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Karlheinz Stockhausen Official Website - Stockhausen.org

Karlheinz Stockhausen Official Website - Stockhausen.org

kaffematthews.net Centro Studi Luciano Berio - Luciano Berio's Official Website Christina Kubisch Ultimate Breaks and Beats The albums found high popularity with hip hop producers, with the release of a new volume in the series usually leading to many various hip hop records featuring samples of the breaks. Releases[edit] Complete tracklisting, taken from [1] and updated with performers' names, missing in the tracklists of volumes SBR 499, SBR 500 and the first version of SBR 508 An asterisk after a track name indicates that the song was remixed for inclusion in this compilation. Not official[edit] SBR 499[edit] SBR 500[edit] Tia Monae - "Don't Keep Me Waiting" (from CART-320 12" single) (1983)Cloud One - "Flying High" (from HS-1010 12" single) (1982)Ednah Holt - "Serious, Sirius Space Party" (from WES 22138 12" single) (1981)Convertion - "Let's Do It" (from S-12336 12" single) (1980) Official start of the series[edit] SBR 501[edit] SBR 502[edit] SBR 503[edit] SBR 504[edit] SBR 505[edit] SBR 506[edit] SBR 507[edit] Discontinued (see notes below)[edit] SBR 508[edit] Continued[edit] SBR 509[edit] SBR 510[edit] SBR 511[edit]

Maryanne Amacher Maryanne Amacher 2006-10-06. Maryanne Amacher (February 25, 1938[1][2] – October 22, 2009) was an American composer and installation artist. Biography[edit] Amacher was born in Kane, Pennsylvania,[1] to an American nurse and a Swiss freight train worker. While in residence at the University of Buffalo, in 1967, she created City Links: Buffalo, a 28-hour piece using 5 microphones in different parts of the city, broadcast live by radio station WBFO. Her major pieces have almost exclusively been site specific,[1] often using many loudspeakers to create what she called "structure borne sound", which is a differentiation with "airborne sound", the paradox intentional. She worked extensively with the physiological (not psychoacoustic) phenomenon called otoacoustic emission, in which the ears themselves act as sound generating devices. Over the years she received several major commissions in the United States and Europe with occasional work in Asia and Central and South America. Notes[edit]

Les Vendredis for String Quartet Presents Les Vendredis for String Quartet Works by Nikolai Artcibuschev, Felix Blumenfeld, Alexander Borodin, Alexander Glazunov, Alexander Kopylov, Antoly Liadov, Maximilian d'Osten-Sacken, Nikolai Rimsky-Korsakov, Nikolai Sokolov and Joseph Vitols Les Vendredis!—–Fridays at the mansion of lumber millionaire, amateur violist and chamber music enthusiast Mitrofan Belaiev. Those Fridays have become legendary. On any given Friday evening, shortly after eight o’clock, the members of the Belaiev Quartet (Belaiev and three other amateurs) would enter his drawing room followed soon after by guests and visitors. In the center of the room, placed upon a rich rosewood platform, there were four folding music stands and behind them chairs. Often after completion of the third work, Belaiev would suddenly rush off to his study where a small group of composers could be found huddling around his writing desk. With the new work over, the Belaiev Quartet has concluded the evening’s program.

Bill Fontana Sound Sculptures Romanesca Passamezzo and Romanesca melodic formula[2] on D Play . Romanesca was a melodic-harmonic formula popular from the mid 16th to early 17th centuries, used as an aria formula for singing poetry and as a subject for instrumental variation. It was most popular with Italian composers of the early Baroque period. Play . See also[edit] Sources[edit] ^ Jump up to: a b c Turnbull, Harvey (1974). Further reading[edit]

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