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Musically Gorgeous One Octave Arpeggio Pattern

Musically Gorgeous One Octave Arpeggio Pattern
Photo GuitarJam There are some exercises, licks or riffs you have learned early on in your life that you will never forget. For me this gorgeous one octave arpeggio pattern over Cmaj7 is one of them. When I first learned it I just thought it was beautiful. I would memorize it and try to play it as fast as I could. Later on I figured out how to incorporate these arpeggios in my playing and they’re still part of my guitar improvisation vocabulary today. It’s nice to practice this pattern over a Cmaj7 chord progression.Spotify has great guitar backingtracks you can use for this. You can try the sweep picking technique to make the pattern sound more fluent. Take the time you need to memorize the whole pattern. Enjoy the ride and have a wonderful day!

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Blues Guitar Riffs, BB King - Free Blues Guitar Riffs & Blues Guitar Lessons! <A HREF=" Widgets</A> This free Blues Guitar Riff is "The Thrill Is Gone" by BB King. Here is the intro to the song and is one of the most famous Blues Guitar Riffs out there. This Blues Guitar Riff uses the B Minor Pentatonic Scale.

Jazz Guitar Tabs: Jazz Guitar Licks Home Jazz Guitar Licks Here's a collection of transcribed jazz guitar licks , guitar riffs and patterns . The transcriptions are written in guitar tabs and standard notation. Guitar Licks are musical phrases, parts of a melody or an improvised solo. Riffs are short melodic phrases that are often repeated (in a solo or as accompaniment). Guitar scale theory - notes & scales Guitar scale theory view in new window part 1 : notes & scales contents : 45 ways to avoid using the word 'very' Three Telling Quotes About ‘Very’ Substitute ‘damn’ every time you’re inclined to write ‘very;’ your editor will delete it and the writing will be just as it should be. ~Mark Twain‘Very’ is the most useless word in the English language and can always come out. More than useless, it is treacherous because it invariably weakens what it is intended to strengthen. ~Florence KingSo avoid using the word ‘very’ because it’s lazy. A man is not very tired, he is exhausted.

Basic building blocks of melody and harmony Chapter 4 of the Outline of basic music theory – by Oscar van Dillen ©2011-2014 The beginner’s learning book can be found at Basic elements of music theory. Overview of chapters: Chapter 1: Introduction Chapter 2: Sound and hearing Chapter 3: Musical notation Chapter 4: Basic building blocks of melody and harmony Chapter 5: Consonance and dissonance Chapter 6: Circle of fifths and transposition Chapter 7: Concerning rhythm, melody, harmony and form Chapter 8: Further study Scales

The Never Ending Jazz Guitar Lick This guitar lick is a good exercise to get some common chromatic patterns into your fingers. It's a good idea to create and study licks like this one for all scales and on all places of the fretboard. Such exercises deepen your knowledge of the fretboard. Here's the audio: Guitar Chords In The Key of C © 2001 In this installment: The key of C This is the first installment of what I hope will be a series of useful articles, designed to help the beginner/intermediate guitarist learn guitar chords, as they apply to each given key. We start with the key of C in this issue’s article. In music theory, the key of C is basically the center of the tonal universe, and therefore, a good place to start. Now everybody has a different method that they may apply when attempting to teach what I’m about to. If this doesn’t work for you, accept my apologies and don’t let it discourage you.

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C chords – Guitar Chords World Guitar Chords World guitar chords and more… C chords Click on a chord diagram to see variations of chord position. Chord Archive Theme created by LessThanWeb Free Jazz Guitar Lessons : The Bebop Scale David Baker was the first one to come up with the term 'Bebop Scale' in his book 'How to Play Bebop', describing a technique Charlie Parker and C° used to make those long, never ending bebop lines. Today it's almost unthinkable for a jazz musician to not at least speak a bit of the bebop language and the bebop scale is a good place to get you started. The Bebop Scale is a Myxolydian Scale with a descending chromatic note between the root and the b7. This G Mixolydian scale is the V of the C major scale. The G Bebop Scale can be played on most chords that are diatonic to the key of C major, but not on the C major chord itself because the F is an avoid note for the C major chord.