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Famous Fonts

Famous Fonts

50 Beautiful Color Palettes for Your Next Web Project Choosing the right color scheme is essential to your website’s success. Your layout and other design choices — including font — should be developed in concert with your color scheme, which can ensure readability, cohesiveness, and beauty in the final product. Unfortunately, making that choice or creating a color palette from scratch can be quite the challenge. That’s why for today’s post I’ve put together a collection of 50 beautiful color palettes that are ready to use for your next web project. Getting the Most Out of This Post Before diving into the color palettes I’ve collected, I want to mention a few tools that can help you get the most out of this post. Editor’s Note: Want to make your own palettes even better? Remember that Photoshop will display certain colors far more vibrantly than they will look on the web when you use hex codes. That’s all. Pick Your Palette Bonus Resources! Time for some discussion: Where do you find your color inspiration?

dafont.com Best Free Fonts of 2012 It’s that time of year again, time to recap the best about the year ending and prepare for a new year. Last week we kicked off our “Best of…” series with the Best Best Free UI PSDs of 2012. So for this week, we will show you the best free fonts we saw here in 2012. Make sure to pick your favorites to add to your library for the start of 2013. Villa Didot Blanch Arvil Manteka Metropolis Cassannet Silverfake Nougatine Magna Bariol Kocoon Light Acorn Typeface Nexa Maven Pro Sreda Oranienbaum Benthem Sahara Moby Barkentina About the Author Gisele Muller loves communication, technology, web, design, movies, gastronomy and creativity. Related Posts 1060 shares Best jQuery Plugins of 2012 Nearly 6 years after the initial release of jQuery, it’s more popular than been. Read More 540 shares Best Free UI PSDs of 2012 It’s that time of year again, time for our “Best of…” series, where we look back over the past year and pick our favorite freebies and resources.

10 Awesome Infographics for Graphic Designers As a graphic designer, you’ve probably designed at least a few infographics for your clients – or even for fun. You can create (and sell) infographics for any topic or industry, which means infographics can be a lucrative source of income. Some designers make a full-time living designing infographics alone. And while infographics always require the talents of a graphic designer, how many infographics have you seen that feature graphic designers? 1. Learn what different colors represent and what emotions they stir, and when and how to use them in your own designs. 2. This infographic serves as a quick reference for the basic elements of design, complete with tips for how and why each should be considered when creating any design. 3. A humorous look at the daily life of a graphic designer – super deadlines, tons of work, frantic environment and (hopefully) good pay. 4. Want to be a better, more successful, more inspired graphic designer? 5. 6. 7. How much do other graphic designers make?

Serif vs. Sans: the final battle First it was the Capulets versus the Montagues; then it was Coke versus Pepsi; and the latest epic battle? Serif versus sans-serif, of course. Lucky for us, the crew at UrbanFonts has produced a nifty infographic to help clarify the age-old rivalry between serif and sans. Brief, yet information-packed, it covers everything from DPI to classification, and expertly explains why serif is better for print and sans serif is best suited for web. This clever infographic — that smartly draws upon humor to drive home its points — offers a simple, insightful conclusion that designers should bear in mind: “The best font choices are ones where readers do not notice the font … but the message.” For free fonts and dingbats, check UrbanFonts.com Do you tend to use serif or sans-serif most? Stacey Kole is a freelance writer and former magazine editor.

MAKE YOUR OWN FONT typing lessons This is keybr.com, a web application that will help you teach touch typing. Touch typing is typing without using the sense of sight to find the keys. A person possessing touch typing skills will know their location on the keyboard through muscle memory. This is a short tutorial that will explain how does this application work. You can use the left and right arrow keys to navigate through these slides. This tutorial is based on these few principles: No boring, repetitive exercises. Initially it starts generating words from a small subset of the most frequent letters of the alphabet. When you are typing these words, keybr measures time to type a key for every letter in that subset. Once you familiarize yourself with the current subset of letters, the algorithm expands it, including more and more letters to it. The algorithm can also artificially rearrange letter frequencies, putting emphasis on the letters with the worst time to type measure. This is the text board. This is virtual keyboard.

Download Free Fonts for Mac, Android, Windows | Font Cubes “What Font Should I Use?”: Five Principles for Choosing and Using Typefaces - Smashing Magazine Advertisement For many beginners, the task of picking fonts is a mystifying process. There seem to be endless choices — from normal, conventional-looking fonts to novelty candy cane fonts and bunny fonts — with no way of understanding the options, only never-ending lists of categories and recommendations. Selecting the right typeface is a mixture of firm rules and loose intuition, and takes years of experience to develop a feeling for. Here are five guidelines for picking and using fonts that I’ve developed in the course of using and teaching typography. 1. Many of my beginning students go about picking a font as though they were searching for new music to listen to: they assess the personality of each face and look for something unique and distinctive that expresses their particular aesthetic taste, perspective and personal history. The most appropriate analogy for picking type. For better or for worse, picking a typeface is more like getting dressed in the morning. 2. 1. 2. 3. 4. 5.

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