Gilbert Garcin - Artiste Photographe FormART, bureau de production pour le spectacle vivant - bureau-formart.org - Agences de production de spectacles Agences de production de spectacles : bureau-formart.org FormART s'adresse à des compagnies, des équipes artistiques, des structures culturelles (scènes, festivals, associations...) et des collectivités. La structure intervient dans les domaines suivants : - Administration de production pour les créations - Maîtrise administrative globale de projet, montage de dossier, prévisions, budgétisation, suivi de trésorerie, comptabilité, contrats, payes, planification et suivi de la production, bilan. - Diffusion pour le spectacle vivant et gestion de tournées - Mise en place d'une stratégie de diffusion, prospection, négociation, régie et suivi de tournée, gestion des obligations légales liées aux déplacements et engagements à l'étranger. - Conseil juridique et financier - Aide à la création, aide à la structuration et au développement, stratégie, organisation et mise en place d'outils administratifs et de logiciels. - Autres services à la demande - secrétariat pour les artistes, ...
Cindy Sherman: Me, myself and I I give Cindy Sherman the once-over. Then the twice- and thrice-over. I know I'm staring more than is right but I can't help myself. I'm looking for clues. She's a Hitchcock heroine, a busty Monroe, an abuse victim, a terrified centrefold, a corpse, a Caravaggio, a Botticelli, a mutilated hermaphrodite sex doll, a man in a balaclava, a surgically-enhanced Hamptons type, a cowgirl, a desperate clown, and we've barely started. In front of me is an elegant woman with long, blond hair and soft features. Sherman emerged fully formed on the New York art scene in the early 1980s with a series of untitled film stills. We meet at Sprüth Magers, a tiny gallery in central London that is holding an exhibition of her new work. She smiles, and says it was always that way. She grew up in Long Island, New York, the youngest by far of five children. Nobody in the family thought her dressing up was strange. Did she go round chippily telling her parents it wasn't her fault, and she didn't ask to be born?
Gregory Crewdson Gregory Crewdson (born September 26, 1962) is an American photographer who is best known for elaborately staged[1] scenes of American homes and neighborhoods. Life and career[edit] Crewdson in 2007 Crewdson was born in the Park Slope neighborhood of Brooklyn, New York. As a teenager, he was part of a punk rock group called The Speedies that hit the New York scene. In the mid 1980s, Crewdson studied photography at SUNY Purchase, near Port Chester, NY. Crewdson is represented by Gagosian Gallery worldwide and by White Cube Gallery in London.[5] Style[edit] Untitled photo from Crewdson's series Beneath the Roses (2003–2005) Photography books[edit] Hover: Artspace Books, 1995, ISBN 1891273000Twilight: Photographs by Gregory Crewdson, with essay by Rick Moody: Harry N. Exhibitions[edit] References[edit] Jump up ^ Campany, David (2008).
♒ THIS CAN NOT BE WRITTEN DOWN. © SELECTED WORKS BY NICO KRIJNO. ♒ All images © 2013 HAPPY TABS ♒ Projet Lemnarama, pour s’entraider sur facebook Lemnarama, s'entraider sur facebook devient simple et amusant 3 à 15 fois par semaine, nous nous posons des questions pour lesquelles des recherches sur Google sont moins pertinentes que les conseils d’amis qui nous connaissent. Les réseaux sociaux pourraient devenir alors des outils très puissants s’ils n’étaient pas si bruyants. Les 500 millions d’utilisateurs de Facebook publient en effet plus de 70 millions de statuts chaque jours et il en va de même sur Twitter : la tendance s’accélère avec le développement de l’internet mobile. Précisément, Lemnarama se propose de récupérer toutes les demandes d’aide dans ces océans du micro-blogging : valoriser les besoins, simplifier la vie de ceux qui veulent aider et de ceux qui veulent dire merci. Derrière ces pratiques de social gaming, nous souhaitons installer une monnaie complémentaire virtuelle, dédiée à l’échange amical. Pour cela, le projet prendra la forme d’un social business. A quoi serviront les sommes collectées ?
Interview with Raymond Depardon Manhattan, NYC, 1980, from Manhattan Out Direct To Film – Interview with Artist Raymond Depardon By Miriam Rosen, Originally Published, Artforum, February 2001 Raymond Depardon talks like he photographs, like he films, like he writes: profusely. Photo reporter at the age of eighteen for a leading French news agency, cofounder of the pathbreaking Gamma photo agency in 1967, member of the venerable Magnum agency since 1979, the precocious foreign correspondent and sometime paparazzo turned photographer-filmmaker now has to his credit some twenty-five books (photos and texts) and thirty-five films (long and short, documentary and fiction), not to mention commercials and public service ads. Manhattan, NYC, 1980 from Manhattan Out A small book called Notes (1979) is often signaled as Depardon’s first “break” with conventional photojournalism because of the disarmingly personal, diary-like texts accompanying images of a two-month trek from one war (in Lebanon) to another (in Afghanistan).
Home Navires des compagnies françaises de Marine Marchande : image 9464 document imprimé depuis le site frenchlines.com le 9 avril 2014 à 0:38 Navires des compagnies françaises de Marine Marchande - (image 9 / 499) Ville de Didjelli (Schiaffino). référence French Lines : 9464fonds : Compagnie des Messageries Maritimessupport : photographieformat et coloration : noir et blanc 13,8x8,8auteur : copyright : référence archives : 1997 002 4628date du sujet : date de l'oeuvre : ligne : navire : Ville de Djidjelli (Schiaffino)/lieu : nom propre : Schiaffino (Compagnie) Tous les éléments reproduits sur ce site Internet(affiches, logos, photographies, textes, charte graphique, typographie...) protégés par le code de la propriété intellectuelle et par le code civil appartiennent à l'Association French Lines. in 0.029728 sec.
Joel-Peter Witkin Joel-Peter Witkin is a photographer whose images of the human condition are undeniably powerful. For more than twenty years he has pursued his interest in spirituality and how it impacts the physical world in which we exist. Finding beauty within the grotesque, Witkin pursues this complex issue through people most often cast aside by society -- human spectacles including hermaphrodites, dwarfs, amputees, androgynes, carcases, people with odd physical capabilities, fetishists and "any living myth ... anyone bearing the wounds of Christ." His fascination with other people's physicality has inspired works that confront our sense of normalcy and decency, while constantly examining the teachings handed down through Christianity. His constant reference to paintings from art history, including the works of Picasso, Balthus, Goya, Velásquez and Miro, are testaments to his need to create a new history for himself.
— revolution through relaxation — CV creatifs Feb 16 2011 When applying for a job, a designer’s résumé is of utmost importance. This is precisely what should be attention-grabbing and creatively designed. This portrays the level of creativity and also aids in standing out from the rest who also happen to be applying for the same position. We hope that these creative résumés will inspire and encourage you to think out of the box and redesign your application papers with sucess. To help you get ready for your job interview, you can read here to find out how to prepare well. Unusual Résumés Curriculum Vitae by Jonny-Rocket Attraction is the standard. Matthew Villalovos What a catalogue of foods. Francis Homo This unique style of a résumé shows the human mind supremacy of thinking out of the box. Chuck D Lay Résumé Incomparable style of work which shows the worth and skills of the artist: Joe Kelso presents…! Résumé by Pau Morgan Creatively designed résumé that looks eye-catching and attracts the whole attention of all: F. H. (ik)
Sebastiao Salgado By Matthew L. Wald;Published: June 9, 1991 Putting out oil well fires is a dirty, miserable, dangerous, all-absorbing business. In the Greater Burgan Oil Field in Kuwait, burning oil wells noisily spew noxious 40-foot-high geysers of oil and gas into the air. Up close, the din and stench and heat is almost overwhelming. Seven days a week, firefighters struggle with hand tools to remove twisted metal and expose an undamaged piece of pipe, to which they can attach a new wellhead. On a recent day, things are going badly, although nobody quite wants to say so. Each man at the well drifts away from the roaring geyser and walks to the newcomer, bending to shout a greeting in his ear. On the face of it, the firefighters and Sebastiao Salgado, the photographer, have little in common. Dave Wilson, an oilfield engineer and art photography collector, is perhaps the only American working there who is familiar with Salgado's work. The closest Salgado got to Kuwait before this recent trip was Iraq.