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Haraway-cyborg manifeto

Haraway-cyborg manifeto
SCIENCE, TECHNOLOGIE ET FÉMINISME SOCIALISTE À LA FIN DU XXe SIÈCLE * Donna Haraway Rêve ironique d’une langue commune pour les femmes dans le circuit intégré. Je vais tenter ici de construire un mythe politique ironique qui soit fidèle au féminisme, au socialisme et au matérialisme. Le cyborg est un organisme cybernétique, hybride de machine et de vivant, créature de la réalité sociale comme personnage de roman. La science-fiction contemporaine est peuplée de cyborgs, créatures à la fois animal et machine qui habitent des univers ambigus à la fois naturels et fabriqués. Je plaide pour une fiction cyborgienne qui cartographierait notre réalité corporelle et sociale, une ressource imaginaire qui permettrait d’envisager de nouveaux accouplements fertiles. La fin du XXe siècle, notre époque, ce temps mythique est arrivé et nous ne sommes que chimères, hybrides de machines et d’organismes théorisés puis fabriqués; en bref, des cyborgs. Il en va de même pour la race. Related:  Théories

The essential feminist manifestos Does a piece have to be called a manifesto to be a manifesto? In a tradition as powerful and rooted in argument – which is, after all, what manifesting is all about – as feminism is, we think not. From radical second-wave tracts to viral tumblr treatises, here are our top ten picks for pro-woman proclamations. Penned in 1967 by the woman who would shoot Andy Warho the following year, the SCUM Manifesto ("SCUM" possibly stands for "Society for Cutting Up Men") epitomises everything you think when you hear the word "manifesto": outrageous, incendiary, a demand for action. Subtitled "The Case for Feminist Revolution", this radical 1970 book focuses on how the biological differences between guys and gals caused the large-scale inequalities perpetuated in our culture. Essentially a list of feelings outlined in simple language, this Tumblr entry posted last April by the imitable musician has generated nearly 20,000 notes, serving as a feminist statement that is unapologetic yet accessible.

abstractmachine The Card Players Over the past few months, in preparation for our Book of Eniarof crowdfunding campaign, we have been exploring the use of playing cards as a method for designing and developing games, concepts, attractions, and playful art objects of various ilk. There is a curious sub-history of the use of playing cards in artistic production; it is one of the more interesting of the obscure subjects of art, but can also become the objet d’art itself (play as œuvre). Continue reading « The Card Players » Graphisme Algorithmique Continue reading « Graphisme Algorithmique » Game Gazer Continue reading « Game Gazer » UCLA Gamelab Continue reading « UCLA Gamelab » Play|Mobile Continue reading « Play|Mobile » Artifactual Playground In 1958, the American physicist William Higinbotham created what is one of the first instances of what we would today call a modern “video game”. Continue reading « Artifactual Playground » Boot Camp Continue reading « Boot Camp » Swiss Game Lounge Unterplay Exhausting gameplay

22 Things Only Women's And Gender Studies' Majors Understand Le dernier blog juin 14th, 2018 Posted in Lecture | 15 Comments » Il y a des livres qu’il faut relire de temps à autre, car ils sont capables de résonner avec chaque nouvelle période de l’histoire. Le 1984 de George Orwell (1949) est l’un d’eux. J’ai eu le plaisir d’être invité par Xavier de la Porte pour à en parler au micro de son émission l’Heure de Pointe, sur radio Nova. Une demi-heure d’émission ce n’est pas très long alors j’ai écrit le présent billet en complément. Je m’y suis astreint à commenter le livre et les thématiques qu’il m’évoque, sans pour autant en faire un résumé qui éventerait le contenu. Une nouvelle traduction Cette année, les éditions Gallimard publient une nouvelle traduction du livre, signée par Josée Kamoun (qui a entre autres traduit Philip Roth, John Irving, Jonathan Coe…), traduction qui fait un peu de bruit puisque ses partis-pris littéraires sont tout sauf anecdotiques. It was a bright cold day in April, and the clocks were striking thirteen. La Novlangue

The Big Feminist BUT: The Caveats of Gender Politics in Comics by Maria Popova “There’s both liberation and possibility in pointing out that you’re not a sellout or a coward for refusing to adopt a label that doesn’t quite name your experience.” “Feminism is too important to be discussed only by academics,” Caitlin Moran wrote in her excellent How to Be a Woman and, indeed, gender politics permeate everything from our language to our capacity for love to our economy to how kids come to see the world. Luckily, Moran’s point comes wonderfully alive in The Big Feminist BUT: Comics about Women, Men and the Ifs, Ands & Buts of Feminism (public library) — a magnificent Kickstarter-funded collection of “the ideas, experiences and impressions of individual cartoonists and writers at a very specific moment in time,” titled after the all-too-familiar caveat of “I’m a feminist, but…” (or, occasionally, “I’m not a feminist, but…”). By Emily Flake 'Feminist, adj' by MariNaomi Shannon O’Leary writes in the introduction: 'Queer, Eh?' 'Boy's Life' by Andi Zeisler

Le "male gaze" (regard masculin) Après l’article de Thomas la semaine dernière sur le « slut-shaming », on continue avec les concepts féministes difficilement traduisibles. To gaze signifie en effet « regarder fixement », « contempler »; on peut le traduire par « regard masculin », que j’emploierai alternativement avec l’expression anglaise. Issu de la critique cinématographique, ce concept est devenu central dans le vocabulaire du féminisme anglophone. Le « male gaze » peut en effet être étudié au cinéma, mais aussi dans d’autres domaines de la culture visuelle (BD, publicité, jeux vidéo…). Origines du concept: Laura Mulvey, « Visual pleasure and Narrative cinema » En 1975, la critique de cinéma Laura Mulvey forge et définit le concept dans un article intitulé « Plaisir visuel et cinéma narratif ». Mulvey distingue trois types de regards: celui de la caméra sur les acteurs et actrices, celui du public regardant le produit final, et celui des personnages se regardant les uns les autres au sein du film. Jeux vidéo

Simone de Beauvoir Explains “Why I’m a Feminist” in a Rare TV Interview (1975) In Simone de Beauvoir’s 1945 novel The Blood of Others, the narrator, Jean Blomart, reports on his childhood friend Marcel’s reaction to the word “revolution”: It was senseless to try to change anything in the world or in life; things were bad enough even if one did not meddle with them. Everything that her heart and her mind condemned she rabidly defended—my father, marriage, capitalism. Marcel’s fearful fatalism represents everything De Beauvoir condemned in her writing, most notably her groundbreaking 1949 study, The Second Sex, often credited as the foundational text of second-wave feminism. In the 1975 interview above with French journalist Jean-Louis Servan-Schreiber—“Why I’m a Feminist”—De Beauvoir picks up the ideas of The Second Sex, which Servan-Schreiber calls as important an “ideological reference” for feminists as Marx’s Capital is for communists. Yes, that formula is the basis of all my theories…. Related Content: Free Online Philosophy Courses

« Je ne suis pas féministe mais…  | «notachocolatecake « Je ne suis pas féministe mais… » « Je ne suis pas féministe mais… » : Le féminisme est un terme qui semble mettre certaines personnes mal à l’aise, hommes et femmes confondus. « Etre féministe », parlons-en… … On oublie ! Mais si vous êtes anglophones, enjoy ;-) [mise à jour le 12.04.2013] En effet, le texte que je m’étais permise de traduire librement de l’anglais – et dont la source se trouve en cliquant sur le lien ci-dessus – est contesté par son auteure pour des questions de droits. Yeaaahhh ! Cela dit, il me semble que défendre et promouvoir le féminisme impliquerait aussi de savoir ouvrir la discussion sur le thème avec un plus grand nombre en tissant des liens au delà des frontières… [Mise à jour le 14.04.2013] «Le féminisme n’est pas un gros mot. Les Dégenreuses nous donnent une petite définition pour mettre les choses à plat: «Le féminisme, c’est un ensemble d’idées dont le but est de réfléchir sur la place des femmes dans la société et de militer pour leurs droits. J'aime :

Women's Studies: Feminist Theory French Feminists Suggestions and submissions for publication on this page are welcome, see our Call for Contributions. Reviews of Feminist Theory Books Reviews published in online journals (mostly PostModern Culture). Women in Philosophy Gallery Images of women philosophers and theorists - slow loading, be patient. The Agony of Feminism: Why Feminist Theory Is Necessary After All Essay by Nina Baym, Jubilee Professor of Liberal Arts & Sciences, U. Anne Balsamo - An Interview on the occasion of her presentation, "Cyberflesh: World Wide White Wash" on 28 April 1997. " My project, whether it has been body building or cosmetic surgery or the Web itself, has been trying to investigate how these technologies have been taken up and the way in which they work and the way they function institutionally." Approaches to Feminism Association for Feminist Ethics and Social Theory (FEAST) Back to the Future: Marriage as Friendship in the Thought of Mary Wollstonecraft Bat Kol: A Feminist House of Study Mary T.

Don’t blame Emma Watson’s speech for liberal feminist failures. | Laura McNally Emma Watson’s speech isn’t the problem. The problem is liberal feminism. Emma Watson’s speech at the UN has made headlines worldwide. It wasn’t a bad speech. Several feminists have already addressed some of the problematic aspects of her speech. But as a woman who is most concerned with women’s liberation, I acknowledge that Emma Watson has created more awareness in ten minutes than I could in my lifetime. So you know what is more problematic, male-centric, and piecemeal than Emma Watson’s speech? Liberal feminist analysis. The liberal feminist movement argues sexist objectification and violent pornography can be feminist, but that Emma Watson’s speech was barely sufficient.Liberal feminism frames sexual violence in porn as an empowered choice for women.Liberal feminism responds “not all porn” in the same way sexists respond “not all men” when we talk about male violence and misogyny. Yet now, I hear, the liberal feminist movement is upset because Emma called upon men in her speech.

Cute as Subversive (originally posted on my tumblr) Eline and I have had on and off conversations regarding the cute aesthetic for a couple of months. I was reminded yesterday when my boyfriend jokingly referred to me as tsudere and then it delved into a serious conversation about how cuteness could possibly be a subversive thing depending on what is going on (he tried to argue that Kyary Pamyu Pamyu was not subversive, and someone that Jun Togawa would be against, but I argued the opposite). I think cuteness is a bad thing when its infantilizing. See Hayao's Miyazaki's comments on moe and otaku fetishization of cute lady and girl characters in anime/manga/idol culture: It's difficult. In Western culture, it's a bit different, but of the same thing. White women who are labeled as infantilized also come with another layer to their identity: they are sexualized. So what does cuteness look like if it is subversive? Cuteness may have usefulness in some circumstances.

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