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Counter Print

Counter Print

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Marian Bantjes I Wonder by Marian Bantjes 208 pages Hard cover 15.5 cm × 24cm (approx. 6 × 9½ inches) Printed in full colour plus gold throughout. List price: £19.95 / $40 Release date: October, 2010 Published in the UK by Thames & Hudson, ISBN 978-0-500-51529-7Published in the USA by The Monacelli Press, ISBN 978-1580932967 I spent 15 months writing, illustrating and designing this book. It’s a gorgeous hardcover, with gold and silver foils on a satin cloth, with gilded page edges.

Swiss Legacy – Graphic Design and Typography This video shows 50 years of work in under two minutes. How many can you spot? presents their new showreel. Typographie Les récents bureaux de Runway situés à San Fransisco sont célèbres pour leur architecture intérieur atypique. Tel un loft, l’espace et la lumière caractérisent ces bureaux. Un espace à la fois, conceptuel, moderne et esthétique à découvrir sur Fubiz en détails et en photos ci-dessous. Yantram – 3D modeling Studio Sydney is an Indian company specialized in Exterior Modeling Services like Architectural 3D modeling studio Melbourne, Architectural Modeling Brisbane, 3d exterior rendering Perth, 3d modeling render Adelaide, Architectural Illustration Gold Coast-Tweed, architectural design firm Newcastle. Les réalisateurs de chez Cauboyz ont réalisé une vidéo à l’occasion du Montreux Jazz Festival 2014 pour présenter l’installation de lumières qui a été faite : comme des néons, les noms des chanteurs apparaissent en lumières, le tout commandé par les touches d’un piano connecté à 64 boites de lumières. Les architectes danois Wienberg Architects ont créé la Villa Wienberg à Aarhus au Danemark.

Graphic Exchange After weeks of work, I am pleased to present my new portfolio. It will be now under the name as after working freelance for years, I am now in a real studio with Jef working with me. He designs this website and I thanks him for that, I guess it is important to have a new eye on your own work ! An important thing to was to separate the project for what I was commissioned to do by clients and companies and the work on I self-initiated and do with other designers and creatives like the letterpress calendar and the Walter magazine done with the mediafix team ! Here come some of the latest works I have done over the past work and never found time to present in details !

HELLOWON Elsewhere by Von | New solo show at KK Outlet Gallery, London | 1.5.14 — 31.5.14 I'm very pleased to announce my forthcoming solo show "Elsewhere" at London's KK Outlet Gallery in Shoreditch. The show will consist of all new work and have both originals and prints available for sale. Four collaborative exhibition posters have been created especially for the show with some of my favourite designers — Hort, Non-Format, David Pearson and Darren Firth (whose poster is above). Leading up to the show these will be released as hand pulled screen prints in a strict edition of 20. KIT DE SURVIE DU CREATIF /// Il est très fréquent que des employeurs prompts à brouiller les cartes proposent à de jeunes freelances d’être rémunérés, pour des missions longues, sur une base similaire à celle d’un salaire (2000€ par mois par exemple, une paye royale selon certains, « comparée » au SMIC). Si vous avez bien lu tout ce qui précède, vos aurez compris que c’est parfaitement inacceptable et inenvisageable. Vouloir payer un freelance avec un salaire d'employé c'est le beurre et l'argent du beurre : on garde la flexibilité, l'absence d'engagement, de frais, de charges sociales et patronales, de démarches de l'un, et on y colle le prix réduit de l'autre. Un salarié à prix discount, sans aucun avantage salarial.

Daily Graphic Design Inspiration 8 FREE Fonts For Your Upcoming Designs Best thing in Live are Free. Well Yes particularly the Web is full of great Stuff for Free! On thing i Learned last year, when i started designing Websites and take action in the Creative Scene, is that you can already fail by choosing the wrong Font in your Design. Now the Problem is, that Fonts are sometimes very expensive, special for Student like me.. with no Budget… But their some Font Artist out there who give away Full and part of Fonts for Free! Listed below are some of my favourite Fonts for Free – enjoy

I love Typography Ultra Noir 142, avenue Daumesnil 75012 PARIST. +33 (0)1 42 71 48 36F. +33 (0)1 43 55 08 02E. boitenoire@ultranoir.comW. MARS NETWORKS 26, rue du village 13006 MARSEILLET. +33 (0)4 91 48 26 59F. +33 (0)4 91 24 67 02E. commercial@mars-networks.comW. L'utilisateur du site internet reconnaît disposer de la compétence et des moyens nécessaires pour accéder et utiliser ce site internet. Alexis Kaneshiro contact + links wedding sam francis pmca print projects tomorrow

30 of the Best Web Typography Resources Online It seems there are two camps among web designers: those who embrace web typography, experiment with it, and try new things in virtually all of their designs; and those who avoid it like the plague, opting to use standard, web-safe font stacks with little variation. It also seems like a lot of the designers who fall into the second group wish they were more like the first. The resources below can help you improve your web typography, regardless of which camp you fall into. There are tools for creating unique typography, references and articles that can teach you typographic principles, and plenty of inspiration and news to keep you updated on the state of web typography. Typography Tools

This Is Tomorrow Typeface Classification For the purposes of typeface classification, font families broadly divide into seven major groups: Slab Serif, Serif Old Style, Serif Transitional, Serif Modern, Sans Humanist, Sans (Neo)Grotesque and Sans Geometric. Poster features well designed font classics and large font families being classified into two separate categories. Design: Marcin PlonkaClient: Self-initiated Year: 2009 Christian Boer’s Dyslexie is a typeface for dyslexics. Courtesy of Christian Boer Dutch designer Christian Boer created a dyslexic-friendly font to make reading easier for people with dyslexia, like himself. “Traditional fonts are designed solely from an aesthetic point of view,” Boer writes on his website, “which means they often have characteristics that make characters difficult to recognize for people with dyslexia. Oftentimes, the letters of a word are confused, turned around or jumbled up because they look too similar.” Designed to make reading clearer and more enjoyable for people with dyslexia, Dyslexie uses heavy base lines, alternating stick and tail lengths, larger openings, and semicursive slants to ensure that each character has a unique and more easily recognizable form.

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