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Atelier Van Lieshout

Atelier Van Lieshout

http://www.ateliervanlieshout.com/

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Krijn Christiaansen – Krijn Christiaansen Cathelijne Montens (KCCM) Profile information for Krijn Christiaansen. Wooden field gates are landmarks in the flat Dutch landscape. The Vechtstreek (the area along the Vecht river, between Utrecht and Amsterdam) used to host many field gates. They were hand made… Read More… Noam Toran ************************************ Biography CV Contact ************************************ Selected WorksNight School on Anarres 2016 One That Got Away 2014 In Dreams I Walk with You 2013 The Melendez Family 2013 Two Rivers and a Desert in Between 2012 Après-Coup 2011 I Cling to Virtue 2010 If We Never Meet Again 2010 The MacGuffin Library 2008 Postponing the Inevitable 2007 Proposal for an Impossible Library 2007 Desire Management 2005 Object for Lonely Men 2001 Accessories for Lonely Men 2001 ************************************ Selected Publications/TextsDeviations from the Script 2016 One That Got Away 2014 From the Meinong Jungle Tribune 2014 Counterfeit Horizons 2012 Darkitecture 2012 I Cling to Virtue 2011 Things Uncommon 2010 The World Ending Object 2010 Recent/Forthcoming

Layers Cloud Chair On trouve de tout au Milan Design Week 2014, comme par exemple ce fauteuil coloré fait de 545 couches empilées de toile de Kvadrat, du designer hollandais Richard Hutten. Institute of Critical Zoologists "The work to follow is an exploration of these complexities and reminds us that birds occupy a large and central part of that universe that human beings constantly carve out of nature." Ding Li “In contemporary society birds are, perhaps, both the most watched and most eaten animal on our planet. They have become a focal point of debates about a 'proper' relationship between humankind and nature, and about definitions of humanity itself.” Naoko Noguchi

Synth-ethic: Art and Synthetic Biology Exhibition — Vienna, Austria Tuur van Balen Pigeon d’Or Pigeon d’Or proposes the use of pigeons as a platform and interface for synthetic biology in an urban environment. Tuur van Balen’s project attempts to make them defecate soap! Meret Oppenheim, de la muse à la fourrure - Le Journal des Arts - n° 410 - 28 mars 2014 Abonnements sans engagement de durée (Abonnement à durée libre au JournaldesArts.fr) (Abonnement à durée libre à L’oeil et au JournaldesArts.fr) (Abonnement à durée libre au Journal des Arts et au JournaldesArts.fr) (Abonnement à durée libre au Journal des Arts, au JournaldesArts.fr et à L’oeil)

Vitra Design Museum: Poltrona di Proust - Alessandro Mendini Design: 1978Production: since 1978Manufacturer: Studio Alchimia, MilanSize: 107 x 105 x 94; seat height 35 cmsMaterial: painted wood, painted upholstery The “Proust” chair is the most famous design by Italian designer Alessandro Mendini, a highly influential champion of design in the eighties. As designer, journalist, and teacher, he has traced the cultural and substantive issues in the field of design, often working closely with related disciplines such as art, architecture, philosophy, and literature.

Every Frame a Painting Here's a second, supplementary video we made: a new Twitter account about temp music we made: Dan Golding's great response video here: Off the top of your head, could you sing the theme from Star Wars? How about James Bond? Or Harry Potter? But here’s the kicker: can you sing any theme from a Marvel film? Despite 13 films and 10 billion dollars at the box office, the Marvel Cinematic Universe lacks a distinctive musical identity or approach.

Zeven streken Werk van Marc van Vliet Zeven streken Niet alleen in deze onmetelijkheid. Op de Noordsvaarder staat een getijden object. Dossier pédagogique : Le surréalisme et l'objet. Centre Pompidou, 2013 Le Surréalisme et l’objet Vue de l’exposition, Galerie 1, octobre 2013 Alberto Giacometti, Boule suspendue, 1930-1931 Bois, fer et corde, 60,4 x 36,5 x 34 cm - AGD 1457 Introduction « Toute découverte changeant la nature, la destination, d'un objet ou d'un phénomène constitue un fait surréaliste. » Préface de la première livraison de La Révolution surréaliste, 1er décembre 1924

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