background preloader

Marfa Girl (2012)

Marfa Girl (2012)
ADAM – COVER AND PAGES FROM OUT OF ORDER MAGAZINE #2 – OUT NOW. Pickup copies of the issue at Opening Ceremony + Fivestory in NYC and Colette in Paris, as well as all major magazine newsstands. http://outofordermag.com/ Set in the art-meets-Americana town of Marfa, Texas, Marfa Girl features a breakout performance from Adam Mediano, a teenage kid (and non-professional actor) whom Clark spotted skateboarding one day. The charisma that Clark saw in Adam inspired the shooting of the film. The portraits that follow are the first ones that Clark ever took of Adam and the first digital photographs that he has produced.- DORIAN GRINSPAN

http://larryclark.com/

Related:  Photographers

Arthur Tress Arthur Tress is a notable American photographer born on November 24, 1940 in Brooklyn, New York. He is well known for his staged surrealism[1] and exposition of the human body. Education[edit] Abraham Lincoln High School, Coney Island, New YorkB.F.A. Bard College, Annandale-on-Hudson, NYFilm School in Paris France Currently resides in Cambria, California Cindy Sherman: Me, myself and I I give Cindy Sherman the once-over. Then the twice- and thrice-over. I know I'm staring more than is right but I can't help myself. I'm looking for clues.

Nan Goldin on artnet Nan Goldin (American, born ) Nan Goldin Jimmy Paulette and Taboo! in the bathroom, NYC Rosier Gallery Thinking Imogen Cunningham. 04 12 1883 Imogen Cunningham was born on April 12th 1883 in Portland, Oregon. In 1991, she purchase her first camera, 4x5 inch view camera but soon she had no interest and sold the camera to her friend. Not until she found the work of Gertrude Kasebier, she started to take picture again. Interview with Raymond Depardon Manhattan, NYC, 1980, from Manhattan Out Direct To Film – Interview with Artist Raymond Depardon By Miriam Rosen, Originally Published, Artforum, February 2001 Raymond Depardon talks like he photographs, like he films, like he writes: profusely. And the torrent of words is intensified by the singular sound of his voice, always slightly hoarse, out of breath, and devoid of Parisian preciosity.

Adam Jeppesen Return of the Real /Niels Borch Jensen & Gallery Taik, Berlin / January17th – March 21st Paris Photo 2013/ Paris / November 14th – November 17th / with Peter Lav Gallery Lianzhou Foto / Lianzhou, Guangdong, China / November 23rd – December 12th more news at facebook.com/adamjeppesen untitled · october 11th (pt1), 79 x 55 cm Sally Mann Sally Mann is an American photographer, best known for her large black-and-white photographs—at first of her young children, then later of landscapes suggesting decay and death. Early life and education[edit] Born in Lexington, Virginia, Mann was the third of three children and the only daughter. Joel-Peter Witkin Joel-Peter Witkin is a photographer whose images of the human condition are undeniably powerful. For more than twenty years he has pursued his interest in spirituality and how it impacts the physical world in which we exist. Finding beauty within the grotesque, Witkin pursues this complex issue through people most often cast aside by society -- human spectacles including hermaphrodites, dwarfs, amputees, androgynes, carcases, people with odd physical capabilities, fetishists and "any living myth ... anyone bearing the wounds of Christ."

Tim Hetherington Trust British, 1970 — 2011 Tim Hetherington’s mission to create a better understanding of the world cast him in many roles: photojournalist, filmmaker, human rights advocate, artist and a leading thinker in media innovation. After graduating from Oxford in 1992 with a degree in Classics and English he began a deep exploration of visual media as a tool to explore and communicate the issues that fascinated him. With a second degree in photojournalism from Cardiff University (1997) he worked initially for the UK press and soon branched into international coverage. Working and living in Africa for many years he explored the consequences of conflict and quickly came to document conflict itself before delving deeper to understand the origins and causes of violence.

Jan Banning Jan Banning (born 4 May 1954, Almelo)[1] is a Dutch photographer and artist. Banning was born in the Netherlands from Dutch-East-Indies parents. He studied social and economic history at the Radbout University of Nijmegen, and has been working as a photographer[2] since 1981. A central theme of Banning's practice is state power, having produced series about the long-term consequences of war and the world of government bureaucracy. His Dutch East Indies’ roots are expressed in his choice of subjects, such as Indonesian women who were forced to become prostitutes for the Japanese army during the Second World War in ‘Comfort Women’; or former forced labourers in South East Asia during the same period in ‘Traces of War: Survivors of the Burma and Sumatra Railways’; also the repatriation of elderly Moluccans from the Netherlands to the Indonesian Moluccas in ‘Pulang: Back to Maluku’.

Sebastiao Salgado By Matthew L. Wald;Published: June 9, 1991 Putting out oil well fires is a dirty, miserable, dangerous, all-absorbing business. Conscientious Conscientious is a website dedicated to contemporary fine-art photography. It offers daily profiles of photographers, in-depth interviews, exhibition and book reviews, and general articles about photography and related issues. More detailed contents – such as the interviews and longer articles, including contributions by guest writers – can be found in the "Extended" section. Contents from Conscientious has been re-published on numerous websites and print magazines nationally (Orion Magazine, Spot, etc.) and internationally (Yvi Magazine, Chinese Photography Magazine, etc.). Founder and editor Jörg M. Colberg began publishing Conscientious in 2002.

Visual artists f & d c a r t i e r f&d cartier > CV f&d cartier >2 artist books> Wait and See, 2013 & f & d c a r t i e r R O S E S, 2006 Françoise Cartier (1952) and Daniel Cartier (1950), exhibit as f&d cartier and live in Biel/Bienne, Switzerland Since 1995, the visual artist couple merged their practices –plastic arts & photography- to move toward new approaches. Examining two indispensable prerequisites for photography - light and sensitive paper – they opt for “camera-less” combined with “found-objects” concepts, resulting in photo-graphics in the literal sense: the light draws a unique image on sensitive photographic paper, without being bundled by any lens.

Related: