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EFA: Resources: Editorial Rates

EFA: Resources: Editorial Rates
Related:  editing

Lorem Ipsum - All the facts - Lipsum generator Graphic Designers Design or create graphics to meet specific commercial or promotional needs, such as packaging, displays, or logos. May use a variety of mediums to achieve artistic or decorative effects. National estimates for this occupationIndustry profile for this occupationGeographic profile for this occupation National estimates for this occupation: Top Employment estimate and mean wage estimates for this occupation: Percentile wage estimates for this occupation: Industry profile for this occupation: Top Industries with the highest published employment and wages for this occupation are provided. Industries with the highest levels of employment in this occupation: Industries with the highest concentration of employment in this occupation: Top paying industries for this occupation: Geographic profile for this occupation: Top States and areas with the highest published employment, location quotients, and wages for this occupation are provided. States with the highest employment level in this occupation:

Writing for DOLLARS! 20 Questions to Know for Avoiding Website Project Disasters When working on a new web design project with a client, especially a new site launch, it is vital to have a clear definition of the project’s scope and the expectations of the future website owner. It’s far too easy for corporate politics and personal preferences to drive the features and processes of a website unless you consciously force the client — and yourself, at times — to focus on the needs of the users and the purpose of the site. Outlining the basic requirements and goals also helps to limit scope creep later on in the project. Especially because many clients are non-technical, they struggle to explain what they want in the context of websites. By providing them with a list of questions, they can fill in the blanks for you without feeling like they are expected to know how to design a website. After all, that’s what they’re paying you to do, right? How to Avoid Website Project Disasters It’s best to customize these questions per client. 1. 2. Tough? 3. 4. Is the audience young?

EFA: Resources: Code of Fair Practice, chapter 3 Schedules and Estimates Scope of Work Location of Work Subcontracting Credit and Complimentary Copies In addition to the freelancer's fee and payment terms, a contract between an editorial freelancer and client involves other considerations that affect the project's successful completion. The requirements of the job, the time it will take, and the site at which the freelancer will work are among these considerations. Although specific kinds of publications often involve project needs that both freelancer and client understand well, it is good business practice to define these terms in the contract so that all involved can verify their assumptions. Schedules and Estimates The freelancer and client usually discuss the schedule for a project when they begin negotiating its terms. Estimating Time. Renegotiating Estimates. Scope of Work In some cases, clients rely entirely on editorial freelancers to determine the scope of work a job requires. Location of Work Subcontracting Disclosure.

Nonfiction Resources - Nonfiction Writing In order to create action between your setting and characters one of two things must be present. 1. If your characters are at peace or comfortable in the setting you have created you then must have something outside of the characters and setting happen or come about to create a change. 2. Before we continue it is important to understand that you can use either one or two above in as many scenes as you want. In technique number one above, you as the write must bring in something outside of your characters and the comfortable setting they are in. Therefore when writing with technique number one you have to take another step after creating your setting and the characters. In technique number two that additional step is not needed as the conflict between your setting and the characters provides motion. The reason it is important for you make this decision for your scenes in your story is so that you don’t inadvertently create a static scene.

Designers' Hourly Rates: Pricing Design Work Most business-savvy graphic and web designers don’t charge by the hour like attorneys and auto mechanics do. So why bother calculating an hourly rate? Simple: It’s the basis on which you estimate projects. Your hourly rate, multiplied by the number of hours you assume the job will take, yields the fee you’ll charge a client for the work you complete. So we shed some light on the topic in HOW’s April 2008 issue in a Business column on hourly rates for designers. Calculate your hourly rate with the help of this free white paper on pricing by Marketing Mentor. Where do you work? 46% Solo design practice or full-time freelance business 17% Graphic design firm 31% In-house design department If you work in an in-house group, does your group charge the company back for your time? 77% No 23% Yes What is your hourly rate (blended average, for solo practitioners)? What kind of hourly rate do you use? How did you determine your hourly rate? Do you share your hourly rate with clients? 82% Yes 18% No

How to Get Published on a Premium Tech Blog — BlogWorld Expo Blog The word “influence” has become one of the most popular buzzwords across the blogosphere and apparently there’s a right way to garner influence, and a wrong way. For most tech bloggers, influence is about becoming a thought leader on a specific topic in order to reach a business or personal goal. So whether you’re the world’s foremost Android expert, a hardcore coder or a complete gadget nut, the reason to strive for influence is to establish credibility – and you can’t do that alone. Someone already influential needs to vouch for you. Last March I wrote an article about CDBaby founder Derek Siver’s TED Talk. Consistently adding value to readers’ lives; and,Having that value publicly recognized by credible first followers. PUBLICATIONS CAN BE YOUR FIRST FOLLOWER When you write for an acclaimed web property, it’s as if the site’s editors are ushering your ideas in with their seal of authority. Why do you think I’m writing for BlogWorld?

How to Write a Post for Lifehacker Pretty obvious stuff but a nice reference. What is the preferred method of sending in a longer post? By email or through the #tips page? @gameripper: Either is fine with us. Though if you check out the end of this article, we did make a new tag, #readerpost, from which you can post it directly. We'll be following that as well. @Whitson Gordon: In addition, if I write a post on my own blog and think "hey, this is also Lifehacker-worthy", can I just post the link in either #readerpost or e-mail it? On a different note... is Adam on a "offtopic" hunt? @Firesphere: Yeah, you can definitely post it on your own blog and post the link. Yeah, I think with the new comment system, since we now have the opportunity, we're just trying to keep threads a bit clearer.

EFA: Resources: Code of Fair Practice, chapter 1 Resources of Editorial Freelancers The Client-Freelancer Relationship Demonstrating Professional Competence Types of Freelance Editorial Work Editorial freelancers are self-employed contractors, or consultants, with expertise in one or more editorial functions or subject areas. Some editorial freelancers specialize in book, magazine, or newspaper publishing; others in corporate communications; others in technical documentation; others in online publications. Many editorial freelancers also have academic degrees qualifying them to work for research laboratories, educational publishers, or professional organizations. All have experience, skills, and creativity gleaned from education and practice. Resources of Editorial Freelancers Editorial work requires meticulousness, an ability to manipulate ideas, a sensitivity to language, and finely honed skills. Experience. Equipment and Reference Materials. Education. Judgment. back to top The Client-Freelancer Relationship Abstracting. Indexing.

Freelance Success: The ultimate resource for established, professional nonfiction writers Charging Hourly vs. Flat Rates - Hourly vs. Flat Rates for Graphic Design Projects A common decision to be made when starting a graphic design project is whether to charge a flat or an hourly rate. Each method has pros and cons, as well as ways to work towards a fair deal for both you and your client. Hourly Rates In general, charging an hourly rate is best for work that is considered “updates,” such as changes to a website after launch or revisions on an existing print design for additional uses. It may also be the right choice for small projects, especially if it is difficult to estimate the number of hours of work necessary to complete the project. Pros: You (the designer) know you will be paid for actual hours worked. Cons: You are not guaranteed a minimum payment for the project. Flat Rates It is common to charge a flat rate for large design projects, and for repeating projects for which the designer can accurately estimate the hours. Other factors that can affect price include the number of pieces printed, sold, or one-time vs. multiple-use.

Related:  Editors/EditingWriting