Understanding The Difference Between Type And Lettering Finding Alternative Sources Of Typographic Layout In Our Surroundings - Smashing Magazine Advertisement Studying art and design usually starts with a deep exploration of elements and principles. Among these elements, the most basic ones — line, point and plane — usually figure in a work of art or design. Thus, we can abstract art and design compositions to lines, points and planes when analyzing them. Not only is this abstraction useful for understanding the structure of a composition, but it also offers new sources of layout inspiration and experimentation. The Framework Of Sources For Typographic Layout According to Wucius Wong in his book Principles of Form and Design (page 42), point, line and plane can be considered conceptual design elements because, although they are not always explicit or visible, they seem to be present by implication. In most art and design classes, students are asked to analyze the structure of a painting or design in order to better understand principles of organization. Learning To Abstract What We See Here we have a worm’s-eye view of buildings.
How to Use Icon Fonts in Your Website Icon fonts are quickly becoming a web design trend and there is a good reason for that. Creating icons with icon fonts gives designers the ability to manipulate the icons with CSS. The days of creating two different icon images for rollovers or effects are long gone. Aside from giving designers and developers more control, icon fonts also offer many features that bitmap image icons simply do not. Here is a demonstration of how icon fonts look scaled up compared to bitmap icons. As you can see, the bitmap icons get pixelated while the vector font icons scale up fine and look as sharp and precise as they did in a smaller size. One other advantage we get with icon fonts is load time. So let’s go over how to implement icon fonts in your website. Step 1: Load The Font via @font-face This is the same process as loading any other font using the @font-face method. Step 2: Create CSS Rules That Apply to Every Icon Explanation for each of these CSS properties and their values This is the fun part.
Expressive Web Typography: Useful Examples and Techniques - Smashing Magazine Advertisement Wherever we turn online, typography jumps out at us — sometimes literally, with the assistance of some clever coding. And now more than ever, we are seeing greater focus on this design element and its varied implementations around the Web. With the growing popularity of font embedding services and @font-face, typography is the talk of the town, but even though it is a regular topic among communities, not all of our typographic efforts are successful. Sometimes we swing for the fences, only to miss or fall short. This is what brings us together today. Typography Examples Denise Chandler1 When we look at the portfolio of Denise Chandler, right away the typography begins talking. The only critique really would be in the contact area. Jessica Hische2 Using a good type that doesn’t detract from the content is imperative. MCQ3 The portfolio of Mike McQuade has a truly remarkable interactive page change effect that really grabs your attention. Related Posts
Choosing web fonts: 15 expert tips | Web design Over the last few years, the possibilities for using type on the web have expanded enormously. In the bad old days of the web, designers were restricted to a few 'web safe' fonts, which meant everything looked pretty much the same, or using images to replace the type – a clunky solution that caused problems for the reader and technical problems in the browser. Nowadays, though, you can access an astonishing array of professional typefaces for use on your sites, bringing the aesthetics of print design to the web. Since around 2010, widespread support of @font-face in all the major browsers, plus a new web open font format, WOFF, has led to a technical revolution and the rise of a number of web font hosting services. These companies allow users to pay a subscription to host an enormous range of web fonts on their website. Tim Brown is the type manager at Typekit. 01. 02. 03. The web may move at lightning speed, but quality typesetting requires lots of patience. 04. 05. 06. 07. 08. 09.
Design Charts for Better Typography and Color - Noupe Design Blog Mar 21 2011 We’re designers, so it makes sense that a lot of us are visual learners and do better looking at charts and graphs than reading an article or listening to a podcast. Typography and color are two great topics that are perfectly suited for infographics, charts, and other graphical learning tools. Below we’ve collected a good number of great infographics that will teach you how to use typefaces and colors effectively. Typography Dig into the history of typography and catch up on the typographic origins. So You Need a Typeface While at first this infographic appears to be a bit tongue-in-cheek, it’s actually quite useful. The Anatomy of Typography Understanding all the elements that make up a typeface is an important step in learning to expertly combine typefaces. Periodic Table of Typefaces The most popular fonts are graphically represented in the style of the periodic table of elements in this poster. Color Color science and theory is a remarkably complex field. (ik)
Font kerning: 10 expert tips | Typography Kerning is the process of adjusting the spacing between letters to achieve a visually pleasing result. Some designers find it easy, others find it a tricky process where success is achieved more by luck than real judgement. But follow these tips and you should find yourself on the right track... 01. Choose your typeface early on Each typeface requires its own kerning and specific adjustments and attention to detail. 02. The main focus of kerning is usually the spacing between characters, but don't forget the spacing between words as well. 03. Remember that some letters that don’t kern as well as others within a word. 04. You may hear other designers talk about 'tracking' and assume it's the same thing as kerning. 05. Like mastering any technique, the best and most effective way to improve your kerning skills is through practice. 06. 07. Another useful exercise for kerning is to turn the typeface upside-down. 08. 09. 10. Words: Meryem Meg and Brian Hoff Like this?
Sans Serif Fonts: Most Popular Typefaces, Best for Webfonts As San Serif typefaces have only been around for about 100 years, it is necessary for designers or enthusiasts to have an understanding how it all came about. Based on known historical accounts, officially, modern sans serif has been created on 1816 by William Caslon IV at the English Type foundry. The English Egyptian Typeface is designed only in capital letters in 28 points. Then came; Akzidenz Grotesk created in Berlin at the German Berthold type foundry. Why grotesk / grotesque? When the first typefaces of this sort came about in the 1830, people first considered them as blatantly grotesque and due to their controversial appeal; they are a rarity in texts and other printed forms with an exception of advertising. Why sans Serif? The main appeal of Sans Serif would not be understood until the early 20th century. German influences It seems the prevalence of sans serif, from the Akzidenz Grotesk would not push through without the Bauhaus ideology which began and evolved in Germany. Futura
Setting Weights And Styles With The @font-face Declaration Responsive Typography: The Basics by Oliver Reichenstein When we built websites we usually started by defining the body text. The body text definition dictates how wide your main column is, the rest used to follow almost by itself. Used to. In the heat of the relaunch I wrote a quick blog post on responsive typography, focussing solely on the aspect of our latest experiment: responsive typefaces. To avoid designing different layouts for every possible screen size, many web designers have adopted the concept of Responsive Web Design. Adaptive layouts: adjusting the layout in steps to a limited number of sizes Liquid layouts: adjusting the layout continuously to every possible width While both have advantages and disadvantages, we believe that adaptive with as few as possible break points is the way to go, because readability is more important than having a layout that is always as wide as the viewport. Note: Responsive design already incorporates a lot of macro typographic issues (type size, line height, columns width).
10 Infographics That Will Teach You About Typography Typography is a crucial component of great designs involving text, so knowing as much as you can about it is an important step to becoming a great designer. This roundup of infographics will help you discover new and interesting things (as well as reinforce and reiterate stuff you already know) about typography. Click the Go to Source link under each infographic to navigate to the source of the infographic and to see the larger version provided by the creator of the infographic. 1. Did you know that Israel is the source of the most expensive typefaces? Go to Source 2. This beginner’s guide to type shows you some popular font categories (like monospaced fonts and script fonts), the anotomy of a typeface, a few typography principles, and more. Go to Source 3. This infographic starts by disambiguating the terms "typefaces" and "fonts", and then concludes with the top five most-used typefaces in graphic design, journalism, and academia. Go to Source 4. Go to Source 5. Go to Source 6. Go to Source
image processing - "River" detection in text - Signal Processing Beta - Stack Exchange I have thought about this some more, and think that the following should be fairly stable. Note that I have limited myself to morphological operations, because these should be available in any standard image processing library. (1) Open image with a nPix-by-1 mask, where nPix is about the vertical distance between letters #% read image img = rgb2gray(' %# threshold and open with a rectangle %# that is roughly letter sized bwImg = img > 200; %# threshold of 200 is better than 128 opImg = imopen(bwImg,ones(13,1)); (2) Open image with a 1-by-mPix mask to eliminate whatever is too narrow to be a river. opImg = imopen(opImg,ones(1,5)); (3) Remove horizontal "rivers and lakes" that are due to space between paragraphs, or indentation. To remove lakes, we can use an opening mask that is slightly larger than nPix-by-nPix. (4) If we're interested in not only the length, but also the width of the river, we can combine distance transform with skeleton.
Typography Magazines, Journals and Hubs. Part 1 | Blog If you’re into typography, you know there’s more to life than just staring at types in the street, on walls and websites. You also subscribe to typography magazines that feed your addiction, right? On which you spend a certain amount of money or time, or both. We’re talking about those publications that focus on typography before anything else. Limited Editions Some of the best print magazines on typography are limited edition, resembling a luxurious extension to an online shop or publication. Codex, the ‘journal of letterforms’, is a limited edition print magazine, or a hybrid of magazine and journal, as they say. Back to Uni Since the universities are providers of fresh new original material, you should definitely consider some of their publications. Typography papers is an irregular collection of good things edited and produced at the Department of Typography, University of Reading. The Typographic Hub is part of the Birmingham Institute of Art & Design at Birmingham City University.