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Database of Digital Art

Database of Digital Art

Take a More Realistic Approach to Your To-Do List with the 3 + 2 Rule There are SO many grammar and spelling problems in this article, I found it VERY difficult to follow what the author was trying to say. Normally I can look the other way, but when the grammar is so bad it interferes with the message, it needs to be fixed. "Why bother why you will be working the whole day anyway?" * should be: Why bother when you will be working the whole day anyway? "Or sometimes I haven't been switching for a longer time and then I completely loose track about the project and it took me hours to get on the track again." * s/b: Or sometimes I go a long time without switching and then I completely lose track of the project and it takes me hours to get on track again. "Context switching is ridiculously easy because this way you don't switch just very few times per day!" * s/b: Context switching is ridiculously easy because this way you only switch a few times per day! "…considering how easy is to switch between (small number of) projects, just do switch!" #corrections

BYOB (Bring Your Own Beamer) BYOB (Bring Your Own Beamer) is a series of one-night-exhibitions hosting artists and their projectors. Anyone can make a BYOB exhibition. It’s very simple: - find a space- invite many artists- ask them to bring their projectors Please read the FAQ if you want to organize your own BYOB. Rafaël Rozendaal, 2010 - 2013 BYOB Amsterdam, photo by Idan Shilon BYOB Venezia, photo by Riley Harmon BYOB London BYOB Paris BYOB NYC, photo by Rafaël Rozendaal BYOB Boston BYOB Austin, photo by Ben Aqua BYOB LA, photo by C-Coy BYOB Berlin, photo by Anne de Vries Container Village: arredi multifunzionali (con)temporanei - Design Context “Container Village – Living in a box” è il progetto che ha visto coinvolti gli studenti della Facoltà di Design e Arti della Libera Università di Bolzano durante il semestre estivo 2013. Voluto e diretto dei docenti Claudio Larcher e Gianpietro Gai, il programma prevedeva lo sviluppo di idee e la successiva realizzazione di prototipi e arredi funzionali destinati agli spazi di un container. Oggetti che sono stati allestiti in un vero e proprio villaggio del ‘temporaneo’, grazie alla collaborazione con l’azienda altoatesina Niederstaetter, che ha fornito una struttura composta da tre moduli abitativi, provvisti di terrazza sul tetto. Le proposte di arredo, che dovevano rispondere a tre precisi ambiti di sviluppo (living, working e fun), avrebbero dovuto adeguarsi alle esigenze multifunzionali di trasformabilità e trasportabilità. PROGETTIBITTA è un set di sgabelli salva-spazio pensati per essere appesi alla parete. Un SÉPARÉ nato dall’unione di una scala con un tappeto.

W E S T E R N D I G I T A L Collecting Contemporary Art Means Collecting Digital Art Petra Cortright. RGB,D-LAY, 2011. Webcam video file. Edition of 5. 1 AP. Courtesy of the artist and Steve Turner Contemporary, Los Angeles. Last night, Rhizome was the beneficiary of the Paddles On! At the start of the evening, I hosted a panel discussion titled "Collecting Contemporary Art Means Collecting Digital Art." For the panelists, the title was also provocative for its use of the phrase "digital art." During the panel, Sacks also argued for the alternative term "new media," as this suggests more of a continuum of practices based on artistic experimentation with new tools, encompassing not only digital artists but also electronics tinkerers of the 1970s or biotech artists who work with DNA. At Rhizome, we describe our field as "artistic practices that engage technology." A few hours before the panel, Annie Werner, arts evangelist of Tumblr, published this post:

Paddles On! RADart : Rapid Application Development pour projets artistiques | RADart vous invite à découvrir des projets de création innovants et à participer à la résolution des problématiques rencontrées par leurs créateurs Home pop’lab Le pop’lab de poptronics, c’est celui des artistes invités à plancher sur un format hybride, mi-papier, mi-électronique, le pdf (pour Portable Document Format). Hybride comme les croisements qu’imagine poptronics, entre monde physique et cybermonde, entre net art et graffiti, théâtre et graphisme, musique et design, entre artistes et internautes. Un espace-temps création, à parution aléatoire, pour des rendez-vous que poptronics veut inattendus. numéro 12’ décembre 2012 Francis Mizio Les robots ne crient jamais Une fiction façon conte de Noël déviant par l’auteur de polar et de SF drôlatique Francis Mizio. numéro 1 mai 2007 Disque dur papier-David Guez Le tout premier pop’lab de poptronics. numéro 11’ octobre 2009 guillaume-en-égypte au brésil/da brasil Attention, pop’lab doublement exceptionnel : une affiche-magazine deux en un, dédiée au seul et unique chat pigiste au monde, et bilingue. numéro 10’ avril 2009 Systaime numéro 9’ 27-28 septembre 2008 journal ososphère L’étincelle

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