Erreur d’impression

Public Domain Day Public Domain Day Every year on New Year's Day, due to the expiration of copyright protection terms on works produced by authors who died seven decades earlier, thousands of works enter the public domain - that is, their content is no longer owned or controlled by anyone, but it rather becomes a common treasure, available for anyone to freely use for any purpose. On the 1st January 2013 we warmly welcome the works of a.o. the Brussels author Neel Doff , the feminists Germaine Dulac , Violet Hunt and Tina Modotti , the Japanese poet Akiko Yosano , the sf-writers Ernest Bramah , Alexander Beliaev and Nictzin Dyalhis , the novelists Robert Musil , Roberto Arlt , Stefan Zweig and Bruno Schulz , the poets Olena Teliha and Jakob van Hoddis , the painter Walter Sickert and futurist poet Daniil Kharms ... Read more on publicdomainday.org The Death of the Authors, 1941 edition The selection of the texts used for this publication is very much influenced by the availability of works online. Samples

76000 oeuvres numérisées sur le nouveau centrepompidou.fr « ebizNOV 5 oct Plate-forme de diffusion de contenus culturels sur Internet, le Centre Pompidou Virtuel inauguré hier est le fruit de trois années de travail, d’un mécénat d’un million d’euros de son Grand Mécène Pernod-Ricard et d’un mécénat de compétences d’une valeur de 1,3 million d’euros de la société Logica qui fait partie depuis cet été du groupe CGI. Cette nouvelle plate-forme numérique met à la disposition des internautes l’ensemble des ressources produites par le Centre Pompidou à destination de ses publics, y compris les oeuvres non exposées, en utilisant les technologies du web sémantique pour permettre aux internautes de naviguer par le sens et de construire leur propre parcours. Il sera constamment alimenté de nouveaux contenus au fur et à mesure de l’actualité du Centre Pompidou. © Centre Pompidou / Photo J-C. Like this: J'aime chargement…

The Future of Photobooks: A cross-blog discussion | RESOLVE — the liveBooks blog ‹ Home The Future of Photobooks: A cross-blog discussion It’s hard to deny there are seismic shifts happening in the publishing industry right now. Photo by Miki Johnson Spurred by a feature on FlakPhoto highlighting the winners of Blurb’s Photography.Book.Now contest, RESOLVE has teamed up with Andy Adams, creator of the online photography showcase, to build a month-long cross-blog discussion around the Future of Photobooks. In order to include as many viewpoints as possible, we asked bloggers to contribute posts, shared some of their best ideas, then brought it all back to a central point where readers could grasp the larger issues more easily. How did we get here? We are always eager to experiment with the blog format — we believe it has the power to answer questions collectively that are too big for any one person to tackle. Taking advantage of the flexibility the blog format affords, we also added two more posts that were suggested in the comments and by collaborating bloggers.

#.UPkNH_aJjqg The map of the Internet Like any other map, The Internet map is a scheme displaying objects’ relative position; but unlike real maps (e.g. the map of the Earth) or virtual maps (e.g. the map of Mordor), the objects shown on it are not aligned on a surface. Mathematically speaking, The Internet map is a bi-dimensional presentation of links between websites on the Internet. Every site is a circle on the map, and its size is determined by website traffic, the larger the amount of traffic, the bigger the circle. Users’ switching between websites forms links, and the stronger the link, the closer the websites tend to arrange themselves to each other. Charges and springs To draw an analogy from classical physics, one may say that websites are electrically charged bodies, while links between them are springs. Also, an analogy can be drawn from quantum physics. Anyway, the real algorithm of plotting The Internet map is quite far from the analogies given above. Semantic web The Internet Phenomenon

Chercher le texte Les collections en ligne Répondant à sa mission de service public, la Rmn-Grand Palais publie régulièrement les travaux des spécialistes de l’histoire de l’art au sujet des collections nationales. Peinture sculpture, arts graphiques, arts décoratifs, architecture… ces catalogues « scientifiques » en ligne constituent la mémoire des collections publiques. Ouvrir à tous Rendre accessibles au plus large public les publications scientifiques, c’est le défi qu’a relevé la Rmn-GP dès 2004 en mettant en ligne sur internet ces outils de recherche, désormais consultables par tous gratuitement. Toutes les informations autrefois publiées dans les catalogues imprimés sont désormais à la portée de tous. Catalogues raisonnés, inventaires, notices précises sur la provenance, la datation, l’historique et le style des œuvres sont présentés sur des interfaces enrichies par des fonctionnalités nouvelles. Vous souhaitez visualiser les œuvres présentées ?

What are the best printers if you want to self-publish a photo book? | RESOLVE — the liveBooks blog ‹ Home December 11th, 2009 What are the best printers if you want to self-publish a photo book? Posted by liveBooks RJ Shaughnessy, Your Golden Opportunity Is Comeing Very Soon. On Tuesday we started a cross-blog conversation about the Future of Photobooks, the first wave in a multi-week, crowd-sourced project to see if we can collectively figure out what of the more difficult questions facing our industry: “What will photobooks look like in 2019?” In the course of that conversation, J. J. Dalton says: “I have heard good things about this place, which has a much more hands-on process on and is tighter with the QC. And the prices are very good, especially once you start looking at 10+ copies.” @JSandifer says: “OR you could decide to buy a Vandercook and do it all by hand! Joerg @ Conscientious wrote a post a year ago about “Richard Renaldi and Seth Boyd’s Charles Lane Press and their first book Fall River Boys.” That’s just a very short list to get us started.

Une contre-histoire des internets - ARTE De la datalittérature dans le 9-3 Dans le cadre d'une résidence d'écrivain, des élèves de terminale STG d'un lycée d'Aubervilliers ont construit une fiction, Traque traces, une réflexion ambitieuse sur le thème de l'identité numérique. Traque traces, c’est l’histoire d’une énarque atypique qui quitte son loft bobo par passion de la littérature pour proposer un projet de résidence d’écrivain dans un lycée « difficile » du 93 classé site d’excellence. Elle tombe sur un proviseur qui lui dit banco tout de suite, de ceux qui ne s’embarrassent pas des lourdeurs administratives. L’idée : faire des ateliers d’écriture pendant un an sur « cette nouvelle écriture du monde et des individus basée sur les données » dans une classe de terminale STG (sciences et technologies de la gestion) sage comme tout, pas le genre à envoyer un professeur à l’hôpital pour dépression nerveuse. Tout est vrai, sauf la chute. Cécile Portier « Tu t’appelles comment ? « Ici ou là-bas ? Une plus grande capacité à écrire Le site Traque traces

more on the future of photo books: digital offset creations | Mrs. Deane herr lezmi’s book sign­ing party @ galerie lichtblick Last Thurs­day, Fred­eric Lezmi had invited us over to Cologne for his book sign­ing party at Galerie Licht­blick (annex home of Wolf­gang Zur­born, who taught him a thing or two). Pub­lished by White Press, another off­shoot from the Schaden clan, it is a good show­case of ways to be cre­ative with the pos­si­bil­i­ties opened up with the arrival of afford­able and decent dig­i­tal off­set print­ing. Lezmi pub­lished his trav­el­ogue From Vienna to Beirut not as a tra­di­tional book, but as an impos­si­bly long (11 meters) lep­orello, sand­wiched between two can­vas clad hard­cov­ers, in which he slipped (not glued) both ends of the folded paper. This whole con­struc­tion is held together by a wide band of paper that may dou­ble up as a can­dle shade (just place over a tea light). prod­uct dis­play image as found on schaden website Thekla Ehling on the right at herr lezmi’s book sign­ing party @ galerie lichtblick