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Scores, Sounds & Sources

Scores, Sounds & Sources
Related:  MIDI

The Mutopia Project MusiXTeX MusiXTeX Library [ to Japanese page ] This is the library of MusiXTeX, a set of TeX mactos to typeset orchestral or polyphonic music. You can obtain some scores in MusiXTeX source files, PostScript graphic image and MIDI file. The files in this library are free to use personally, but if you change the source or use them commercially, you have to take care about the copyright rule. Score Library Old Score Library including MusicTeX Scores Old score library for MusicTeX and older versions of MusiXTeX. MusiXTeX Guide What is MusiXTeX How to Get the Files How to Install MusiXTeX MusiXTeX Related Files Link Comprehensive TeX Archive Network (CTAN) : The network of servers with TeX related archives. Score Library You need TeX system, MusiXTeX Package, MusiXLyr Package ( from MusiXTeX add-on), MusiXExp package, MAB_Stlx.tex and MXTX2mml.tex to compile the source files in this library. Any qustions or suggestions, please e-mail to info@mab.jpn.org.

WIMA: Werner Icking Music Archive Welcome to the CANTUS Database! | CANTUS Database Renaissance Instruments Renaissance means rebirth or reinvention. Music of the Renaissance period was going through a rebirth as artists had more creative freedom than in earlier periods. The Renaissance was between the years 1400 to 1600 C.E., and the music of this time had a polyphonic style. Music was very much a sacred art form, but more composers started creating secular music for informal gatherings and dances. Organs, harps, and viols were the main Renaissance instruments used during church services and other sacred gatherings. The lute was a popular instrument used when playing music for dances. Shawm The shawm is a woodwind reed instrument used primarily for social and secular music of the Renaissance era. The Renaissance Shawm is a site maintained by Iowa State University that educates about the use and make of the shawm. Bass Recorder Bass recorders are of the woodwind family and were created in one piece. Muzika! Glastonbury Pipe Treble Viol Tabor Bass Viol Tenor and Bass Crumhorn

Database Les partitions éditées par Arenaï sont libres de droits. Elles peuvent être utilisées sans problèmes dans le cadre de concerts, stages, études ou autres. Si vous utilisez ces partitions au cours d'un concert ou d'un stage payants, il pourrait vous sembler fair play d'envoyer une "cotisation", même modeste, à: Arenaï - 26, rue Feydeau - 75002 Paris Vous deviendriez alors membre bienfaiteur de l'association Arenaï, association loi de 1901 sans but lucratif. Cela ne pourrait que nous encourager à continuer à diffuser nos éditions à un public large...Merci d'avance. Arenaï's edition are copyright-free. If you intend to use these editions during a concert or a training course for which admission is not free, you could then feel the "need" to send a "subscription" - even a modest one - to: Arenaï - 26, rue Feydeau - 75002 Paris, France You would then become a member of our association, which is a non-profit organisation.

Free Sheetmusic from Johan Tufvesson [Parent][FAQ][Site History] Here you can find modern editions of a lot of music from the 17:th and 18:th century, many of them not available in any other modern form. If you would like to print all music (including all versions and parts) on this page, you would currently need 7271 pages. Are you looking for things that have been added since you were here last? Sei Sonate per il Cembalo Solo Revision history / Six Sonatas or Duets for two German Flutes or Violins Sonate a Violino Solo Sonata 2: Revision history / , , . Sonate da Chiesa Suites (17:th century) 2 Suites: Revision history / , , , , , . Duettos (18:th century) violin/viola Midi files Revision history / , , . Recueil de piéces Recueil de piéces pour la Viola d'Amour Revision history , , , . Musicalische Frühlings-Früchte Erster Theil Zwey-stimmiger Sonaten und Suiten Complete score / parts: Revision history , Midi files / , , , , . Geistliche Harmonien, Erster Teil Midi files Kromeríz manuscripts Rosenkrantz Sonaten Sonata Representativa

All the World's a Stage Here's the latest update for our annotated list of REED-related web resources. I've reduced the number of separate pages to 10 and added some new resources, chiefly in the expanded Local History section. The REED Anglo-Latin Wordbook (linked on in the Mediaeval and Early Modern Theatre page), has been expanded to include the collections from Cambridge through Inns of Court. And we have also added PDFs of the revised REED Handbook and the Palaeographic checking guidelines. The need for annotated lists, that is, meta-bibliographies of sites, has never seemed greater. In the course of this update, a search engine returned 9,910,000 'hits' for the phrase 'medieval English theatre' and 99, 400,000 hits for the phrase 'early music'! Click below to open pages on the following topics: Mediaeval and Early Modern Theatre Shakespeare Other Theatre Resources Play Texts Early Music Early Dance Palaeography Archives, Libraries, and Other Repositories Journals On-Line Local History Links

Cantigas de santa maria The Cantigas de Santa Maria Database is now back in service, after a hacking attack. The Centre for the Study of the Cantigas de Santa Maria Events and Publications "Putting the Cantigas in context: tracing the sources of Alfonso X's Cantigas de Santa Maria". Colecção, composição,compilação A reorganização da primeira colectânea Cobras e Son I (Oxford 1994), papers published by the European Humanities Research Centreas Cobras e Son. Cobras e Son 1997 (Leeds International Medieval Congress 1997, sections 523, 623, 723) CSM Sessions at the Leeds International Medieval Congress 1998 (section 718) CSM Sessions at the Leeds International Medieval Congress 1999 CSM Sessions at the Congress of the International Courtly Literature Society 1998, now published in La corónica vol 27.2 (followed by Forum Letters in vol 28) Ondas do Mar de Vigo. Some useful links: Recordings :

untitled This is an Early Music site featuring the English composers Robert Jones and Philip Rosseter, furthermore the works of these composers involve much more than music. Robert Jones set the poems to most of the great Elizabethan poets to music and Philip Rosseter was Thomas Campion's best friend and collaborator. Rosseter and Jones were involve in a theatrical adventure and their music was used for plays and masks. Thus, this site must additionally be a Shakespearean Poetry and Drama site. This page was written & compiled by Patrick Connolly. OK, you don't care, you are just interested in the Care Bears. Under Construction. This is the 400 year anniversary of Robert Jones's 5th (& last) booke ["The muses gardin for delights or fifth booke of ayers, 1610], and this is one of the 21 songs of the book. Why should Robert Jones and Philip Rosseter be considered together? There can be no doubt that Robert Jones and Philip Rosseter were both admirers of Thomas Campian. The Child Actors by H.

Related:  Music shortlist