12 Common Poetry Forms - English More often than we know it, we come across a number of poems. Whether it is in a commercial, movie, or recited by a significant other, poems are forms and conventions to expand the literal meaning of the words, or to evoke emotional or sensual responses. The history behind poetry has quite an interesting story. Poetry as an art, may out date literacy itself. Specific poetic forms have been developed by many cultures, and can be found on monoliths, rune stones, and stelae. In prehistoric and ancient societies, poetry was used as a way to record cultural events or to tell stories. More recently, a Polish historian of aesthetics by the name of Tatakiewicz wrote in The Concept of Poetry, "Poetry expresses a certain state of mind." Various cultures have developed many forms of poetry. Here is a complete list. Aside from the numerous types, it is important to keep in mind the many techniques as well. 1. 2. 3. 4. 5. The pantoum is a rare form of poetry similar to a villanelle. 6. 7. 8. 9. 10.
The Poetry Society (Home Page) Boxes | language garden “What has been will be again, what has been done will be done again; there is nothing new under the sun.” Ecclesiastes 1:9 Scott’s recent post was about ideas and whence they came. Have you ever done a crossword, or got your learners to make one in class? Make a bendy crossword here! Word searches are the same, but have been stuffed full of distracters. Have you ever used ditto marks? Never use ditto marks again! Have you ever seen those pictures children make with words, like a snail’s shell with words curled round and round and a thin slither sticking out for its body? Make a snail picture here! Grammar boxes. Collocation boxes are the same, just not so big. Make your own collocation box here! Then there’s Wordle and its spin-off, Tagxedo, which many of us seem to like. I want to put the words where I want! Have you ever made a Mind Map ©? Make a mind map here! After all, don’t they say, think outside the box? Do what Fiona’s done here (if she’ll allow you) Like this: Like Loading...
How to Stay Inspired (for Writers and Artists): 12 steps (with pictures) Edited by AJ Knight, Krystle, Amanda, Brendan and 11 others Creative inspiration is magical when you have it and frustrating when you don't. For anyone who has had writer's block, who struggles with agent rejections, or who has thrown in the paintbrush, here are some fresh perspectives on what creativity really means. Art is a passion that has many forms of expression. Ad Steps 1Go to writing or art critique groups. 12And the most important words to inspire you are: Just do it. Tips Re-think your eating habits.
Nurturing the Omnivore: Approaches to Teaching Poetry by Eileen Murphy Portion of "Keeping it PG", courtesy Todd Berman, theartdontstop.org. “And gladly wolde he lerne, and gladly teche”—Geoffrey Chaucer After the November day when Marco and his group performed “The Raven,” he began bringing books to class, something he hadn’t done before. Now “The Raven” was good, but it was no miracle worker. Marco is why I teach poetry. How to teach it? When the privileged muse of yore swung into the modern classroom, traditional read-write approaches made her look old, even oppressive. Regardless of where one might fall in this debate, everyone must agree that teaching poetry is an opportunity to nurture powerful readers of all genres. Read/Write/Discuss: From Comfort to Close Reading Dr. Eliciting initial student response is the best way to begin. Allowing students to generate the discussion is the key. Of course, there should also be time for close readings and re-readings about the meaning of a text. First and foremost, this apprenticeship is an oral one.
How to Use Commonly Misused Words Steps Method 1 of 17: "Affect" and "Effect" 1Use “effect” as instructed."Effect" is a noun referring to something that happens as a result of something else. E.g., "The antibiotic had little effect on the illness."" 2Use “affect” as instructed.The verb "affect" means to change something in some way. Method 2 of 17: "Anxious" and "Eager" 1Use "anxious” as instructed.When followed by a gerund (the "–ing" verb form), anxiousness refers to anxiety, not pleasant feelings such as enthusiasm or excitement. 2Use “eager” as instructed.Eagerness conveys enthusiasm and is followed with an infinitive.Ex. Method 3 of 17: "Convince" and "Persuade" 1Use “convince” as instructed.Convince a person of the truth or validity of an idea.Follow “convince” with "that" or "of." 2Use “persuade” as instructed.Persuade a person to take action.Follow "persuade" with an infinitive (“to” and the verb).Ex. Method 4 of 17: "Could of" and "Could have" 1Use “could” with “have.” Method 5 of 17: "Decimate" and "Devastate" Tips Ad
Book Spine Poetry vol. 3: New York donating = loving Brain Pickings remains ad-free and takes hundreds of hours a month to research and write, and thousands of dollars to sustain. If you find any joy and value in it, please consider becoming a Member and supporting with a recurring monthly donation of your choosing, between a cup of tea and a good dinner: (If you don't have a PayPal account, no need to sign up for one – you can just use any credit or debit card.) You can also become a one-time patron with a single donation in any amount: labors of love Things Writers Should Know Previous iterations of the “25 Things” series: 25 Things Every Writer Should Know 25 Things You Should Know About Storytelling And now… Here you’ll find the many things I believe — at this moment! 1. Without character, you have nothing. 2. A great character can be the line between narrative life and story death. 3. Don’t believe that all those other aspects are separate from the character. 4. The audience will do anything to spend time with a great character. 5. It is critical to know what a character wants from the start. 6. It doesn’t matter if we “like” your character, or in the parlance of junior high whether we even “like-like” your character. 7. It is critical to smack the audience in the crotchal region with an undeniable reason to give a fuck. 8. You must prove this thesis: “This character is worth the audience’s time.” 9. Don’t let the character be a dingleberry stuck to the ass of a toad as he floats downriver on a bumpy log. 10. 11. 12. 13. The law of threes. 15. 16. 17. 18.
Word Mover Grades 3 – 5 | Lesson Plan | Standard Lesson Poetry from Prose Working in small groups, students compose found and parallel poems based on a descriptive passage they have chosen from a piece of literature they are reading. Playing with Prepositions through Poetry Students play with and explore prepositions during a whole group reading of Ruth Heller’s Behind the Mask, and then by composing and publishing prepositional poems based on the book’s style. Grades 9 – 12 | Lesson Plan | Standard Lesson Finding Poetry in Prose: Reading and Writing Love Poems After reading several poems that expand the definition of love poetry, students compose found poems based on a personal memoir—either their own or a love story of another writer. Grades 6 – 8 | Lesson Plan | Standard Lesson Found Poems/Parallel Poems Students compose found and parallel poems based on a descriptive passage they have chosen from a piece of literature they are reading. Grades K – 2 | Lesson Plan | Standard Lesson Word Mover Dr.
Poem Starters and Creative Writing Ideas Enter your e-mail to get the e-book for FREE. We'll also keep you informed about interesting website news. "I have searched the web and used different worksheets, but none have come close to your worksheets and descriptions of (what to do and what not to do). Both courses I have taken have with Creative Writing Now have been amazing. Each time I have learned something new. "As usual - I already love the course on Irresistible Fiction, rewriting a lot and improving greatly even after the first lesson. “Essentials of Fiction proved that I could indeed write and I wrote every day, much to my boyfriend's dismay (waa sniff).” - Jill Gardner "I am loving the course and the peer interaction on the blog is fantastic!!!" "I'm enjoying the weekly email course, Essentials of Poetry Writing. "Thank you for all the material in this course. "I was pleasantly surprised at the quality of the lessons and feel they were very helpful in introducing new ideas and perspectives to my writing.
iF Poems Strategy List: 35 Dimensions of Critical Thought S-1 Thinking Independently Principle: Critical thinking is independent thinking, thinking for oneself. Many of our beliefs are acquired at an early age, when we have a strong tendency to form beliefs for irrational reasons (because we want to believe, because we are praised or rewarded for believing). Critical thinkers use critical skills and insights to reveal and reject beliefs that are irrational. In forming new beliefs, critical thinkers do not passively accept the beliefs of others; rather, they try to figure things out for themselves, reject unjustified authorities, and recognize the contributions of genuine authorities. If they find that a set of categories or distinctions is more appropriate than that used by another, they will use it. Independent thinkers strive to incorporate all known relevant knowledge and insight into their thought and behavior. S-2 Developing Insight Into Egocentricity or Sociocentricity S-3 Exercising Fairmindedness S-6 Developing Intellectual Courage
The Poetry App Themes & Things To Keep In Mind When Writing Fantasy Stories and Adventures » Daily Encounter This list is far from complete. It’s not even trying to be complete. It knows better than that. It just wants to be helpful and provide some inspiration here and there; you know, offer little suggestions that might lead to bigger ideas. (Especially by using the words offered as Wikipedia searches!) Feel free to make suggestions in the comments! Weather Natural: sunlight, rain, snow, hail, fog, humidity, moonlight, wind, smoke, clouds, shadows, overcast skies, clear skies, lightning, hurricanes, tornadoes, moon in sky during daytimeFantastic: summoned weather, unnatural coloration (eg. green fog) Terrain Changes Landmarks Natural: stone outcropping, lightening struck trees, large boulders, waterfallsArtificial: lone buildings (eg. towers, houses, barns), statues, signs/markers, border wallsFantastic: large skeletons (eg. dragons, giants) After-Effects of Events Tricks Cultures Mysticism Events Unfolding Harsh Situations fatigue, hunger, thirst, extreme temperaturesenemy territories (invading?