar Lins, is online, at There is also a Hungarian translation at provided by Makrai Balázs. A Portuguese translation by Cláudio Brandt can be found at A Jazz Improvisation Primer is brought to you by Outside Shore Music. By the way, this work has been online since 1992, so if parts of it seem a bit dated, that’s why. Contents Appendices Thanks To: Ed Price (, for the conversion of this resource into hypertext!

Jazz scale A jazz scale is any musical scale used in jazz. Many "jazz scales" are common scales drawn from Western European classical music, including the diatonic, whole-tone, octatonic (or diminished), and the modes of the ascending melodic minor. All of these scales were commonly used by late nineteenth and early twentieth-century composers such as Rimsky-Korsakov, Debussy, Ravel and Stravinsky, often in ways that directly anticipate jazz practice.[2] Some jazz scales, such as the bebop scales, add additional chromatic passing tones to the familiar diatonic scales. One important feature of jazz is what theorists call "the principles of chord-scale compatibility": the idea that a sequence of chords will generate a sequence of compatible scales. [One] can get a good sense of the difference between classical and non-classical harmony from looking at how they deal with dissonances. Modes of the major scale[edit] Pattern of whole and half steps in the major scale Bebop scales[edit] Play . Play . Play .

( Research Notes: Tuning Forks and Megalithic Technology 05/11/2010 ↳ science Officially, tuning forks were invented in 1711 by John Shore, a British Musician. Unofficially, their existence traces back to ancient Celtic and Egyptian times. Nowadays they are used mainly for testing hearing, tuning musical, keeping time in a quartz watch, and teaching the principles of vibration and resonance in the classroom. The alternative health community uses tuning forks for healing purposes. But what did the ancients use them for? First consider this photo of the Abernethy Pictish Stone in Perthshire, Scotland: There you clearly see a tuning fork and hammer. To the right of the fork is what looks like an anvil, ax-head, or horn. A horn loudspeaker is a complete loudspeaker or loudspeaker element which uses a horn to increase the overall efficiency of the driving element, typically a diaphragm driven by an electromagnet. It’s also worth mentioning that this stone is positioned right in front of a round stone tower. Sonic Drilling is length of rod (m)

Interactive Circle of Fifths User's Guide The Interactive Circle of Fifths ("the Circle" for short) is a tool designed to help musicians to: figure out the key of a piece of music easily transpose music to a different key compose new music understand key signatures, scales, and modes The concept of the circle of fifths is not a new one (see this Wikipedia article for more information), but there is more to this simple, yet profound structure than the traditional diagram can easily convey. Using the Circle Offline: You can easily download a copy of the Circle to use when you don't have an Internet connection: If you use Internet Explorer or Opera: Use the Save As... command in the browser's File menu, and save as type "Web Archive, single file (*.mht)". If you use Safari: Use the Save As... command in the browser's File menu, and save as format "Web Archive". The Circle starts out with the key of C Major selected. (seven sharps) through C (seven flats). Phrygian?) Note on Minor Keys: The Mode table contains the entry "N. Example 2: