Gallery ‹ hebru Gallery Copyright © Hebru Brand. Powered by Hebru Brand raulowsky: Pintan espadas nº 6 La coleccion “Pintan espadas” fue concebida e iniciada en los comienzos de esta década. por el veterano maestro de la poesía visual, Antonio Gómez. La colección juega, por un lado, con la baraja de cartas, el palo de espadas, de tal manera que cada uno de sus títulos tiene adjudicado, a modo de número de la colección, una carta correlativa de este palo. Y por otro, con el aspecto taurino, tal como se comprueba en los colores del diseño de cubiertas. De forma anecdótica, en la solapa, donde aparece la reseña del autor, se le toca con una montera.
Sweet Surreal Photo Manipulations (12 photos) Budapest, Hungary-based Sarolta Bán is a 28-year-old photographer whose surreal photos have a surprisingly sweet side to them. In fact, though there's always an air of mystery that surrounds them, her photos read like individual stories filled with hope. It's hard to believe that Bán only started down this creative path about three years ago. As she tells us, "I learned digital processing by myself, just by experimenting. "The whole thing started with a picture from a house in Torino, Italy, I didn’t like the sky, so I grabbed one of my photos and changed it to a Hungarian sky. Though Bán is influenced by many artists and photographers, she really enjoys the work of Chema Madoz and Robert ParkeHarrison. When asked what piece of advice she'd share with others, Bán thad this to say. Sarolta Bán
OCCUPY | An Independent Arts Project The 2nd Annual Supersonic Electronic Invitational @ Spoke Art, SF Only a few days remain to check out the 2nd Annual Supersonic Electronic Invitational at Spoke Art in San Francisco. What is a 2nd Annual Supersonic Electronic Invitational you may ask? Curator Zach Tutor has compiled a group of 32 contemporary artists, including Audrey Kawasaki, Erik Jones, Joao Ruas, Soey Milk, Conrad Roset who blur "the lines between multitudes of genres into a single, pluralistic whole." “The 32 artists in this years Supersonic Electronic Invitational were chosen not only for their outstanding ability to create dynamic art but also for their position as innovators at the forefront of a generation of artists. “This area of the contemporary art scene is what the Supersonic Electronic website seeks to chronicle, the rise of a movement which sees artists blurring the lines between multitudes of genres into a single, pluralistic whole. The show closes January 26, 2013 Soey Milk Alessandra Maria: Allan Innman: Conrad Roset: Erik Jones: Joao Ruas: Charmaine Olivia
IWANT design Ltd | Art Direction & Design | +44 (0)20 8989 2501 “Skirt Flirt” Paintings by Ho Ryon Lee I took the red eye from San Diego to the east coast yesterday in order to meet my mother , sister, godmother, and 6 other friends of ours at Arrowmont School of the Arts and Crafts. I’m taking “glass beads” which means I’m operating a blow torch and melting glass rods into “round” shapes. My work product is very, let’s just say, “arty” (oval, pear, not round). Ho Ryon Lee may have been inspired by jet lag when he conceived of these “double vision” paintings. Gallery representation: Galerie Bhak Like this: Like Loading... Apocageddon II (Destroyer of Worlds) | BRYAN SCHNELLE S.A.D. (The Decline) II, 2012 Paper collage and enamel on canvas 72×72 inches Untitled (Cross Study), 2012 Paper collage and enamel on canvas 36×36 inches Untitled (Goat Head Study), 2012 Paper collage and enamel on canvas 36×36 inches Untitled (Pentagram Study), 2012 Paper collage and enamel on canvas 36×36 inches Untitled (Skull Study), 2012 Paper collage and enamel on canvas 36×36 inches Prepare To Die, 2012 Paper collage and enamel on canvas 72×72 inches Untitled Skull Study, 2013 Paper collage and enamel on canvas 20 x 20 inches Untitled Skull Study, 2013 Paper collage and enamel on canvas 20 x 20 inches I Couldn’t Imagine Somebody Like Osama Bin Laden Understanding The Joy of Hanukkah, 2012 Paper collage and enamel on canvas 72×72 inches Stomping Your Face Til Your Face Says Nike Air, 2012 Paper collage and enamel on canvas 72×72 inches Untitled (Hammer & Sickle Study), 2012 Paper collage and enamel on canvas 32×32 inches S.L.I.M.E.
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