Cozy-Mystery.Com The First Zombie-Proof House Somehow, ritual drunk-conversation concerning team captains for the apocalypse has become a major part of the lives of 20-somethings. Having been matured in the Grandaddy-crowned masterpiece film (put “A.M. 180” on and forget that you have a job) 28 Days Later and the best-selling Zombie Survival Guide, we’re all a little too ready to deal with the 2012 zombie apocalypse of our dreams. “The Safe House,” designed by KWK Promes, starts to get eerily close to something I could work with, if say 200 bludgeoned members of the undead army came over to eat their way into borrowing some sugar. “The most essential item for our clients was acquiring the feeling of maximum security,” begins the designers’ website in the summary of the structure. The house, with its movable walls, has only one entrance, which is located on the second floor after crossing a drawbridge.
Toronto punk squalor immortalized in beautiful book The wonder isn't just that somebody wrote a book about the Bunchofuckingoofs, probably the most unglamourous and confrontational product of the city's punk scene. Frankly, it would have happened eventually, if only because there's such a good story behind the squalor and occasional violence that typified the band's nearly two-decade reign as the clown princes and junkyard dogs of Kensington Market. The wonder is that Jennifer Morton's book, Dirty, Drunk And Punk, is such a handsome, coffee table-worthy volume, setting the Goofs' grimy antics in a gilded frame. Morton was a producer at The New Music when she filmed the BFG at Fort Goof in the late '80s - actually the second of two bunker-like refuges and after-hour booze cans the Goofs built for themselves in the Market, during the heyday of their infamy as downtown's most visible proponents of the punk lifestyle. "I'm hoping that when you look at the book you'll think: 'Is this fiction or non-fiction?'" Morton says. Steve laughs.
How to Write a Haiku Poem Edit Article Four Parts:Sample HaikuChoose a Haiku SubjectUse Sensory LanguageBecome a Haiku Writer Haiku (俳句 high-koo) are short poems that use sensory language to capture a feeling or image. They are often inspired by an element of nature, a moment of beauty, or another poignant experience. Haiku poetry was originally developed by Japanese poets, and the form was adopted (and adapted) by virtually every modern language, including our own. The secret to writing great haiku is to be observant and appreciate nature, as detailed below. Ad Steps Part 1 of 3: Choose a Haiku Subject <img alt="Write a Haiku Poem Step 2.jpg" src=" width="670" height="444" id="552d69e9542d9">1Distill a poignant experience. Part 2 of 3: Use Sensory Language Part 3 of 3: Become a Haiku Writer We could really use your help! Can you tell us aboutmotor driven systems? Can you help usrate articles? motor driven systems
Do not stand at my grave and weep Do Not Stand at My Grave and Weep is a poem written in 1932 by Mary Elizabeth Frye. Although the origin of the poem was disputed until later in her life, Mary Frye's authorship was confirmed in 1998 after research by Abigail Van Buren, a newspaper columnist.[1] Full text[edit] Do not stand at my grave and weep, I am not there; I do not sleep. I am a thousand winds that blow, I am the diamond glints on the snow, I am the sunlight on ripened grain, I am the gentle autumn rain. When you awaken in the morning’s hush I am the swift uplifting rush Of quiet birds in circled flight. I am the soft stars that shine at night. Do not stand at my grave and cry, I am not there; I did not die. Origins[edit] Mary Frye, who was living in Baltimore at the time, wrote the poem in 1932. Mary Frye circulated the poem privately, never publishing or copyrighting it. The poem was introduced to many in Britain when it was read by the father of a soldier killed by a bomb in Northern Ireland. BBC poll[edit] ... Rocky J.
Creepy, Crusty, Crumbling: Illegal Tour of Abandoned Six Flags New Orleans [75 Pics] Hurricane Katrina killed this clown. According to the photographer, “An abandoned Six Flags amusement park, someone spray painted ‘Six Flags 2012 coming soon’ on the wall above the downed head. But they were clownin.’ Six Flags will never rebuild here.” Welcome to Zombie Land kids! Chained dreams of fun at Six Flags New Orleans, abandoned Jazzland – that’s what Six Flags opened as “Jazzland” in 2000. Some photographers can see past the lifeless amusement park’s decay and desolation, showing us that there is still a chance the place could be cheery and not cheerless. Like a Bad Dream. Just in case you don’t know the scoop on what Hurricane Katrina did to New Orleans and Six Flags, this photo is of New Orleans, LA, on Sept. 14, 2005. Unlike the bleak amusement-less park above, some photographers can still see and share with us the echo of magic in the abandoned theme park Six Flags – even 6 years later in 2011. No lines for dead rides. Watch out for that tree! No one wants a ride?
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'Women Like Me': a poem by Maram al-Massri | Sampsonia Way Magazine - Celebrating Literary Freedom of Expression Photo courtesy of Maram al-Massri Last week, Syrian poet Maram al-Massri spoke to Sampsonia Way via Skype and discussed growing up in Syria, as well as the current Syrian uprisings. She was born in Latakia, and after studying English literature at the University of Damascus, she moved to Paris in 1982. Since then, she has published several collections of poetry. Below is a poem from her Red Cherry on a White Tile Floor. Women Like Me Women like me do not know how to speak. Periodic Table of Storytelling by *ComputerSherpa on deviantART